On Sat, 29 Jun 2002 09:37:10 Felipe Massia Pereira wrote:
> Hello,
>
> I have these 3 questions...
>
> 1) what's the best way to use string substitution, I mean something
> like:
>
> tune = "c"
>
> soprano = \notes \transpose $tune {...}
> alto = \notes \transpose $tune {...}
>
> 2) What's t
[EMAIL PROTECTED] writes:
> > > > (number of slashes = number of measures.) I've seen numbers on top
> > > > just to help people, i.e.
> > > >
> > > >
> > > > 1 2 3
> > > > % | % | % | etc.
> > >
> > > another version i came across a lot when i used to play in the youth
> > > orchestra
On Sat, 29 Jun 2002, Mats Bengtsson wrote:
> By the way, in your example file, the line
> \input "a4.ly"
> could just as well be removed. The default paper size
> is already A4
Thanks. I now have \include "paper23.ly" instead...
--
love, peace & harmony
Atte
_
By the way, in your example file, the line
\input "a4.ly"
could just as well be removed. The default paper size
is already A4 and if you really want to change the
paper size, you have to use the method described at
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Paper-size.html#P
> Moving from 1.2.17 to 1.4.12 some of my favourite commands
> do not work as expected
>
> The command I had standardized for boxed rehearsal marks, i.e.
>
> \mark "{\\font\\twelverm=cmbx12\\twelverm{\\hspace{10mm}\\raisebox{0mm}{\\fbox{1"
>
> makes some additional white space to be inserte
On Sat, 29 Jun 2002, Mats Bengtsson wrote:
> > I have a couple of questions that I didn't see treated in the
> > documentation:
> >
> > * I have entered about one page of piano music
> > (http://home.wanadoo.nl/atte/intermezzo1.ly), but lily squeezes it
> > together on two systems, how do I contr
> I have a couple of questions that I didn't see treated in the
> documentation:
>
> * I have entered about one page of piano music
> (http://home.wanadoo.nl/atte/intermezzo1.ly), but lily squeezes it
> together on two systems, how do I control the general "spacey-ness" of the
> music?
I've most
I have a couple of questions that I didn't see treated in the
documentation:
* I have entered about one page of piano music
(http://home.wanadoo.nl/atte/intermezzo1.ly), but lily squeezes it
together on two systems, how do I control the general "spacey-ness" of the
music?
* I read in the docu th
> > > (number of slashes = number of measures.) I've seen numbers on top
> > > just to help people, i.e.
> > >
> > >
> > > 1 2 3
> > > % | % | % | etc.
> >
> > another version i came across a lot when i used to play in the youth
> > orchestra was :
> >
> >8
> > | % |
> >
> > as
On Sat, 2002-06-29 at 12:38, Han-Wen wrote:
> That's more difficult. You would have to look into
> percent-repeat-engraver.cc and percent-repeat-iterator.cc I'm also not
> sure what you really want. AFAIK the syntax for repeating longer
> fragments is
>
> . ///
> ///.
this is for repeating a
[EMAIL PROTECTED] writes:
> > (number of slashes = number of measures.) I've seen numbers on top
> > just to help people, i.e.
> >
> >
> > 1 2 3
> > % | % | % | etc.
>
> another version i came across a lot when i used to play in the youth
> orchestra was :
>
>8
> | % |
>
> as in
I asked a question some time ago about bracketing some notes but never got
a suggestion. I'm not talking about the same kind of brackteing as the
recent bracket thread. What I would like to do is something like this:
____
| * * * * |
| | |
[EMAIL PROTECTED] writes:
>
> > 3) I read in documentation that I could use addLyrics with \notes instead
> > of \lyrics. I would use it with an alto voice that has the same timing of
> > the soprano voice (in fact, all voices have the same timing). Is there a
> > way so I can type the timing onl
Han-Wen wrote:
>>- It is not possible to have multiple precent repeat behave a la "skipBars"
>>
>
>That's more difficult. You would have to look into
>percent-repeat-engraver.cc and percent-repeat-iterator.cc I'm also not
>sure what you really want. AFAIK the syntax for repeating longer
>fragment
[EMAIL PROTECTED] writes:
> }}"
>
> is not usable at all (lots of white space before and after the barline).
I can't duplicate this problem. can you send a small .ly ?
> I would like to look in the sources to see if I can do something
> to solve the problems outlined in my previous posting abou
> Hello,
>
> I have these 3 questions...
>
> 1) what's the best way to use string substitution, I mean something like:
>
> tune = "c"
>
> soprano = \notes \transpose $tune {...}
> alto = \notes \transpose $tune {...}
The problem is that the c in this case is not interpreted
as a string but ra
Hello,
I have these 3 questions...
1) what's the best way to use string substitution, I mean something like:
tune = "c"
soprano = \notes \transpose $tune {...}
alto = \notes \transpose $tune {...}
2) What's the best way to transpose a whole score? Should I put a
\transpose on every expression
Moving from 1.2.17 to 1.4.12 some of my favourite commands
do not work as expected
The command I had standardized for boxed rehearsal marks, i.e.
\mark "{\\font\\twelverm=cmbx12\\twelverm{\\hspace{10mm}\\raisebox{0mm}{\\fbox{1"
makes some additional white space to be inserted before and aft
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