On Feb 3, 2019, at 05:36, Valentin Villenave wrote:
>
> BTW, there’s no proper notion of inversions as such in jazz music
> (AFAICT); so the purpose of an \invertChords function here is left to
> our appreciation, with the minimal requirement being that the lowest
> note of the chord changes each
Hi Karlin!
Maybe, installing compat6x package is required.
# pkg install compat6x-amd64
...and it did indeed fix the issue. LilyPond seems fully functional.
Next, I want to make a FreeBSD 32-bit VM, and see about reviving an
iMac G5 to test the PowerPC installers. Although I doubt there's a
v
This statement surprises me. I always thought of 'drop n' (with 'drop 2'
being the most common one) as a means to transform closed-harmony
_upper_ voices into open harmony _upper_ voices, without changing the
bass at all.
[...]
Much like continued bass, what we’re dealing with here is the "rig
On 2/3/19, Lukas-Fabian Moser wrote:
> This statement surprises me. I always thought of 'drop n' (with 'drop 2'
> being the most common one) as a means to transform closed-harmony
> _upper_ voices into open harmony _upper_ voices, without changing the
> bass at all.
I see what you mean (and I did
> On 2 Feb 2019, at 21:37, Dan Eble wrote:
>
> Isn’t the salient property of an inversion simply which note is lowest in
> pitch?
A formal description might be: A chord is a set of pitch classes numbered 0, 1,
2, …, for the root 0 and inversions 1, 2, …. A realization of an inversion in
pitc
much like a suspended chord (the whole point of `drop n’ transformations
being to change the bass note).
This statement surprises me. I always thought of 'drop n' (with 'drop 2'
being the most common one) as a means to transform closed-harmony
_upper_ voices into open harmony _upper_ voices,
On 2019/02/02 20:37:16, dan_faithful.be wrote:
Isn’t the salient property of an inversion simply which note is lowest
in pitch?
I think the point of inversions is not to rearrange pitches inside a
chord, but to change the limits of the chord by changing *both* the
highest and the lowest note. (