Thanks, entered as
http://code.google.com/p/lilypond/issues/detail?id=336
Cheers,
- Graham
Wolfgang Suppan wrote:
I'm not top posting.
%%%start
% octavation -> clefchange -> octavation:
% position of the pitches is wrong
% all pitches are c'
\version "2.10.20"
\paper{ ragged-right=##t }
\
Issue 336: octavation, change clef produces incorrect note positions
http://code.google.com/p/lilypond/issues/detail?id=336
New issue report by gpermus:
\version "2.10.20"
\paper{ ragged-right=##t }
\relative c' {
\clef "bass"
c1
#(set-octavation 1)
c
#(se
Issue 335: extender passes beginning of second node
http://code.google.com/p/lilypond/issues/detail?id=335
New issue report by gpermus:
% the lyric extender is too long; it should end before the second note.
\version "2.11.19"
<<
\relative c'' {
a2 b
}
\addlyrics { one __ }
>>
Attachments:
Thanks, added as
http://code.google.com/p/lilypond/issues/detail?id=334
Cheers,
- Graham
Mats Bengtsson wrote:
This seems like a bug, so I forward it to bug-lilypond. For example,
#(set-global-staff-size 16)
{c' d' e' f'}
works without problems in version 2.8 but fails with the error message
Issue 334: setting staff size not longer safe
http://code.google.com/p/lilypond/issues/detail?id=334
New issue report by gpermus:
tsubasa:~/tmp gperciva$ lilypond -dsafe foo.ly
GNU LilyPond 2.11.20
Processing `foo.ly'
Parsing...
foo.ly:2:1: error: GUILE signaled an error for the expression beginni
2007/3/14, Graham Percival <[EMAIL PROTECTED]>:
Yes. Solution: don't move the tie engraver around. Why did you want to
move it, anyway? If it was to avoid some bug, it would probably be
easier just to fix that bug.
Well, It's useful for notating guitar music. There isn't any other way
I kno
\arpeggioUp macro only sets the corresponding
property in the Voice context, but when you use
arpeggios across several voices, the property has to
be set in the Staff context instead.
Thanks Mats, as always :-)
I leave as an exercise for the reader to figure out the
corresponding definition of
If you move the tie engraver from voice to staff, how is lilypond
supposed to know which voice a tie applies to? Of course every note in
the staff will be tied! This is not a bug.
But one thing is when you create a tie, then it will tied to the next
note of any voice, and different thing is th
It's not a bug! The default implementation of the
\arpeggioUp macro only sets the corresponding
property in the Voice context, but when you use
arpeggios across several voices, the property has to
be set in the Staff context instead. Just add the following
redefinition of the \arpeggioUp macro at
Issue 282: tuplet bracket printed over the wrong staff
http://code.google.com/p/lilypond/issues/detail?id=282
Comment #3 by joeneeman:
I think this is not a cross-staff issue but a slur scoring issue. If you
override
the Slur details to be `((debug-slur-scoring . ,#t)) then you get a
"programmin
José Luis Cruz wrote:
I was very happy because of finding a way to make ties between voices,
simply changing the context of Tie_engraver from Voice to Staff. But
I've found a non desired consecuence of that.
>
Look at the example I provide. There are 2 voices. If I tie the first
one, ties are c
Please send a minimal example; see
http://lilypond.org/web/devel/participating/bugs
for hints.
Cheers,
- Graham
José Luis Cruz wrote:
Ok, I think this is a bug.
I've just learned how to make an arpeggio crossing voices (thanks
Mat), the problem is that I want arpeggios with arrow and when I
I was very happy because of finding a way to make ties between voices,
simply changing the context of Tie_engraver from Voice to Staff. But
I've found a non desired consecuence of that.
Look at the example I provide. There are 2 voices. If I tie the first
one, ties are created also in the second
Ok, I think this is a bug.
I've just learned how to make an arpeggio crossing voices (thanks
Mat), the problem is that I want arpeggios with arrow and when I say
to connect the arpegios, it's converted to a neutral one.
%%% START CODE %%%
\new Staff \with {\consists "Span_arpeggio_engraver"} {
If the line-breaking algorithm fails to find a good place to break a
line, so that notes fall off the right edge of the page, the staff
lines are not drawn, making it difficult to read the notes that *are*
printed. This makes debugging note entry for rhythmically complex
polyphony more difficult
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