Yes, I wrote articulate.ly thinking mostly of Clarinet music ... so
we could win the Artemis Orchestra Challenge for mechanical instrument
... that it happened to be useful for other things is more of a happy accident
than anything else.
Ideally it'd be integrated into Lilypond's MIDI generator,
27; g' |
d'4 c' b' |
\set Score.repeatCommands = #'((volta #f) (volta "2.") end-repeat)
r2.
\set Score.repeatCommands = #'((volta #f) end-repeat (volta "4."))
g'4 a' b' |
\set Score.repeatCommands
>>>>> "Peter" == Peter Chubb writes:
>>>>> "Ralph" == Ralph Palmer writes:
Ralph> I've gone slightly crazy on a couple of occasions, trying to
Ralph> figure out how to change a volta number, either to a different
Ralph> number(s)
.
Nick> /home/nick/lilypond/examples/test.ly:8:59: warning: already have
Nick> a beam \times 4/6 { a32[( g) fis( g) \appoggiatura { fis16 [ g]
Nick> } a32 g] } warning: cannot end slur warning: unterminated slur
--
Dr Peter Chubb peter.chubb AT nic
>>>>> "Colin" == Colin Campbell writes:
Colin> On 11-06-26 06:28 PM, Peter Chubb wrote:
>>>>>>> "lilypond" == lilypond writes:
lilypond> Updates: Status: Verified
>>
lilypond> Comment #8 on issue 1626 by colinpkc...@gma
> "lilypond" == lilypond writes:
lilypond> Updates: Status: Verified
lilypond> Comment #8 on issue 1626 by colinpkc...@gmail.com:
lilypond> Articulate produces faulty barcheck warnings
lilypond> http://code.google.com/p/lilypond/issues/detail?id=1626
lilypond> Re-verified 2.15, by golly!
e're still issues:
When there's a construct like
\swingIt #'"eight" { \time 2/4 r4. g8 |}
I see:
Warning: barcheck failed at: 1/12
an the timing of this part no longer matches other parts.
--
Dr Peter Chubb peter DOT chubb AT nicta.com.
Hi,
The `8' is too far from the F clef with Lilypond 2.12.2 --
from the score, one cannot tell whether it belongs to the bass or
treble staves.
\version "2.12.2"
\score {
<<
\new Staff { g'1 }
\new Staff { \clef "F^8" c'1 }
>>
}
Produces th
>>>>> "Peter" == Peter Chubb writes:
>>>>> "Jonathan" == Jonathan Glines writes:
Jonathan> I'd like to further this argument by pointing out that
Jonathan> ritardando has an effect on how the music is played. I'm
Jonathan>
an> in Rosegarden every time I export it. These are not ideal
Jonathan> solutions.
You could try my `articulate' script:
http://nicta.com.au/people/chubbp/articulate
Currently it produces MIDI that obeys `rall', adding `rit' should be
almost trivial.
--
Dr Peter Chubb http://
>>>>> "Trevor" == Trevor Daniels writes:
Trevor> Peter Chubb wrote Sunday, August 02, 2009 10:02 AM
>> I'm typesetting a little setting of Jn 3:16 I composed, in a file
>> called Jn3:16.ly. Lilypond can't see the file! It seems to be
&
six compliant systems the *only* two characters illegal in a file
name are the slash ('/' which is used as a directory separator) and the
NUL that terminates a C string.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au
>>>>> "Peter" == Peter Chubb <[EMAIL PROTECTED]> writes:
Peter> Hi Folks. it seems that if you have a section with a
Peter> \transposition directive, \transpose directives are not
Peter> honoured in the MIDI output.
Peter> The consequence
>>>>> "marc" == marc <[EMAIL PROTECTED]> writes:
marc> Hi, when a bar is explicitly added between 2 notes that are
marc> slured a syntax error, unexpected '(' is thrown.
That *is* a syntax error. The barcheck should go after the slur.
ays a middle-bflat.
The consequence is that if you have a score with some transposing
instruments (marked with \transposition) then transpose the whole
score, then only the non-transposing instruments sound correct.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
Try this:
---
\version "2.10.29"
global = {
\skip 1 |
\repeat volta 2 {
\skip 1
}\alternative {{ \skip 1 } {\skip 1 }}
}
music=\relative c' {
\repeat unfold 8 c8 |
\repeat unfold 8 d |
\repeat unfold 8 g,|
g a b c ~ c2
}
\score {
\unfoldRepeats \context Staff << \global \
> "Paul" == Paul Scott <[EMAIL PROTECTED]> writes:
Paul> [EMAIL PROTECTED] wrote:
>> I'm trying to typeset some optional notes a bit smaller. But Lily
>> seems to ignore the font change size in this context.
Paul> You don't mention what version but my current definition for cue
Paul> notes (s
After:
\notes {
\repeat percent 4 { d8 } % D
}
I see:
warning: Don't know how to handle a percent repeat of this length.
although the output looks OK.
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Hi,
The G minor 7 with suspended fourth chord prints as G7/sus4.
It should print as Gm7sus4
This is with lilypond 2.2.6
\score {
\context ChordNames\chords {
g:m7sus4
}
}
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Hi,
When trying to install the 2.4.x snapshot, I see:
Compiling
/usr/share/xemacs21/site-lisp/lilypond-snapshot/lilypond-font-lock.el...
Wrote /usr/share/xemacs21/site-lisp/lilypond-snapshot/lilypond-font-lock.elc
Compiling /usr/share/xemacs21/site-lisp/lilypond-snapshot/lilypond-indent
Hi Folks,
With Lilypond 2.2.3 from the Debian package 2.2.3-1.pk, if I set
word-space = #1 in a chordnames context, then each glyph within
each chord is spread out, instead of chord symbols each being treated
as a word.
Example:
\score {
\context ChordNames \chords { fis:m7/
In my old score I had:
\property ChoirStaff.autoBeamSettings \override #'(end * * * *)
= #(make-moment 1 4)
convert-ly converts this to
#(override-auto-beam-setting '(end * * * *) 1 4)
To get the same semantics that should be
#(override-auto-beam-setting '(end * * *
Hi.
Version 2.1.34 of convert-ly appears broken.
I see:
convert-ly (GNU LilyPond) 2.1.34
Processing `CwmRhondda-old.ly' ... Applying conversions: 1.5.33,
1.5.38, 1.5.40, 1.5.49, 1.5.52, 1.5.56, 1.5.58, 1.5.59, 1.5.62,
1.5.67, 1.5.68, 1.5.71, 1.5.72, 1.6.5, 1.7.1, 1.7.2, 1.7.3, 1.7.4,
1.7.5, 1.7.6
> "David" == David Bobroff <[EMAIL PROTECTED]> writes:
>>> way is correct by what I know. Should 'upstep' be 'up step'? No
>>> patch included.
>> don't know.
David> In working through refman.itely I saw 'upstep' and would
David> suggest that "pick-ups" or "pick-up notes" would be better.
Da
t know what the intent of the Lilypond authors was, but this
bevaviour therefore works quite well for common cases.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
The technical we do immediately, the political takes *forever*
__
> "Han-Wen" == Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
Han-Wen> [EMAIL PROTECTED] writes:
>> I have a latex file containing fragments of lilypond code. It
>> includes other files using
>>
>> \include{file}
>>
>> lilypond-book doesn't ever match this construct --- for some reason
>> it'
>>>>> "Peter" == Peter Chubb <[EMAIL PROTECTED]> writes:
Peter> I have a latex file containing fragments of lilypond code. It
Peter> includes other files using
Peter> \include{file}
What's more when I fix the regular expressions to match \include
i
I have a latex file containing fragments of lilypond code.
It includes other files using
\include{file}
lilypond-book doesn't ever match this construct --- for some reason
it's looking for
\mbinclude{file>
Peter C
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[E
Sorry, my fault. It should be c-- not c-_.
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Hi,
I want a tenuto -- I get an upside-down mezzo-staccato (dot
above line)
\score {
{
\notes\relative c'' { c1-_ }
}
}
--
Dr Peter Chubb [EMAIL PROTECTED]
You are lost in a maze of BitKeeper repositories, all almos
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
Mats> \addlyrics takes two arguments, the music to copy durations from
Mats> and the music to copy durations to. The first argument should be
Mats> a single line of music, otherwise it's not clearly defined what
Mats> durations to use.
T
Hi folks,
The combination of multiple voices on a single staff with
\addlyrics and named LyricVoice contexts doesn't work the way I expect
it to. I thought that the purpose of a named LyricVoice was to tell
Lilypond which voice to take the rhythm from...
In the example below, Lilypond becom
> "Mats" == Mats Bengtsson <[EMAIL PROTECTED]> writes:
>> On Wed, 2002-07-10 at 11:02, Mats Bengtsson wrote: > > <<< > >
>> warning: couldn't find any font satisfying > > (#f italic medium
>> roman -1)
>> > >
Mats> No, no! The order is correct (maybe you could say it's wrong in
Mats> the err
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