jos wrote:
> I have a lilypond question: is there a command for
> making sequences of notes?
Not a command but it's easy in scheme
Notice how I just use the lilypond transpose for keys different from C
major.
\version "1.4.1"
#(define ((shift-pitch amount) p)
(let* ((o (pitch-octave p))
jos wrote:
>
> David Raleigh Arnold wrote:
> >
> > Nice thought. \Seq1? (down by default) \Seq5up? What about
> > accidentals?
> >
> > I would guess that macros within xemacs would actually save more typing
> > than
> > commands in lilypond when what you are doing is composition shortcuts.
>
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> It does, if you use \property Voice.Tie \override #'dashed = #1
Mats> There are predefined macros, \slurDotted, \slurSolid, \tieDotted
Mats> and \tieSolid, for these settings.
Thanks, this works.
--
Laura (mailto:[EM
> [EMAIL PROTECTED] writes:
> > With
> >
> > \time 6/8 [ c16 c c c8 c16 ]
> >
> > I get
> >
> > +--+--+--+---+
> > +--+ +- | -+
> > | | | | |
> > | | | | |
> >
> >
> > instead of the desired
> >
> > +--+--+--+---+
> > +--+--+ | -+
> > | | | | |
>
> > How do I correct this
> > One fairly standard way to indicate this is to print two noteheads,
> > with a dashed or dotted tie between the notes. Is there a property I
> > can set to have lily do this?
>
> This works for me (1.4.7):
>
> \score {
> \notes {
> \property Staff.noAutoBeaming = ##t
> \
Martin Norbäck <[EMAIL PROTECTED]> writes:
> I tried to use midi to ly conversion on a midi file[1], (which also happens
> to be some voices of the score I am working on). I thought I would save
> myself some work by converting this file to ly.
LilyPond 1.5.11 has some changes and fixes for midi
