[EMAIL PROTECTED] writes:
> >> seperating out things which are common between Grobs and Snobs into a
> >> base object (Probs - property objects). The first major hurdle I have
> >> hit is that of interfaces. I am having difficulty deciding whether
> >> interfaces should be the domain of grobs onl
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> [EMAIL PROTECTED] writes:
>> >>> I'll start by stealing the property code from Grobs, then add the
>> >>> other functionality when it turns out that I need it. My goal is to
>> >>> start simple, and only add complexity when necessary.
>> >>
>> >> OK.
[EMAIL PROTECTED] writes:
> >>> I'll start by stealing the property code from Grobs, then add the
> >>> other functionality when it turns out that I need it. My goal is to
> >>> start simple, and only add complexity when necessary.
> >>
> >> OK. My original plan was for the snobs to also have a pa
Michael Welsh Duggan <[EMAIL PROTECTED]> writes:
> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
>
>> [EMAIL PROTECTED] writes:
>>> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
>>> > * Then I add simple constructions, such as stress on the 1st note of a
>>> > slur/1st note of a bar. I should d
[EMAIL PROTECTED] writes:
> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> > * Then I add simple constructions, such as stress on the 1st note of a
> > slur/1st note of a bar. I should do some reading up on what are the
> > most important facets of getting a credible performance.
>
>
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> [EMAIL PROTECTED] writes:
>> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
>> >* Then I add simple constructions, such as stress on the 1st note of a
>> >slur/1st note of a bar. I should do some reading up on what are the
>> >most importan
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> [EMAIL PROTECTED] writes:
>> I am working on a revamping the audio output portion of Lilypond, and
>> find myself in need of advice. The idea is to use a set of
>> translators (performers) to convert the music into a time-ordered
>> output-generic re
[EMAIL PROTECTED] writes:
> I am working on a revamping the audio output portion of Lilypond, and
> find myself in need of advice. The idea is to use a set of
> translators (performers) to convert the music into a time-ordered
> output-generic representation of the music, and to do the conversion
I am working on a revamping the audio output portion of Lilypond, and
find myself in need of advice. The idea is to use a set of
translators (performers) to convert the music into a time-ordered
output-generic representation of the music, and to do the conversion
into the final output format (MIDI
