Re: transposing baroque noteheads modernizes them

2009-11-01 Thread Laura Conrad
> "James" == James E Bailey writes: James> The easiest solution I can think of is to put them in the same Voice James> context. If you have : James> voicedefault = \context Voice = tset {…} James> and James> bassusnotes = \context Voice = tset {…} James> Then your ex

Re: transposing baroque noteheads modernizes them

2009-10-31 Thread James E. Bailey
On 31.10.2009, at 19:34, Laura Conrad wrote: No, but the attached is the simplest example I can figure out with the key signature and the notehead specification in a separate block from the notes. (In real life, they would be in a separate file.) And it does exhibit the bug. Can someone sugge

Re: transposing baroque noteheads modernizes them

2009-10-31 Thread Laura Conrad
> "Valentin" == Valentin Villenave writes: >> The attached lilypond file, which I would expect to produce baroque >> noteheads (i.e., square notes for the breves) produces whole notes >> with bars around them for breves. Valentin> Hm. I can't understand exactly what's happen

Re: transposing baroque noteheads modernizes them

2009-10-29 Thread Valentin Villenave
On Tue, Oct 6, 2009 at 5:20 PM, Laura Conrad wrote: > The attached lilypond file, which I would expect to produce baroque > noteheads (i.e., square notes for the breves) produces whole notes > with bars around them for breves. Greetings Laura (sorry for the delay), Hm. I can't understand exactly

transposing baroque noteheads modernizes them

2009-10-06 Thread Laura Conrad
The attached lilypond file, which I would expect to produce baroque noteheads (i.e., square notes for the breves) produces whole notes with bars around them for breves. If you uncomment the "\override NoteHead#'style = #'baroque" which is outside the \transpose section, you get the noteheads