As neuro's post shows, croma and croche are current names for what we in
the US call 'eighth-notes'. If you consider the shape of the note (black
head, stem, one flag), the previous name of this note was 'fusa'.
This name comes from common renaissance usage where the note shape was
used rarely. I
Dear Louise,> Hi!> I came on your site and I
think that maybe you could give me the information I need.> AboutÂ
the musical note "la croche". She was called "croma" but before "croma", what
was its name.I am not sure what you are asking, but...It it
something about the Nomenclature of Note V
Hi!
I came on your site and I think that maybe you could give me the information I need.
About the musical note "la croche". She was called "croma" but before "croma", what was its name.
Thank you!
Louise Pivot
Excuse my English!!!Do you Yahoo!?
Yahoo! Shopping - Send Flowers for Valentine's D
Am Montag, 10. Februar 2003 09:39 schrieben Sie:
> Does it make sense that the following example (using GNU LilyPond 1.6.6)
> creates one set of notes and omits the double percent repeat but works
> correctly when skipBars = ##f ?
It doesn't and it's an age-old problem that I'm having as well.
Now it all falls into place! Although I had read the section several
times, obviously I didn't quite get the concept (or context).
Many thanks
/Hans
Mats Bengtsson wrote:
> > Adding note head to incompatible stem (type = 8):
> > r1 s1 \stemDown f
> > ,2 s2
>
> This typ
Why not use lilypond-book which is tailor-made for this purpose.
Read the sections in the Tutorial and in the Reference Manual on
"Integrating text and music" and see
http://mail.gnu.org/archive/html/lilypond-user/2002-11/msg00113.html
and the other emails in that thread. I'd recommend to use a dif
