altogether and then reset
to 0."
I would think that once the timing is reset to 0, as \cadenzaOn does,
it should automatically insert a barline at that point and treat the
subsequent material as a new measure (thus avoiding problems with
accidentals).
I really think this is a design flaw.
-
tal cancellation here?
> }
> %%%
>
> -David
>
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--
Neil Thornock, D.M.
No Stopping, Standing, or Parking:
http://neil
hould also stay.
>>
>> If this is ok, can someone add this in a next Lilypond release ?
>>
>
> Added as
>
> http://code.google.com/p/lilypond/issues/detail?id=2365
>
>
> --
> --
>
> James
>
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> lilypond
> I'm not top posting.
When converting a Finale file that includes measures with 5/4 time signature
with whole rests, the rest gets converted with a duration of R1.. rather than
R1*5/4 or R4*5.
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>
%%After the line break, the horizontal space of the rehearsal mark suppresses
the hairpin
\version "2.12.1"
\paper {ragged-right = ##t}
\new Score { c'\< c' c' c' \break \mark \markup {"really really long markup"} c'
c' c' c' c'\! }
___
bug-lilypo
> i'm not top posting!!
When the following is run on v. 2.11.45, the accidental after the barline is
shifted to the left as if to account for the accidental tied into the measure.
The work-around is to temporarily shift to accidental style 'no-reset.
%snippet
\version "2.11.45"
\paper{ ragged-
