On Mon, 2005-01-24 at 01:02 +0100, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > Does anyone have any comments or ideas for better approaches? I'm
> > particularly concerned about tossing in a named staff instead of a named
> > voice for \lyricsto. Is there a better way to specify this
[EMAIL PROTECTED] writes:
> Does anyone have any comments or ideas for better approaches? I'm
> particularly concerned about tossing in a named staff instead of a named
> voice for \lyricsto. Is there a better way to specify this
> syntactically?
>
I'm still curious about your patch. Have I mis
Hi,
On Tue, 11 Jan 2005, Pedro Kroger wrote:
> Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
>
> > We're gonna be at the 2005 Linux Audio Conference in Karlsruhe
> > (Germany). If there's any interest in a LilyPond
> > Birds-Of-a-Feather/tutorial session, drop us a note, then we'll
> > organise so
Thanks for the hints, Han-Wen. I'll see what I can do with 'em.
On Wed, 2005-01-12 at 01:08 +0100, Han-Wen Nienhuys wrote:
> (please translate : boondoggle , confab? :-)
confab: abbreviated form of confabulation, which means unceremonious
conversation, chat. There's also an overtone of imagina
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> We're gonna be at the 2005 Linux Audio Conference in Karlsruhe
> (Germany). If there's any interest in a LilyPond
> Birds-Of-a-Feather/tutorial session, drop us a note, then we'll
> organise something.
now, *that* would be interesting!
Pedro
[EMAIL PROTECTED] writes:
> > The music functions (ly/music-functions-init.ly) get the parser as an
> > argument, which should be used to extract variables for tuning the
> > behavior of the part-combiner. Those can be used for merging
>
> *sigh* I wish I completely understood how all these piec
I wrote:
> (For hymn-writing purposes, I've also had to tweak some
> other aspects of \partcombine, for example, unisons should have two
> stems while unison rests should usually be merged, and the chord
> interval was expanded to a twelfth rather than just an octave.)
and Han-Wen replied:
> The
[EMAIL PROTECTED] writes:
> Hi, list. I'm working on tweaking \partcombine so that it can be used
> with \lyricsto for the purpose of typesetting hymns more easily. The
Cool!
> problem is that after \partcombine, the melody line (to which a lyric
> should be set) may be split between three (mor
Hi, list. I'm working on tweaking \partcombine so that it can be used
with \lyricsto for the purpose of typesetting hymns more easily. The
problem is that after \partcombine, the melody line (to which a lyric
should be set) may be split between three (more?) separate voice
contexts. Re-setting a
