Re: [Sursound] Sursound Digest, Vol 83, Issue 18

2015-06-28 Thread Anthony Mattana
 I don't see how you could apply HRTF data sets to 
> calculate a (new) binaural representation - corresponding to your 
> current head orientation. I am very open for smart algorithms, but still...
> 
> No way, IMO!
> 
> Best,
> 
> Stefan
> 
> 
> 
> --
> 
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Re: [Sursound] Hooke: First Bluetooth Binaural Microphone

2015-06-28 Thread Dave Hunt

Hi,

I agree with Stefan.

One would have to undo a binaural encode to something else, then do a  
dynamic head-tracked re-encode.


I did once try to transform a binaural signal to first order B-Format  
ambisonics with height using Max/MSP using a fairly simple algorithm.  
It sounded reasonably convincing, but was almost certainly not  
correct in any sense. It was just an attempt to use binaural files in  
a 1st order ambisonic environment along with mono, stereo, MS etc.


Ciao,

Dave


From: Stefan Schreiber 
Date: 28 June 2015 01:44:45 BDT
To: Surround Sound discussion group 
Subject: Re: [Sursound] Hooke: First Bluetooth Binaural Microphone


Anthony Mattana wrote:



We are currently in talks with software spatialization companies  
regarding adding an algorithm that would allow Hooke to be used as  
a head tracking audio playback option for VR scenarios. And this  
could be added to your Hooke via a OTA software update months  
after you purchase the headphones :-)




And how can you apply head-tracking to a binaural recording?

Last time I have argued that B format recordings allow (easy)  
application of HT, binaural recordings actually not.
You can't reconstruct the real or B format sound field from a  
binaural recording. If not, I don't see how you could apply HRTF  
data sets to calculate a (new) binaural representation -  
corresponding to your current head orientation. I am very open for  
smart algorithms, but still...


No way, IMO!

Best,

Stefan


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Re: [Sursound] Hooke: First Bluetooth Binaural Microphone

2015-06-28 Thread Dave Malham
Hi

On 28 June 2015 at 17:35, Dave Hunt  wrote:

> Hi,
>
> I agree with Stefan.
>
> One would have to undo a binaural encode to something else, then do a
> dynamic head-tracked re-encode.
>
>
This can be "sort of" done by using blind source separation techniques to
pull out the principle sources and their approximate positions then panning
them into a B format form, adding the remainder as a more-or-less diffuse
reverberant field. Note carefully I said "sort of" done - ok for consumer
stuff (after all, mp3 is ok for consumer stuff) but not for anything
serious, except for use in compositions, where the choices are down to the
composer.

  Best
  Another Dave


> I did once try to transform a binaural signal to first order B-Format
> ambisonics with height using Max/MSP using a fairly simple algorithm. It
> sounded reasonably convincing, but was almost certainly not correct in any
> sense. It was just an attempt to use binaural files in a 1st order
> ambisonic environment along with mono, stereo, MS etc.
>
> Ciao,
>
> Dave
>
>  From: Stefan Schreiber 
>> Date: 28 June 2015 01:44:45 BDT
>> To: Surround Sound discussion group 
>> Subject: Re: [Sursound] Hooke: First Bluetooth Binaural Microphone
>>
>>
>> Anthony Mattana wrote:
>>
>>
>>> We are currently in talks with software spatialization companies
>>> regarding adding an algorithm that would allow Hooke to be used as a head
>>> tracking audio playback option for VR scenarios. And this could be added to
>>> your Hooke via a OTA software update months after you purchase the
>>> headphones :-)
>>>
>>>
>> And how can you apply head-tracking to a binaural recording?
>>
>> Last time I have argued that B format recordings allow (easy) application
>> of HT, binaural recordings actually not.
>> You can't reconstruct the real or B format sound field from a binaural
>> recording. If not, I don't see how you could apply HRTF data sets to
>> calculate a (new) binaural representation - corresponding to your current
>> head orientation. I am very open for smart algorithms, but still...
>>
>> No way, IMO!
>>
>> Best,
>>
>> Stefan
>>
>
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-- 

As of 1st October 2012, I have retired from the University.

These are my own views and may or may not be shared by the University

Dave Malham
Honorary Fellow, Department of Music
The University of York
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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Re: [Sursound] Sursound Digest, Vol 83, Issue 18

2015-06-28 Thread Dave Malham
>
> > Stefan
> >
> > P.S.: The iPod might still exist, but Walkmen/iPods are obsolete in the
> > current environment.
> >
> >
> >
> >
> > --
> >
> > Message: 2
> > Date: Sun, 28 Jun 2015 01:44:45 +0100
> > From: Stefan Schreiber 
> > To: Surround Sound discussion group 
> > Subject: Re: [Sursound] Hooke: First Bluetooth Binaural Microphone
> > Message-ID: <558f437d.70...@mail.telepac.pt>
> > Content-Type: text/plain; charset=us-ascii; format=flowed
> >
> > Anthony Mattana wrote:
> >
> >>
> >> We are currently in talks with software spatialization companies
> regarding adding an algorithm that would allow Hooke to be used as a head
> tracking audio playback option for VR scenarios. And this could be added to
> your Hooke via a OTA software update months after you purchase the
> headphones :-)
> >>
> >>
> >
> > And how can you apply head-tracking to a binaural recording?
> >
> > Last time I have argued that B format recordings allow (easy)
> > application of HT, binaural recordings actually not.
> > You can't reconstruct the real or B format sound field from a binaural
> > recording. If not, I don't see how you could apply HRTF data sets to
> > calculate a (new) binaural representation - corresponding to your
> > current head orientation. I am very open for smart algorithms, but
> still...
> >
> > No way, IMO!
> >
> > Best,
> >
> > Stefan
> >
> >
> >
> > --
> >
> > Subject: Digest Footer
> >
> > ___
> > Sursound mailing list
> > Sursound@music.vt.edu
> > https://mail.music.vt.edu/mailman/listinfo/sursound
> >
> >
> > --
> >
> > End of Sursound Digest, Vol 83, Issue 18
> > 
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-- 

As of 1st October 2012, I have retired from the University.

These are my own views and may or may not be shared by the University

Dave Malham
Honorary Fellow, Department of Music
The University of York
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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