How to revert an override in partcombine

[Ed Gordijn]

Hi,

I use an override in partcombine to ignore collisions. But how do I 
revert this again?
In the snippet below I trie to revert but this doens't have effect and 
the g in the last measure collides.


I know that \once does work but I would prefer the construction with 
\override and \revert because I want to use this in longer sequences too.


Greetings, Ed


\version "2.18.0"

musicI =  \relative g' {
  g1~
  g1
  c2 c
  g1
}

musicII =  \relative g' {
  % create a double tie with partcombine
  \partcombineApart
\override Voice.NoteColumn.ignore-collision =##t
g1~
g1
\revert Voice.NoteColumn.ignore-collision
% tried both revert and override but there is no difference
% \override Voice.NoteColumn.ignore-collision =##f
  \partcombineAutomatic
  g2 g
  \partcombineApart
%\override Voice.NoteColumn.ignore-collision =##f % works, but why 
do I need it twice

g2 e
  \partcombineAutomatic
}


\partcombine \musicI \musicII

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Bar lines

[Peter Meanwell]

Using 2.18.0 and Frescobaldi.  Entering code for double bar line at end of line
 and repeat bar 
on next shows no bar lines at all.




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Re: Bar lines

[David Kastrup]

Peter Meanwell  writes:

> Using 2.18.0 and Frescobaldi.  Entering code for double bar line at end of 
> line
>  and repeat bar 
> on next shows no bar lines at all.

http://www.lilypond.org/tiny-examples.html>

-- 
David Kastrup

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Fwd: Bar lines

[Ralph Palmer]

Sorry, should have copied the list.

Ralph

-- Forwarded message --
From: Ralph Palmer 
Date: Mon, Feb 10, 2014 at 8:41 AM
Subject: Re: Bar lines
To: Peter Meanwell 


On Mon, Feb 10, 2014 at 8:04 AM, Peter Meanwell wrote:

> Using 2.18.0 and Frescobaldi.  Entering code for double bar line at end of
> line
>  and repeat bar
> on next shows no bar lines at all.


Greetings, Peter Meanwell -

Try
\bar ".|:-||"
-- 
Ralph Palmer
Brattleboro, VT
USA
palmer.r.vio...@gmail.com



-- 
Ralph Palmer
Brattleboro, VT
USA
palmer.r.vio...@gmail.com
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Re: Fwd: [SNIPPET] Text with Lettrine

[Pierre Perol-Schneider]

2014-02-10 1:13 GMT+01:00 Eluze :

>
> sounds like it could be enhanced to simplify the input with a function?!
>
>
Thanks Eluze, I'll work on it.
Cheers,
Pierre
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Re: Custom clef

[catal...@hotmail.com]

Great! Many thanks to both of you.

Le 9 févr. 2014 à 18:10, Paul Morris a écrit :

> catal...@hotmail.com wrote
>> I searched how to define a new clef or how to make a \markup block behave
>> like a clef, unsuccessfully.
> 
> Here is a snippet that may also be of help:
> 
> "Using non-standard clef positions and adding customized clef definitions"
> http://lsr.dsi.unimi.it/LSR/Item?id=401
> 
> And an updated version of it I made: 
> http://lsr.dsi.unimi.it/LSR/Item?id=893
> (It hasn't been approved yet so it doesn't show up in the LSR search.)
> 
> HTH,
> -Paul
> 
> 
> 
> --
> View this message in context: 
> http://lilypond.1069038.n5.nabble.com/Custom-clef-tp159049p159060.html
> Sent from the User mailing list archive at Nabble.com.
> 
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> 


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RE: Possible bug with volta repeat

[Mark Stephen Mrotek]

Peter,

I ran into this for piano score. The solution works here also (I tried it).
Insert "\grace { s8 s s } " at the beginning of the first alternative for
the upper voice.

Mark

-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Peter Gentry
Sent: Monday, February 10, 2014 7:47 AM
To: lilypond-user@gnu.org
Subject: Possible bug with volta repeat


The issue is when grace notes etc are added to a firsttime bar in one (or
more) choir staves

\version "2.18.0"

\score {


   \new ChoirStaff
 <<
 \new Staff = CStave 
  <<
  \new Voice = "C3" {  
 << 
   \relative c'' {
  \repeat volta 2 { 
   g1
}
 \alternative {
   {e4   r4  gis,4 r4   } 
   {e'1  }
 }
 }  >> }
  >>

 \new Staff = DStave 
  <<
  \new Voice = "C4" {  
 <<  \relative c'' {
   \repeat volta 2 {
r1
  }
\alternative {
 {\acciaccatura {  cis,8 (  [  d8 e8 ]  }  fis4 )  r4  e4 r4  }
{ fis1 }
 }
 }  >>  }
 >>
 >>
}  % end score block

A warning message is sent and two indication of a first time bar are
included in the first time bar. A workaround is to put the grace notes in
the preceeding bar. The issue only occurs with choir staves.

I haven't found this in the list of bugs afetr a search.

regards
Peter Gentry 



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Re: Possible bug with volta repeat

[Phil Holmes]

- Original Message - 
From: "Peter Gentry" 

To: 
Sent: Monday, February 10, 2014 3:47 PM
Subject: Possible bug with volta repeat




I haven't found this in the list of bugs afetr a search.

regards
Peter Gentry


It's our most famous and oldest outstanding bug:

http://code.google.com/p/lilypond/issues/detail?id=34

It's also documented, with the workaround:

http://lilypond.org/doc/v2.19/Documentation/notation/special-rhythmic-concerns

See known issues and warnings.

--
Phil Holmes 



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RE: Possible bug with volta repeat

[Peter Gentry]

 Thanks to all who replied.

>-Original Message-
>From: Alexander Kobel [mailto:n...@a-kobel.de] 
>
>Yet another incarnation of
>. Also 
>see 
>al-rhythmic-concerns#Known-issues-and-warnings-70>,
>with workaround mentioned there.
>Essentially, you need to insert skips to fake grace notes in 
>the other staves. It's well-known since a long while, and a 
>tough one - sorry.
>
>
>HTH,
>Alexander


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Re: Possible bug with volta repeat

[Alexander Kobel]

On 02/10/2014 04:47 PM, Peter Gentry wrote:

The issue is when grace notes [...]


The magic word...


I haven't found this in the list of bugs afetr a search.


Yet another incarnation of 
. Also see 
, 
with workaround mentioned there.
Essentially, you need to insert skips to fake grace notes in the other 
staves. It's well-known since a long while, and a tough one - sorry.



HTH,
Alexander

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Re Possible bug with volta repeat (Peter Gentry)

[Peter Gentry]

A similar issue is seen when the grace appears in a bar following \bar "||" in 
the parts. It's a bit of a fag having to insert bits
of s's into multiple parts - I'm inclined just to forget the grace (along with 
the performers!).

regards
Peter Gentry 



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Re: Re Possible bug with volta repeat (Peter Gentry)

[Richard Shann]

On Mon, 2014-02-10 at 16:44 +, Peter Gentry wrote:
> A similar issue is seen when the grace appears in a bar following \bar "||" 
> in the parts. It's a bit of a fag

well, you could always use Denemo to create your LilyPond - it will
insert the s's for you when you do Check Score ... after all, taking the
fag out of generating LilyPond is Denemo's raison d'etre.

Richard


>  having to insert bits
> of s's into multiple parts - I'm inclined just to forget the grace (along 
> with the performers!).
> 
> regards
> Peter Gentry 
> 
> 
> 
> ___
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Re: How to revert an override in partcombine

[Keith OHara]

Ed Gordijn  gmail.com> writes:

> I use an override in partcombine to ignore collisions. But how do I 
> revert this again?

Revert the next time that \partcombine output has the same
configuration of Voices.

As the two parts change in relation to each other, the part-combiner 
sometimes routes them in to one Voice, sometimes into separate Voices.

Most overrides change a setting of the current Voice, so if you override
while voices are separate, you change the way separate voices are set,
but the next music in unison is unaffected.

Overrides apply to at the moment of the next note, so an override 
immediately before \partcombineAutomatic applies to the first note
that goes into the automatically-chosen configuration of Voices.

So you have to change your overrides that apply to Voices
the next time those Voices are in use.

musicII =  \relative g' {
  \partcombineApart
\override Voice.NoteColumn.ignore-collision =##t
g1~
g1
  \partcombineAutomatic
  g2 g
  \partcombineApart
  \override Voice.NoteColumn.ignore-collision =##f 
g2 e
}


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[SNIPPET] "Inserting large plain text sections" (update)

[Pierre Perol-Schneider]

Dear All,

I've tried to update this snippet :
http://lsr.dsi.unimi.it/LSR/Item?id=300
by simply trying to add a new one.
For some reason, the LSR system refuses to compile.

Please find my file herewith, if someone could tell me where comes the
problem.

Cheers,
Pierre
\version "2.18.0"
% This snippet is an
\pointAndClickOff

\paper {
  ragged-bottom = ##f
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4
  a b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4
  a2 c
}

\book {
  \markuplist {
% put some space here
\vspace#2
\justify { 
  Lorem ipsum dolor sit amet consectetuer adipiscing elit,
  sed diam nonummy nibh euismod tincidunt ut laoreet dolore
  magna aliquam erat volutpat. Ut wisi enim ad minim veniam, 
  quis nostrud exerci tation ullamcorper suscipit lobortis
  nisl ut aliquip ex ea commodo consequat. 
}
% put some space here
\vspace#1
\fill-line {
  \score {
\new PianoStaff <<
  \set PianoStaff.instrumentName = "Piano  "
  \new Staff = "upper" \upper
  \new Staff = "lower" \lower
>>
\layout {}
  }
}
% put some space here
\vspace#1
\wordwrap { 
  Nam liber tempor cum soluta nobis
  eleifend option congue nihil imperdiet doming id quod mazim
  placerat facer possim assum. Typi non habent claritatem insitam; 
  est usus legentis in iis qui facit eorum claritatem.
  Investigationes demonstraverunt lectores legere me lius quod
  ii legunt saepius. Claritas est etiam processus dynamicus, qui 
  sequitur mutationem consuetudium lectorum. Mirum est notare 
  quam littera gothica, quam nunc putamus parum claram, 
  anteposuerit litterarum formas humanitatis per seacula quarta 
  decima et quinta decima. Eodem modo typi, qui nunc nobis
  videntur parum clari, fiant sollemnes in futurum.
}
% put some space here
\vspace#1
\score {
  \new PianoStaff <<
\set PianoStaff.instrumentName = "Piano  "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
  >>
  \layout {
ragged-right = ##f
  }
}
% put some space here
\vspace#1
\fill-line {
  \override #'(line-width . 60)
  \justify {
Lorem ipsum dolor sit amet consectetuer adipiscing elit,
sed diam nonummy nibh euismod tincidunt ut laoreet dolore
magna aliquam erat volutpat. Ut wisi enim ad minim veniam, 
quis nostrud exerci tation ullamcorper suscipit lobortis
nisl ut aliquip ex ea commodo consequat. Duis autem vel eum
iriure dolor in hendrerit in vulputate velit esse molestie 
consequat, vel illum dolore eu feugiat nulla facilisis
at vero eros et accumsan et iusto odio dignissim qui blandit
praesent luptatum zzril delenit augue duis dolore te feugait 
nulla facilisi. 
  }
}
% put some space here
\vspace#1
\fill-line {
  \column {
\score {
  \new PianoStaff <<
\set PianoStaff.instrumentName = "Piano  "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
  >>
  \layout {}
}
% put some space here
\vspace#1
\override #'(line-width . 50)
\justify {
  Nam liber tempor cum soluta nobis
  eleifend option congue nihil imperdiet doming id quod mazim
  placerat facer possim assum. Typi non habent claritatem insitam; 
  est usus legentis in iis qui facit eorum claritatem.
  Investigationes demonstraverunt lectores legere me lius quod
  ii legunt saepius. Claritas est etiam processus dynamicus, qui
}
  }
  \column {
\score {
  \new PianoStaff <<
\set PianoStaff.instrumentName = "Piano  "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
  >>
  \layout {}
}
% put some space here
\vspace#1
\override #'(line-width . 50)
\justify {
  sequitur mutationem consuetudium lectorum. Mirum est notare 
  quam littera gothica, quam nunc putamus parum claram, 
  anteposuerit litterarum formas humanitatis per seacula quarta 
  decima et quinta decima. Eodem modo typi, qui nunc nobis
  videntur parum clari, fiant sollemnes in futurum.
}
  }
}
  }
  \header {
title = "Lorem ipsum dolor"
  }
}

Brouillon.pdf
Description: Adobe PDF document
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Fwd: Re: How to revert an override in partcombine

[Ed Gordijn]

-- Doorgestuurd bericht --
Van: "Ed Gordijn" 
Datum: 10 feb. 2014 21:00
Onderwerp: Re: How to revert an override in partcombine
Aan: "Keith OHara" 
Cc:

Hi Keith,

> Most overrides change a setting of the current Voice

Are the settings for the other voices out of reach? Is it possible to to
set it with scheme? That would make it possible to use a temporary override
in a music function.

Greetings, Ed
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Re: How to revert an override in partcombine

[Pierre Perol-Schneider]

2014-02-10 12:34 GMT+01:00 Ed Gordijn :

> Hi,
>

Hi Ed,


>
> I use an override in partcombine to ignore collisions. But how do I revert
> this again?
>


\override Staff.NoteColumn.ignore-collision =##t
\revert Staff.NoteColumn.ignore-collision

should work.

Cheers,
Pierre
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Re: How to revert an override in partcombine

[Ed Gordijn]

Hi Pierre,


I use an override in partcombine to ignore collisions. But how do
I revert this again?


\override Staff.NoteColumn.ignore-collision =##t
\revert Staff.NoteColumn.ignore-collision

should work.


It does! Now I can write my music function.

Thank you,

Ed
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Re: Define custom/new \accidentalStyles (dodecaphonic minus repeated notes)

[Paul Morris]

David Nalesnik-2 wrote
> I confess that I find what goes on in the source a bit confusing, but I
> did
> come up with something that appears to work.  

Nice work!  It was interesting to see how you did this and how things work
internally on this.  It helped me improve some accidental tweaking code that
I use.  Thanks!

-Paul



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Page number padding

[Alex Loomis]

Page numbers are consistently too close to other content. What is the best
way to force them away?
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Re: Page number padding

[Kieren MacMillan]

Hi Alex,

> Page numbers are consistently too close to other content. What is the best 
> way to force them away?

Adjust the appropriate paper spacing variable(s), e.g.:

\version "2.19"

\bookpart { 
  \paper {
oddHeaderMarkup = \markup \abs-fontsize #12 \fromproperty 
#'page:page-number-string
  }
  \score { c' }
}

\bookpart { 
  \paper {
top-system-spacing.minimum-distance = 12
oddHeaderMarkup = \markup \abs-fontsize #12 \fromproperty 
#'page:page-number-string
  }
  \score { c' }
}

Note how page 2 has more separation.

Hope this helps!
Kieren.
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Frescobaldi and Colors with LilyPond

[SoundsFromSound]

Hello everyone.

Has anybody ever encountered this crash before? It's happening relentlessly
on Windows 7 x64 bit. I'm currently unable to import /any /color scheme into
Frescobaldi. I've tried running as admin, re-installing the program, working
with other versions of LilyPond; I am unsure how to proceed.

To reproduce, you can try going to Edit --> Preferences --> Colors -->
"Menu" button and "Import" color scheme.

Does anyone know a workaround? 

Thank you!

Ben

attached file:
Cannot_Import_Color_Scheme_Win7_x64.png

  



-
composer | sound designer 
LilyPond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond
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Re: Frescobaldi and Colors with LilyPond

[Philip Rhoades]

Ben,

Move to Linux?

Sorry, I just had to . .

Phil.


On 2014-02-11 16:42, SoundsFromSound wrote:

Hello everyone.

Has anybody ever encountered this crash before? It's happening 
relentlessly
on Windows 7 x64 bit. I'm currently unable to import /any /color scheme 
into
Frescobaldi. I've tried running as admin, re-installing the program, 
working

with other versions of LilyPond; I am unsure how to proceed.

To reproduce, you can try going to Edit --> Preferences --> Colors -->
"Menu" button and "Import" color scheme.

Does anyone know a workaround?

Thank you!

Ben

attached file:
Cannot_Import_Color_Scheme_Win7_x64.png




-
composer | sound designer
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--
Philip Rhoades

GPO Box 3411
Sydney NSW  2001
Australia
E-mail:  p...@pricom.com.au

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Re: Breton bagpipe notation

[Eluze]

Am 11.02.2014 04:45, schrieb guoguocuozuoduo:
> thanks, this worked.
> And what do you mean by
> > > please always respond to the list!
> ?
>

hi Brian

glad it works

your question came in thru LilyPond's user-list Lilypond-User
 originally

all the people reading your contribution might also be interested in
follow ups to this question

Eluze

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Re:filenames of png and svg not consistent (fwd)

[Martin Tarenskeen]

On Tue, 11 Feb 2014, Werner LEMBERG wrote:



>  01,02,...09,10,11
>  in case of 11 pages, instead of
>  1,2,...,9,10,11 (as it is right now) which may result in non-canonic
>  ordering of files.



 I think this is too smart.  Just imagine that you have 99 images
 embedded in a web page.  Now add a single image, rerun lilypond, and
 suddenly you have to correct all image names to add another leading
 zero.


Then maybe always use a 3-digit number 001 ... 999
That should be sufficient in most cases? If not (!) the user could probably 
split the project in separate parts ?


I have never seen a 1000+ page score ... yet

--

MT


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