suppress one bar number

[bobr...@centrum.is]

I have a situation where a cadenza begins on one system, continues on the 
following system, and ends at the end of that system.  I have to use \bar "" 
for the break and that prints a bar number at the beginning of the line.  
Furthermore, at the next \break after \cadenzaOff it prints the same bar 
number.  Setting that bar number is no problem, but I want to suppress the 
printing of the bar number in the middle of the cadenza after '\bar"" \break'.  
Here is my test code:

\version "2.18.0"

\score {
 \relative c' {
  c1
  \cadenzaOn
  c1 c16-[ c c c-] \bar ""
  \break
  % suppress this bar number
  c16-[ c c c-]
  \cadenzaOff
  \bar "|"
  \break
  \set currentBarNumber = #3
  c1
 }
}

The only thing I've found in searching the docs is for removing the bar number 
engraver altogether.

-David

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PDF portfolio of 2.19.17 docs

[Nick Payne]

I've created a fully indexed portfolio of the 2.19.17 PDF docs. You can 
get it from 
https://www.dropbox.com/s/je4mjb3kwif8zeh/lilydoc-2.19.17.pdf?dl=0 (53Mb).


Needs Adobe Reader - I haven't found a 3rd party PDF viewer that can 
cope with PDF portfolios.


Nick

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Re: suppress one bar number

[Jan-Peter Voigt]

Hi David,

you might try

\once \override Score.BarNumber.stencil = ##f

HTH
Jan-Peter

Am 18.03.2015 um 08:14 schrieb bobr...@centrum.is:

I have a situation where a cadenza begins on one system, continues on the following system, and 
ends at the end of that system.  I have to use \bar "" for the break and that prints a 
bar number at the beginning of the line.  Furthermore, at the next \break after \cadenzaOff it 
prints the same bar number.  Setting that bar number is no problem, but I want to suppress the 
printing of the bar number in the middle of the cadenza after '\bar"" \break'.  Here is 
my test code:

\version "2.18.0"

\score {
  \relative c' {
   c1
   \cadenzaOn
   c1 c16-[ c c c-] \bar ""
   \break
   % suppress this bar number
   c16-[ c c c-]
   \cadenzaOff
   \bar "|"
   \break
   \set currentBarNumber = #3
   c1
  }
}

The only thing I've found in searching the docs is for removing the bar number 
engraver altogether.

-David

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Re: getting parts of the system start barline invisible

[Pierre Perol-Schneider]

Oups, copy/paste typo.
So here again :

\version "2.18.2"

\score {
  <<
\new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>
  \new StaffGroup = "sgStrings" \with { } <<
  \new Staff = "staff_II" \with {  } << \relative c' { c1 } >>
  \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
  \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >>
  >>
  >>
  \layout {
\context {
  \Score
  \remove System_start_delimiter_engraver
}
\context {
  \StaffGroup
  systemStartDelimiterHierarchy = #'(SystemStartBar (SystemStartBracket
1 2 3))
}
  }
}

Cheers,
Pierre


2015-03-18 7:52 GMT+01:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:

> Hi Zoran,
>
> Try :
>
> \version "2.18.2"
>
> \score {
>   <<
> \new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>
> <<
>   \new StaffGroup = "sgStrings" \with { } <<
>   \new Staff = "staff_II" \with {  } << \relative c' { c1 } >>
>   \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
>   \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >>
>   >>
>   \new Dynamics { s1 }
> >>
>   >>
>   \layout {
> \context {
>   \Score
>   \remove System_start_delimiter_engraver
> }
> \context {
>   \StaffGroup
>   systemStartDelimiterHierarchy = #'(SystemStartBar
> (SystemStartBracket 1 2 3))
> }
>   }
> }
>
> Cheers,
> Pierre
>
> 2015-03-18 2:31 GMT+01:00 Zoran Kesic :
>
>> Zoran Kesic  gmail.com> writes:
>>
>> >
>> > Hi,
>> >
>> > Although relatively new to Lilypond, I was able to find solutions to my
>> > needs so far, thanks to this forum and fantastic supporting
>> documentation
>> > for Lilypond.
>> >
>> > However, there is one thing that is driving me mad and I was hoping
>> someone
>> > would be able to help me with this code:
>> >
>> > \score { <<
>> > \new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>
>> >
>> > \new StaffGroup = "sgStrings" \with { systemStartDelimiter =
>> > #'SystemStartNoBar } <<
>> > \new Staff = "staff_II" \with {  } << \relative c' { c1 } >>
>> > \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
>> > \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >>
>> >> >>
>> > }
>> >
>> > Is it possible to make a portion of the system start barline that is
>> > connecting the top two staves (i.e. 'staff_I' and 'staff_II') invisible?
>> >
>> > Any help would be much appreciated. (Apologies for badly placed << and
>> >>
>> > symbols; trying to avoid the top-posting error!)
>> >
>> > Thanks
>> > Zoran
>> >
>>
>> Apologies, here is the correct code:
>>
>> \score { <<
>> \new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>
>>
>> \new StaffGroup = "sgStrings" \with {  } <<
>> \new Staff = "staff_II" \with {  } << \relative c' { c1 } >>
>> \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
>> \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >> >>
>> >>
>> }
>>
>> Thanks
>> Zoran
>>
>>
>>
>>
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Re: suppress one bar number

[bobr...@centrum.is]

That seems to work.  Thank you!

-David

- Original Message -
> From: "Jan-Peter Voigt" 
> To: lilypond-user@gnu.org
> Sent: Wednesday, March 18, 2015 7:32:57 AM
> Subject: Re: suppress one bar number
> 
> Hi David,
> 
> you might try
> 
> \once \override Score.BarNumber.stencil = ##f
> 
> HTH
> Jan-Peter
> 
> Am 18.03.2015 um 08:14 schrieb bobr...@centrum.is:
> > I have a situation where a cadenza begins on one system, continues on the
> > following system, and ends at the end of that system.  I have to use \bar
> > "" for the break and that prints a bar number at the beginning of the
> > line.  Furthermore, at the next \break after \cadenzaOff it prints the
> > same bar number.  Setting that bar number is no problem, but I want to
> > suppress the printing of the bar number in the middle of the cadenza after
> > '\bar"" \break'.  Here is my test code:
> >
> > \version "2.18.0"
> >
> > \score {
> >   \relative c' {
> >c1
> >\cadenzaOn
> >c1 c16-[ c c c-] \bar ""
> >\break
> >% suppress this bar number
> >c16-[ c c c-]
> >\cadenzaOff
> >\bar "|"
> >\break
> >\set currentBarNumber = #3
> >c1
> >   }
> > }
> >
> > The only thing I've found in searching the docs is for removing the bar
> > number engraver altogether.
> >
> > -David
> >
> > ___
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Re: Changing Spacing Between PianoStaff

[Pierre Perol-Schneider]

Hi Nolan,
There is no specific command for that, but threre are some workarounds,
such as:

\version "2.18.2"

myMusic = \repeat unfold 5 { c d e f g a b c' }

\new PianoStaff <<
  \new Staff \transpose c c' {
\myMusic
\myMusic
\myMusic
  }
  \new Staff {
\clef F
\myMusic
%% put some space here:
<>^\markup\column { \vspace #5 \null  }
\myMusic
\myMusic
  }
>>

Cheers,
Pierre

2015-03-18 0:01 GMT+01:00 Nolan Winter :

> Is it possible to change the vertical space between the two staves of a
> PianoStaff on a single line? I get how to do it for the entire context, you
> simply put "\override StaffGrouper.staff-staff-spacing.minimum-distance =
> #number" in \with of the pianostaff, but I would just like to do it on a
> single line. I thought \override at a certain point would work but it does
> not.
>
> Thanks,
> -Nolan
>
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Re: cadence font and lilypond-book

[Marc Hohl]

Am 17.03.2015 um 21:14 schrieb Urs Liska:
[...]


Well, almost. The minimal example I sent works as expected, but now I
run into a strange problem: I still got these error messages concerning
cadence in my real-life-project, and the first included song is
displayed with the cadence font, all other songs in my project have
stems only.

I think I'll just use emmentaler as long as my system does not seem to
like cadence :-(



That's a pity because very soon it will become *significantly* more
convenient to handle fonts in LilyPond :-)


I did some more tests today, including multiple files, and it seems that 
the problem occurs only if I say '--pdf' when invoking lilypond-book. 
Ok, this is superfluous when using lualatex, but it is strange that this 
option causes the font mechanism to get confused.


DOes anyone know why this happens?

Marc



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Book, set-global-staff-size & set-paper-size

[Pierre Perol-Schneider]

Hi List,

Please consider the following code:

\version "2.18.2"
%\version "2.19.16" %% <= same result

accords = \chordmode { c1 g1:7 }
musique = \relative c' { c4 d e f g1 }
paroles = \lyricmode { bla bla bla bla bla }

%#(set-global-staff-size 30)
\book {
  \bookOutputSuffix "a4"
  \paper {
#(set-paper-size "a4")
  }
  \score {
<<
  \new ChordNames \accords
  \musique
  \addlyrics \paroles
>>
  }
}

%#(set-global-staff-size 10)
\book {
  \bookOutputSuffix "a5"
  \paper {
#(set-paper-size "a5")
  }
  \score {
<<
  \new ChordNames \accords
  \musique
  \addlyrics \paroles
>>
  }
}

%#(set-global-staff-size 5)
\book {
  \bookOutputSuffix "a6"
  \paper {
#(set-paper-size "a6")
  }
  \score {
<<
  \new ChordNames \accords
  \musique
  \addlyrics \paroles
>>
  }
}

As soon as 'set-global-staff-size' are uncommented, 'set-paper-size' are no
more taken into account.
Any reason for this ?
Am I missing something ?

TIA,
Pierre

PS. after:
http://lilypond-french-users.1298960.n2.nabble.com/Un-meme-chant-pour-impression-dans-plusieurs-formats-td7582491.html
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Re: getting parts of the system start barline invisible

[Zoran Kesic]

Pierre Perol-Schneider  gmail.com> writes:

> 
> 
> 
> 
> 
> Oups, copy/paste typo.
> So here again :\version "2.18.2"\score {   <<    \new Staff = "staff_I"
\with {  } << \relative c' { c2 c2 } >>  \new StaffGroup = "sgStrings"
\with { } <<  \new Staff = "staff_II" \with {  } << \relative c' {
c1 } >>  \new Staff = "staff_III" \with {  } << \relative c' { c1 }
>>  \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >>
  >>   >>  \layout {    \context {  \Score  \remove
System_start_delimiter_engraver    }    \context {  \StaffGroup 
systemStartDelimiterHierarchy = #'(SystemStartBar (SystemStartBracket 1 2
3))    }  }}
> Cheers,
> Pierre
> 
> 
> 2015-03-18 7:52 GMT+01:00 Pierre Perol-Schneider  gmail.com>:
> 
> 
> 
> Hi Zoran,
> Try :\version "2.18.2"\score {   <<    \new Staff = "staff_I" \with {  }
<< \relative c' { c2 c2 } >>    <<  \new StaffGroup = "sgStrings" \with
{ } <<  \new Staff = "staff_II" \with {  } << \relative c' { c1 }
>>  \new Staff = "staff_III" \with {  } << \relative c' { c1 }
>>  \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >>
  >>   \new Dynamics { s1 }    >>  >>  \layout {    \context { 
\Score  \remove System_start_delimiter_engraver    }    \context { 
\StaffGroup  systemStartDelimiterHierarchy = #'(SystemStartBar
(SystemStartBracket 1 2 3))    }  }}
> Cheers,
> Pierre
> 
> 
> 
> 2015-03-18 2:31 GMT+01:00 Zoran Kesic  gmail.com>:
> Zoran Kesic  gmail.com> writes:
> >
> > Hi,
> >
> > Although relatively new to Lilypond, I was able to find solutions to my
> > needs so far, thanks to this forum and fantastic supporting documentation
> > for Lilypond.
> >
> > However, there is one thing that is driving me mad and I was hoping someone
> > would be able to help me with this code:
> >
> > \score { <<
> >     \new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>
> >
> >     \new StaffGroup = "sgStrings" \with { systemStartDelimiter =
> > #'SystemStartNoBar } <<
> >         \new Staff = "staff_II" \with {  } << \relative c' { c1 } >>
> >         \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
> >         \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >> >> >>
> > }
> >
> > Is it possible to make a portion of the system start barline that is
> > connecting the top two staves (i.e. 'staff_I' and 'staff_II') invisible?
> >
> > Any help would be much appreciated. (Apologies for badly placed << and >>
> > symbols; trying to avoid the top-posting error!)
> >
> > Thanks
> > Zoran
> >Apologies, here is the correct code:
> \score { <<
>     \new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>
>     \new StaffGroup = "sgStrings" \with {  } <<        \new Staff =
"staff_II" \with {  } << \relative c' { c1 } >>
>         \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
>         \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >> >> >>
> }Thanks
> Zoran
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> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
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Exactly what I needed!
Thank you so much Pierre.

Cheers,
Zoran 
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Re: Changing Spacing Between PianoStaff

[Kieren MacMillan]

Hi Nolan,

> There is no specific command for that

Actually…
http://lilypond.org/doc/v2.19/Documentation/notation/explicit-staff-and-system-positioning

Hope this helps!
Kieren.

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Re: Changing Spacing Between PianoStaff

[Pierre Perol-Schneider]

Thanks for the reminder Kieren!
Cheers,
Pierre

2015-03-18 12:31 GMT+01:00 Kieren MacMillan :

> Hi Nolan,
>
> > There is no specific command for that
>
> Actually…
>
> http://lilypond.org/doc/v2.19/Documentation/notation/explicit-staff-and-system-positioning
>
> Hope this helps!
> Kieren.
>
> ___
>
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> www:  
> email:  i...@kierenmacmillan.info
>
>
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Re: Dynamics context vs. dynamics in staff

[Noeck]

Hi Simon,

> This changed recently, see
> . Briefly:
> now, Y-offset is considered separately for DynamicText and
> DynamicLineSpanner. This means that
> – a DynamicLineSpanner can only have it’s Y-offset overridden before it
> begins
> – for DynamicLineSpanner, Y-offset is relative to its default position
> – for DynamicText, Y-offset is relative to DynamicLineSpanner.

The problem is that if I override the Y-offset of a DynamicText, the
skyline changes and the other dynamics of this line are moved, too.
I suppose I should use the extra-offest in most cases. Do you agree?

Cheers,
Joram

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Re: ANN: Frescobaldi 2.18

[Davide Liessi]

Dear friends,

Frescobaldi 2.18 is now available also via MacPorts.

As usual you can update your installed ports with the following commands:

sudo port selfupdate # updates MacPorts and the port definitions
port outdated# shows available updates
sudo port upgrade outdated   # updates all outdated ports

Best wishes.
Davide

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Re: Dynamics context vs. dynamics in staff

[Kieren MacMillan]

Hi Joram,

> The problem is that if I override the Y-offset of a DynamicText, the
> skyline changes and the other dynamics of this line are moved, too.
> I suppose I should use the extra-offest in most cases. Do you agree?

Often, I will use a combination of all three.

1. I will use functions like

ignoreH =
#(define-music-function (parser location item) (symbol-list-or-music?)
  #{ \tweak #'horizontal-skylines #f
 \tweak #'extra-spacing-width #empty-interval
 #item #})
ignoreV =
#(define-music-function (parser location item) (symbol-list-or-music?)
  #{ \tweak #'vertical-skylines #f
 \tweak #'extra-spacing-height #empty-interval
 #item #})
ignore =
#(define-music-function (parser location item) (symbol-list-or-music?)
  #{ \tweak #'vertical-skylines #f
 \tweak #'horizontal-skylines #f
 \tweak #'extra-spacing-width #empty-interval
 \tweak #'extra-spacing-height #empty-interval
 #item #})

to have the spacing engine ignore a grob.

2. I’ll override the X- or Y-offset of a DynamicText.

3. As a last resort, I’ll use extra-offset.

I use the \editionEngraver 
(https://github.com/openlilylib/openlilylib/tree/master/editorial-tools/edition-engraver)
 to keep all of these — and most other tweaks — outside my content layer.

Hope this helps!
Kieren.
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Re: drawing curves in markup (was: draw-line)

[Kevin Barry]

On Tue, Mar 17, 2015 at 9:48 PM, Carl Sorensen  wrote:

> The tangent to a bezier curve at the endpoint is the line that goes from
> the endpoint to the control point.  It's really easy to get if you have
> the bezier definition.
>

This seems so obvious I'm surprised I didn't think of it! Thank you for
pointing it out. Now I can simply specify the in and out angle (like I
usually do in Tikz) and it will all work nicely.
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Using multiple tags

[Anton Curl]

Hi everyone!

I like using tags in my scores but it becomes complicated:

I want to use tags for:
- layout or midi
- score or part
- first / second / third / fourth time a variable is used

I could always use removeWithTag, but
- for the third case it's not handy, because I would have to add all the 
tags that I want to remove in every call (second third fourth, then: 
first third fouth, then: first second third)
- it's not intuitive. In my head, I think "keep the score tag", not 
"remove the part tag"


So is there a way to have something like categories for tags so as to 
use for example:

remove all tags from category A but score

It's the best solution that comes to my mind. But maybe is there also a 
better one?


Thanks!

Anton Curl

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Re: getting parts of the system start barline invisible

[Simon Albrecht]

Am 18.03.2015 um 02:14 schrieb Zoran Kesic:

Hi,

Although relatively new to Lilypond, I was able to find solutions to my
needs so far, thanks to this forum and fantastic supporting documentation
for Lilypond.

However, there is one thing that is driving me mad and I was hoping someone
would be able to help me with this code:

\score { <<
 \new Staff = "staff_I" \with {  } << \relative c' { c2 c2 } >>

 \new StaffGroup = "sgStrings" \with { systemStartDelimiter =
#'SystemStartNoBar } <<
 \new Staff = "staff_II" \with {  } << \relative c' { c1 } >>
 \new Staff = "staff_III" \with {  } << \relative c' { c1 } >>
 \new Staff = "SG Staff 3" \with {  } << \relative c' { c1 } >> >> >>
}

Is it possible to make a portion of the system start barline that is
connecting the top two staves (i.e. 'staff_I' and 'staff_II') invisible?

Any help would be much appreciated. (Apologies for badly placed << and >>
symbols; trying to avoid the top-posting error!)

This may be avoided by including the line
> I'm not top posting.
at the beginning. (This is only said in 
)


Yours, Simon

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Re: drawing curves in markup (was: draw-line)

[Kevin Barry]

On Tue, Mar 17, 2015 at 9:21 PM, Thomas Morley 
wrote:

> I attach my approach to create arrowed slurs.


This is very useful for me. Thank you!

Kevin
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Re: Using multiple tags

[Simon Albrecht]

Am 18.03.2015 um 14:42 schrieb Anton Curl:

Hi everyone!

I like using tags in my scores but it becomes complicated:

I want to use tags for:
- layout or midi
- score or part
- first / second / third / fourth time a variable is used

I could always use removeWithTag, but
- for the third case it's not handy, because I would have to add all 
the tags that I want to remove in every call (second third fourth, 
then: first third fouth, then: first second third)
- it's not intuitive. In my head, I think "keep the score tag", not 
"remove the part tag"


So is there a way to have something like categories for tags so as to 
use for example:

remove all tags from category A but score

It's the best solution that comes to my mind. But maybe is there also 
a better one?
Indeed: only recently, David Kastrup introduced the tagGroup command, 
which serves for exactly this purpose. See 
 
and  
(about at 2/5…) for some basic documentation. More can be found in the 
related google code issue.


HTH, Simon

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Re: Using multiple tags

[Anton Curl]

On 18/03/2015 15:06, Simon Albrecht wrote:
Indeed: only recently, David Kastrup introduced the tagGroup command, 
which serves for exactly this purpose. See 
 
and  
(about at 2/5…) for some basic documentation. More can be found in the 
related google code issue.


HTH, Simon

Great! Perfect timing! That's exactly what I meant.

I'll try this.

Thanks!

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Hiding MultiMeasureRest Number

[Dave Higgins]

At the end of a piece, one section has a long number of rests, i.e.
R1*42.  Is there a way to hide the number or create a long rest without
actually being multi-measure?
-- 
Dave Higgins
--
Two wrongs don't make a right, but three lefts do.

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Re: ANN: Frescobaldi 2.18

[Stan Sanderson]

> On Mar 18, 2015, at 8:13 AM, Davide Liessi  wrote:
> 
> Dear friends,
> 
> Frescobaldi 2.18 is now available also via MacPorts.
> 
> As usual you can update your installed ports with the following commands:

Davide, 


Once again, thank you for your work with Frescobaldi and to Wilbert for 
creating it.

One question- at this point, is there any essential difference between 
frescobaldi 2.18 and sub port frescobaldi-devel? I have been using the 
development version for some time and am wondering if there is any reason to 
continue doing so.

 Stan
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Re: PDF portfolio of 2.19.17 docs

[J Martin Rushton]

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

I've just had a look using Evince, the default Document Viewer 3.8.3
under GNOME.  When you open it up you get an advertising splash with
one page as a thumbnail.  Selecting "Attachments" though brings up a
list of the internal documents, each of which will open in their own
viewer if clicked upon.  Not perfect, and the index seems to be
missing, but usable.

Attached screenshot shows the splash screen and attachments thumbnails.

On 18/03/15 07:28, Nick Payne wrote:
> I've created a fully indexed portfolio of the 2.19.17 PDF docs. You
> can get it from 
> https://www.dropbox.com/s/je4mjb3kwif8zeh/lilydoc-2.19.17.pdf?dl=0
> (53Mb).
> 
> Needs Adobe Reader - I haven't found a 3rd party PDF viewer that
> can cope with PDF portfolios.
> 
> Nick
> 
> ___ lilypond-user
> mailing list lilypond-user@gnu.org 
> https://lists.gnu.org/mailman/listinfo/lilypond-user
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Re: PDF portfolio of 2.19.17 docs

[Nick Payne]

On 19/03/2015 07:25, J Martin Rushton wrote:

I've just had a look using Evince, the default Document Viewer 3.8.3
under GNOME.  When you open it up you get an advertising splash with
one page as a thumbnail.  Selecting "Attachments" though brings up a
list of the internal documents, each of which will open in their own
viewer if clicked upon.  Not perfect, and the index seems to be
missing, but usable.
The only reason I create the portfolio is because the index allows rapid 
search across all the manuals at once. Without it, you might as well 
just use the individual manuals...


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Re: PDF portfolio of 2.19.17 docs

[Stephen MacNeil]

it did not work Just an ADD :)

so I converted it to ps -- works perfect (no links)
then converted it back to pdf (works 100% links and all!!!)

that being said I have no idea what it should look like but to me it's
perfect!

cheers

Stephen
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Re: Constant sized rehersal marks?

[Trevor Bača]

Did anyone ever find a non-manual way of making this work?

Trevor.

On Fri, Jan 9, 2015 at 7:22 AM, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:

> As a first step here's a manual workaround :
>
> \version "2.18.2"
>
> \relative c' {
>   \time 2/4
>   d e |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.8
>   \bold "1"
> }
>   } d e |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.68
>   \fontsize #-3 \bold \concat { "1" \hspace #-.1 "0" }
> }
>   } f g |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.68
>   \magnify #.8 \bold \concat { "1" \hspace #-.1 "1" }
> }
>   } f g |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.61
>   \fontsize #-6 \bold \concat { "1" \hspace #-.1 "00" }
> }
>   } b c |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.8
>   \bold \concat { \hspace #.1 "2" }
> }
>   } a b |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.68
>   \fontsize #-3 \bold \concat { \hspace #.1 "20" }
> }
>   } c d |
>\mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.61
>   \fontsize #-6 \bold \concat { \hspace #.1 "200" }
> }
>   } c d |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.8
>   \bold "3"
> }
>   } e f |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.68
>   \fontsize #-3 \bold "30"
> }
>   } g a |
>   \mark \markup {
> \center-column {
>   \draw-circle #1.35 #0.1 ##f
>   \vspace #-.61
>   \fontsize #-6 \bold "300"
> }
>   } b c |
> }
>
> Pierre
>
> 2015-01-09 1:30 GMT+01:00 Steve Lacy :
>
>> Using "\set Score.markFormatter = #format-mark-circle-numbers" how would
>> one go about making sure that all the rehersal marks are the same size
>> (i.e. the radius of the circle is constant and the font inside scales to
>> fit, and digits are centered within the circle?).  Here's an example score
>> that I would like to fix:
>> [image: Inline image 1]
>> (http://lilybin.com/qurd93/2)
>>
>> Additionally:
>> - I find that the "1" inside the first rehersal mark needs to be tweaked
>> to the right a little to be visually centered,
>> - The "10" looks unnatural and needs some kerning so the digits are as
>> close as the digits in "20" and "30" are
>> - The mark for the "2" and "20" would look better with more default
>> padding as the lower left of the digit almost touches the surrounding
>> circle.
>>
>> Steve
>>
>>
>>
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>>
>
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>


-- 
Trevor Bača
trevorb...@gmail.com
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Re: Constant sized rehersal marks?

[Kieren MacMillan]

Hi all,

> Did anyone ever find a non-manual way of making this work?

Why not just \combine it with a \transparent constant (e.g., 88)?

Hope this helps!
Kieren.

___

Kieren MacMillan, composer
www:  
email:  i...@kierenmacmillan.info


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Re: getting parts of the system start barline invisible

[Zoran Kesic]

Simon Albrecht  mail.de> writes:

> > Any help would be much appreciated. (Apologies for badly placed << and >>
> > symbols; trying to avoid the top-posting error!)
> This may be avoided by including the line
>  > I'm not top posting.
> at the beginning. (This is only said in 
> )
> 
> Yours, Simon
> 

Thanks a lot, Simon. I searched for more info on how to avoid the error, but
did not come across that page.

Cheers,
Zoran



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special symbols

[Francesco Petrogalli]

Hi,

here  you can see a file with some
graphics that I would like to render in my lilypond document.
The symbols are circled in red in the image:
1) the top one is a sort of bar sign with a zigzag tail, I want to use
it with the  meaning "keep going with this pattern";
2) the left one is a special sign I need to add to the \tempo indication, an
arrow pointing to the right, meaning "60 and more".

Now, I can imagine that symbol 1) can be rendered with some postscript
tweaks, I just want to make sure I am not missing anything that might
be easier than starting embedding postscript in the score (I am not
looking for the "%" like sign used to repeat the previous bar).

As for 2), I have no idea how I can make it. Well, maybe I could use
again a custom
symbol added with a markup to the first note of the measure, but then
I'll have to take care of the "note = beat" and make sure it is
uniform with the other standard tempo notations in the score... a
complication that I'd
prefer to avoid.

Thanks in advance for any help!

Francesco

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