Mats Bengtsson wrote:
> but set the NoteHead property #'transparent = ##t
Whoops, I didn't think enough.
You can turn off the noteheads by setting them to \turnOff - and in this
way avoid the paper-hacking:
mela = \notes \relative c' { a-. c e-> a\fermata }
melb = \notes \relative c' { c g'2 c'4
Mats Bengtsson wrote:
> Does it still work to attach scripts to the notes then?
Yes. I don't understand - what do you mean?
> I suspected that you'd have to keep the Note_heads_engraver
> but set the NoteHead property #'transparent = ##t
No that will not work. If you do that then the stems wil
Does it still work to attach scripts to the notes then?
I suspected that you'd have to keep the Note_heads_engraver
but set the NoteHead property #'transparent = ##t
I haven't tried, though. It may be that Rune's answer also
solves the original question.
/Mats
Rune Zedeler wrote:
Erik Sandber
Erik Sandberg wrote:
> Is there a way of mass converting all the notes of a voice (or staff) to
> skips? I.e. a way to make
>
> fis4_\p g8 g8_\f e16\_mf
> work like
> s4_\p s8 s8_\f s16\_mf
> (I want to copy the scripts of one staff into all the other staves, so I just
> want to extract those scr
Hello,
I think \sustainDown and \sustainUp output should be horizontally
aligned (at least by matching pair) even if \sustainDown output is
lowered to not clash with notes...
As my english is weak, I post a small png picture with demonstrate the
problem :-)
Thanks,
Alex.
<>
>~$ zgrep inputenc /etc/setup/tetex.tiny.lst.gz
>/usr/share/texmf/tex/latex/base/inputenc.sty
>
>Are you sure that you don't have this file on your system?
>Maybe it's enough to update the file name database by
>calling 'texhash'?
Well, it's there, right where you said it should be. As for callin
David Bobroff wrote:
Maybe you don't have the latest version, 20020911-1, see
/etc/setup/installed.db
tetex-bin tetex-bin-20020911-1.tar.bz2 0
tetex-tiny
tetex-tiny-20020911-1.tar.bz2 0
Looks current.
~$ zgrep inputenc /etc/setup/tetex.tiny.lst.gz
/usr/share/texmf/tex/latex/base/inputenc.st
Did you search the manual?
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Integrating-text-and-music.html
should be a good starting point. The example shown there is also
available in .../doc/lilypond/input/tutorial/lilbook.tex
(I usually use the suffix .lytex for the input files to
Howdy,
I've been reading much about the uses of lilypond-book, and seen people referring to
it in some of the answers to queries regarding margins and the like. How do you
invoke lilypond-book? or where could I go to find out how to use it?
Thanks, Suzanne
Do you mean something like this?
\score{
\context GrandStaff = gs \notes \relative c''<
\context Staff=aa {s1}
\context Staff=bb {s1*3}
\context Staff=cc {s1}
\context Staff=aa {a1 a \break
<{a a} \context Staff=bb {b b}>}
\context Staff=cc {c1 c c c}
>
\paper{
\tra
Mats Bengtsson wrote:
Paul Scott wrote:
Mats Bengtsson wrote:
In the latest development version, it is possible to typeset
both text and articulation marks centered over the multi-measure rest,
see
http://lilypond.org/development/Documentation/user/out-www/lilypond/Multi-measure-rests.html
I'd like to include an ossia (alternate part) in a piece. The piece
normally has two staffs, and I'd like to have an alternate staff between
the two staffs. However, Lilypond puts the alternate staff at the
bottom of the staffs:
bb
(see example)
I'd like it to look like this:
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