Re: modifying chordNameSeparator behavior
Carl Sorensen writes: > And especially, since you care about the chord display problem, you > have a specific reason to move to 2.15.22. > > Just recognize that you are moving to a development version that is > potentially unstable (but I know of no instabilities). My usual experience with using development versions of various pieces of software I frequently use is that they are, after you had a suitable distance (depending on the pace of development and the release cycles) to the last stable release, more reliable and fun to work with as long as you frequently update them. The quality at some point starts to be better than that of the last stable version. It is less consistent, however: you might pick a lemon that warrants another update (or downgrade) soon. So if you are planning on doing just one update per year, the last stable version might be a good bet. If frequent updates don't scare you, tracking the last development release or even the current development source habitually can be rewarding. Also you tend to know better about what changes important to you end up in the next stable version if you don't let yourself be surprised by all changes at once. And of course, it is more rewarding if you tend to strain Lilypond's capacities that you often get problems fixed in a reasonable time frame after your initial report. And if you dislike a particular change for a good reason, you'll get to see it sooner and can protest more effectively. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: mailing list fot italian users
Federico Bruni-5 wrote: > > Il 21/12/2011 18:55, AB ha scritto: >> Federico Bruni gmail.com> writes: >> >>> >>> I'd like to create a mailing list for italian users. >>> Which hosting do you recommend? Googlegroups or gnu.org? >>> >> >> Hi Federico, it's a good idea. >> Do you have some news? >> BTW two international MLs are on gnu.org, another one on googlegroups. >> >> Ciao. >> andy >> > > Ciao Andy, no news. > > Does anybody know how can I set up a mailing list on gnu.org? > > I should have been more esplicit: hey italian users, what about creating > an italian mailing list? Can you help? :-) > > a neat alternative is smf (used by the German list: http://www.lilypondforum.de/index.php ) -- View this message in context: http://old.nabble.com/mailing-list-fot-italian-users-tp32754554p33021992.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Another minor detail in the docs
2011/12/21 Alberto Simões :
> PS: sorry for not submitting patches directly. Although I could for the
> second, I'm still not sure where to find the first.
Look at the section name and do
$ git grep "Normal maintenance"
Documentation/contributor/release-work.itexi:@item @strong{Normal maintenance}:
Documentation/contributor/website-work.itexi:@subheading Normal maintenance
The latter contains the sectioning command and that is the file which
contains what you look for.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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Re: carol booklet
Am 2011-12-17 um 19:59 schrieb Father Gordon Gilbert: Hi all, I don't know if it's useful to anyone, but a collection of the most common Public Domain Christmas carols in a booklet form is at http://blog.daveg.ca/wp-content/uploads/2011/12/Christmas_Carol_Booklet.pdf It's printed on legal-size paper, and if you put adjacent pages (1 & 2, 3 & 4, etc) on opposite sides of the page makes everything in the correct order. Just so's you know what I did, here it is: 1. Compile each song in the normal manner to produce the song in PDF format. 2. Compile with the following to produce a PNG lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts --png myfile.ly 3. In an OpenOffice document, set up the page size, two columns, etc 4. Make all the pages you want, and put the correct page numbers on the page 5. I also made my table of contents in the order I wished, so I could refer to it as I installed the PNGs 6. Load the PNG on the desired page. Immediately make it "wrap through". (This makes your filling of the document much easier.) Then re-size -- usually just cutting off a bit of the bottom of the page will do. 7. Do the same for each song in order. I realise that PNGs are not the best, but since these were being shrunk from original size, it doesn't seem to be a problem. Also, font-size is not totally uniform. But with relatively little work, and without a lot of geeky moves, I have a booklet that is now highly configurable. Thank you for your work, but IMO it was at least partly in vain. I guess a collection of .ly sources would be better for this audience. And a PDF containing vector data would be better (and probably smaller) for every audience. Of course (and very unfortunately) you cannot import vector data (i.e. PDFs) in some word processor, you’d need to employ a proper layout application (e.g. Scribus or InDesign) or typesetting system (TeX). Or use PDF tools to "glue" single lead sheets together with preface, ToC etc. from your word processor of choice. I myself compile my song booklets using ConTeXt with included LilyPond sources (a bit more mainstream would be using lilypond-book with LaTeX); there’s even an officially and legally printed booklet of mine with carols of the not-so-Christian type (e.g. winter/solstice/newyear songs). I’m using TeX’s index mechanism to get a sorted ToC automatically. But doing layout with TeX is not for the faint at heart. Season’s Greetlings --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: An easy way to convert from absolute to \relative?
[Quoting Father Gordon Gilbert, on December 21 2011, 20:51, in "Re: An easy way to c"] > Can you send me that Perl program and some instructions for using it? > My dialup connexion doesn't give me any good info to find it at the LY > site. Attached. Provided you have Perl installed, in a command window: perl lyabsrel.pl input.ly > output.ly Hope it helps, -- Johan lyabsrel.pl Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: carol booklet
(Was sent to Hraban, but was meant for the OP or ML) I would also appreciate the .ly sources - because 1. I would like to print just a selection of the carols and 2. I have (living in Europe) no printer printing on letter-sized paper. J. Pavlík ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: White Notation used by Charpentier
Hello all, Thank you for the implementation hints. If anyone wants to know more about this notation, "croches blanches" is a good search term. And Charpentier also uses the single digit time signature "3" in such music. \override Staff.TimeSignature #'style = #'single-digit to implement. Cheers Klaus ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Help for partial
Can someone help me with some strange effects in this score (a composition
of Yiruma, in which I tried to combine the solo and right hand to make it
easier to play).
The piece starts with a partial, which is displayed on its own; why isn't it
combined with a few more measures?
And second: on page 2, third system, the last measure has some strange
behavior.
When I take off the \paper section, that measure moves up to the top of page
2, but the same thing happens.
Kind regards,
Maarten
\version "2.12.3"
\header {
title = "The Things I Really... (piano Ver.)"
composer = "Yiruma"
}
\paper {
#(set-paper-size "a4")
paper-width = 20\cm
paper-height = 23\cm
top-margin = 1.5\cm
bottom-margin = 1.5\cm
ragged-last-bottom = ##t
}
global = {
\key bes \major
\time 4/4
}
upper = \relative c' {
\global
<< \new Voice = "upper1" {
\partial 4
r4
%1
r1*7
%9
r2 r8 d8 es f~ |
f2~ f8 d f c'( |
%11
bes8) bes4 a8~ a bes4 f8~ |
f2 r2 |
%13
r2 r8 d es f~ |
f2~ f8 d f c'~ |
%15
c8 bes4 c8~ c8 d4 es,8 |
es2 r2 |
%17
r2 r8 bes'8 a bes~ |
bes2 r8 bes c d~ |
%19
d4 es8 d~ d c bes d~ |
d4 es8 c~ c bes4 bes8~
%21
bes16 g f8 r4 r8 bes a bes~
bes2 r8 bes8 c d~ |
%23
d8 es4 d8~ d c bes d~ |
d8 c4 c8~ c bes4 c8 |
%25
c4 r r8 d es f~ |
f2~ f8 es d c~ |
%27
c8 f,4 f8 r bes c d~ |
d4 es8 c r bes c d~ |
%29
d2 r4 bes8 f'~ |
f2~ f8 es d c~ |
%31
c8 f,4 f8~ f bes c d~ |
d4 es8 c~ c bes bes bes |
%33
r1*8
r2 r8 bes a bes |
%42
r2 r8 d es f~ |
f2~ f8 es d c |
c8 f,4 f8 r bes c d~ |
%45
d4 es8 c~ c bes c d~ |
d8 es d16 c bes8 r4 bes8 f'~ |
%47
f2~ f8 es d c~ |
c8 f,4 f8 r8 bes c d~ |
%49
d4 es8 c~ c bes bes bes |
r2 r8 bes a bes~ |
%51
bes2 r8 bes c d~ |
d4 es8 d~ d c bes d~ |
%53
d4 es8 c~ c bes4 bes8~ |
bes16 g f8 r4 r8 bes a bes~ |
%55
bes2 r8 bes c d~ |
d8 es4 d8~ d c bes d~ |
%57
d8 es4 c8~ c bes4 bes8~ |
bes2 r4 \fermata
} \\
\new Voice = "upper2" {
\override NoteHead #'color = #(x11-color "LimeGreen")
\stemDown \partial 4
%1
bes8 a'~ |
a4 g8 d~ d4 bes8 a'~ |
%3
a4 g8 d~ d bes c d~ |
d8 g, es' c~ c bes c d~ |
%5
d2 r4 bes8 a' |
a8 d, g d~ d4 bes8 a'~ |
%7
a8 d, g d~ d bes d c~ |
c g4 bes8( b) c4 c8~ |
%9
c8 bes, es bes'~ 2 |
4 c8 d~ d a bes c~ |
%11
c8 bes4 a'8~ a4. f8 |
r4 8 ~ 4 8~ |
%13
8 4 8 r2 |
4 c8 d~ d a bes c |
%15
4. 8~ 4 8~ |
8 d4 bes'8~ bes f4 es8 |
%17
r4 g,8 bes~ bes bes a bes |
4 a8 bes~ bes bes a bes |
%19
4. 8~ 4 bes8 d |
4. 8 ~ d4 c8~ |
%21
c4. 8 a, bes d f |
4 g,8 ~ 4 |
%23
4. 8~ 4 c8 d |
4. 8~ 4 bes8 g' |
%25
4. 8~ 4 8 bes |
4. 8~ f 4 |
%27
4. bes,8~ bes4 |
4. 8~ r4 |
%29
c8 d c f~ f c f4 |
4. 8~ bes'4 f8 |
%31
4. 8~ bes, c d |
4. 8~ 4 |
%33
4 c8 d~ d4 bes'8 a'~ |
a4 g8 d~ d4 bes8 a'~ |
%35
a4 g8 d r bes c d~ |
d g, es' c~ c bes c d~ |
%37
d2 r4 bes8 a'~ |
a8 d, g d~ d a bes a'~ |
%39
a4 g8 d~ d bes d c~ |
c4 g8 bes~ bes c4 c8~ |
%41
c8 bes, es bes'~ bes4 g,8 bes |
r8 c f d c4 8 |
%43
4 8 ~ 4 ~ |
8 4 8 r bes c d |
%45
4. 8~ |
c8 d c d~ d4 c8 bes |
%47
4 8 ~ 4 8~ |
8 c f r4 d8 f |
%49
4 g8 ~ a4 bes8 |
bes,8 c d f~ f4 bes8 a'~ |
%51
a4 g8 d~ d4 bes8 a'~ |
a4 g8 d~ d bes c d~ |
%53
d8 g, es' c~ c bes c d~ |
d2 r4 bes8 a' |
%55
a8 d, g d~ d4 bes8 a'~ |
a8 d, g d~ d bes c d~ |
%57
d g es c~ c bes4 bes8 |
\acciaccatura c, 4 c8 f 4 \fermata
}
>>
}
lower = \relative c {
\global
\partial 4
%1
r4|
\clef treble
g'8 d' a' d, a' d,4. |
%3
f,8 d' f d f2 |
\clef bass
es,8 bes' es bes f' bes, es f |
%5
d,8 bes' c f~ f2 |
\clef treble
g,8 d' a' d, a' d,4. |
%7
f,8 d' f d f2 |
\clef bass
e,8 c' e2. |
%9
f,,8 c' g' f~ f2 |
bes,8 f'4.~ f2 |
%11
g,8 d' a' g~ g d f4 |
d,8 a' d4~ d8 f, a d |
%13
d,8 a' f' a~ a d,4. |
bes8 f'4.~ f2 |
%15
g,8 d' a' bes~ bes d, f4 |
c8 g' bes4~ bes8 c, g'4 |
%17
f,8 c'4. c8 f f,4 |
g8 d' f g g g, d' g |
%19
g,8 d' a' g~ g bes, f'4 |
es,8 bes' f' es g4 bes, |
%21
d,8 f bes d~ d d, f bes |
es,8 bes' f' es g4 c, |
%23
d8 f bes d, f bes4. |
e,,8 g c e~ e c g'4 |
%25
f,8 c' f f,~ f c' f4 |
es,8 bes' g' es~ es g4 bes,8 |
%27
d,8 bes' d bes~ bes d f,4 |
g8 d' f ~ c f4 |
%29
8 d f bes f d f bes, |
es,8 bes' f' g es g bes4 |
%31
d,8 f bes bes,~ bes d g4 |
c,,8 g' c f,~ f c' f4 |
%33
bes,8 f'4.~ f2 |
\clef treble g8 d' a' d, a' d, a' d, |
%35
f,8 d' a' d, a' d, a'4 |
\clef bass es,8 bes' es bes f' bes, es f |
%37
d,8 bes' c f~ f2 |
g,,8 d' a' bes d4 a |
%39
f,8 d' a' bes d d, f4 |
e,8 c' g' e'~ e c g e |
%41
f,8 c' g'4~ g8 c, f c |
bes8 f' bes f bes, f' bes bes, |
%43
es,8 bes' g' es~ es g4 bes,8 |
d,8 bes' d bes~ bes d f,4 |
%45
g8 d' f ~ c f4 |
8 d f bes f d 4 |
%47
es,8 bes' f' g es g bes es, |
d8 f bes bes, d bes'4. |
%49
c,8 g' c f, a c f,4 |
bes,8 f' bes4 bes,2 |
%51
\clef treble g'8 d' a' d, a'2 |
f,8 d' f d f2 |
%53
\clef bass es,8 bes' es bes f' bes, es f |
d,8 bes' c bes f'2 |
%55
\clef treble g,8 d' a' d, a' d, a'4 |
f,8
Re: Help for partial
2011/12/22 Maarten de Keijzer : > Can someone help me with some strange effects in this score (a composition > of Yiruma, in which I tried to combine the solo and right hand to make it > easier to play). > > The piece starts with a partial, which is displayed on its own; why isn’t it > combined with a few more measures? r1*7 could be the cause. Try R1*7 instead. -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: mailing list fot italian users
2011/12/22 -Eluze : >> Ciao Andy, no news. >> >> Does anybody know how can I set up a mailing list on gnu.org? >> >> I should have been more esplicit: hey italian users, what about creating >> an italian mailing list? Can you help? :-) I meant: help with replying to users' questions >> >> > a neat alternative is smf (used by the German list: > http://www.lilypondforum.de/index.php ) I don't like forums. And most of all: I don't want to have to set up and maintain a forum on a website. A mailing list is perfect. I would prefer being on gnu.org, as most of lilypond mailing list (french and spain for example) are there. But I can't find a place which explains how to create a new mailing list on gnu.org I found this page, but it seems that you need some privileges to create a new mailing list: http://it.gnu.org/cgi-bin/mailman/create ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Help for partial
Ok, thanks. That works, although the 'why' is not clear to me. Unfortunately, the other problem (the strange out-of-the-margin measure) still exists. Maarten -Original Message- From: Francisco Vila [mailto:paconet@gmail.com] Sent: donderdag 22 december 2011 12:50 To: Maarten de Keijzer Cc: lilypond-user@gnu.org Subject: Re: Help for partial 2011/12/22 Maarten de Keijzer : > Can someone help me with some strange effects in this score (a > composition of Yiruma, in which I tried to combine the solo and right > hand to make it easier to play). > > The piece starts with a partial, which is displayed on its own; why > isn't it combined with a few more measures? r1*7 could be the cause. Try R1*7 instead. -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Help for partial
Hi Maarten I've modified your file to get it working Yiruma - The things I really_dlg.ly Description: Binary data I've annotated bits of the file - sorry if anything's obvious you still need to sort out which notes you want in which voice towards the end (you also had two score blocks) Damian On 22 Dec 2011, at 12:20, Maarten de Keijzer wrote: > Ok, thanks. That works, although the 'why' is not clear to me. > Unfortunately, the other problem (the strange out-of-the-margin measure) > still exists. > > Maarten > > -Original Message- > From: Francisco Vila [mailto:paconet@gmail.com] > Sent: donderdag 22 december 2011 12:50 > To: Maarten de Keijzer > Cc: lilypond-user@gnu.org > Subject: Re: Help for partial > > 2011/12/22 Maarten de Keijzer : >> Can someone help me with some strange effects in this score (a >> composition of Yiruma, in which I tried to combine the solo and right >> hand to make it easier to play). >> >> The piece starts with a partial, which is displayed on its own; why >> isn't it combined with a few more measures? > >r1*7 > > could be the cause. Try > > R1*7 > > instead. > > -- > Francisco Vila. Badajoz (Spain) > www.paconet.org , www.csmbadajoz.com > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: carol booklet
On 11-12-22 04:52 AM, Jakub Pavlík wrote: I would also appreciate the .ly sources - because 1. I would like to print just a selection of the carols and 2. I have (living in Europe) no printer printing on letter-sized paper. Besides, if we had sources you might get back corrections and additions. I know that the collection would have been more helpful with more chords and I might have contributed. -- D'Arcy J.M. Cain | Democracy is three wolves http://www.druid.net/darcy/| and a sheep voting on +1 416 425 1212 (DoD#0082)(eNTP) | what's for dinner. IM: da...@vex.net ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Help for partial
Hi Damian, Thanks, it looks great now, and the comments help to understand ! Maarten -Original Message- From: Damian leGassick [mailto:damianlegass...@mac.com] Sent: donderdag 22 december 2011 13:32 To: Maarten de Keijzer Cc: lilypond-user@gnu.org Subject: Re: Help for partial Hi Maarten I've modified your file to get it working ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: mailing list fot italian users
Federico Bruni gmail.com> writes: > >> I should have been more esplicit: hey italian users, what about creating > >> an italian mailing list? Can you help? > > I meant: help with replying to users' questions Ciao Federico, I'm an old user, back to Lily in the last few months but I'm still a beginner. I suppose I can try to help only new entries. > > a neat alternative is smf (used by the German list: > > http://www.lilypondforum.de/index.php ) > > I don't like forums. > And most of all: I don't want to have to set up and maintain a forum > on a website. There're 800 users in their forums! I don't think there's much interest in open source (music) projects in Italy, there were only 10-15 users in the old audio/music ML. Hope I'm wrong but two months has passed from Federico's post and we're only two italians talkin' about a ML. :-( > A mailing list is perfect. > I would prefer being on gnu.org, as most of lilypond mailing list > (french and spain for example) are there. > But I can't find a place which explains how to create a new mailing > list on gnu.org It's like it.gnu.org: https://lists.gnu.org/mailman/create > I found this page, but it seems that you need some privileges to > create a new mailing list: > http://it.gnu.org/cgi-bin/mailman/create There's an e-mail for contacts here: http://it.gnu.org/cgi-bin/mailman/admin I don't know if a subscription (here: http://it.gnu.org/ ) is necessary to create a ML. andy ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: mailing list fot italian users
On Thu, Dec 22, 2011 at 01:05:42PM +0100, Federico Bruni wrote: > But I can't find a place which explains how to create a new mailing > list on gnu.org I create it, if there's enough demand. How many people want an italian list? Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How to make slurs ignore stems?
In regular modern scores it is logical that the ends of a slur attach to a notehead or to an end of a stem, depending on the direction of stems of the notes connected by the slur. I'm typesetting chant transcriptions and make stems transparent: \override Stem #'transparent = ##t Some slurs, attached to invisible stems, then "fly high over the notes". Is there any way to tell LilyPond to ignore stems when making slurs and attach slur always to noteheads? (I attach an image showing the problem. Red dots emphasize slurs attached to invisible stems.) Thanks for any help. Jakub<>___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to make slurs ignore stems?
Hi Jakub,
2011/12/22 Jakub Pavlík
> In regular modern scores it is logical that the ends of a slur attach to a
> notehead or to an end of a stem, depending on the direction of stems of the
> notes connected by the slur.
>
> I'm typesetting chant transcriptions and make stems transparent:
> \override Stem #'transparent = ##t
> Some slurs, attached to invisible stems, then "fly high over the notes".
>
> Is there any way to tell LilyPond to ignore stems when making slurs and
> attach slur always to noteheads?
There are probably better ways to go about this, but this seems to work:
\version "2.15.16"
\relative c'' {
\override Stem #'transparent = ##t
\override Stem #'Y-extent = ##f
c( a g)
}
-David
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Re: How to make slurs ignore stems?
Hello,
2011/12/22 Jakub Pavlík :
> In regular modern scores it is logical that the ends of a slur attach to a
> notehead or to an end of a stem, depending on the direction of stems of the
> notes connected by the slur.
>
> I'm typesetting chant transcriptions and make stems transparent:
> \override Stem #'transparent = ##t
> Some slurs, attached to invisible stems, then "fly high over the notes".
>
> Is there any way to tell LilyPond to ignore stems when making slurs and
> attach slur always to noteheads?
\version "2.14.1"
music = \relative c' {
\override Stem #'stencil = #point-stencil
\override Beam #'stencil = #point-stencil
a'8( b c d) e( f g) a( | a,) b c( d e f g a)
}
\score {
\music
}
This help?
http://lilypond.org/doc/v2.14/Documentation/learning/visibility-and-color-of-objects
'stencil'
--
--
James
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Re: How to make slurs ignore stems?
Hi again,
2011/12/22 David Nalesnik
>
> There are probably better ways to go about this, but this seems to work:
>
>
Here's another way:
\relative c'' {
\override Stem #'transparent = ##t
\stemDown
c( a g)
}
-David
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Re: How to make slurs ignore stems?
Thank you both, David and James.
J
> Původní zpráva
> Od: David Nalesnik
> Předmět: Re: How to make slurs ignore stems?
> Datum: 22.12.2011 20:44:59
>
> Hi Jakub,
>
> 2011/12/22 Jakub Pavlík
>
> > In regular modern scores it is logical that the ends of a slur attach to a
> > notehead or to an end of a stem, depending on the direction of stems of the
> > notes connected by the slur.
> >
> > I'm typesetting chant transcriptions and make stems transparent:
> > \override Stem #'transparent = ##t
> > Some slurs, attached to invisible stems, then "fly high over the notes".
> >
> > Is there any way to tell LilyPond to ignore stems when making slurs and
> > attach slur always to noteheads?
>
>
> There are probably better ways to go about this, but this seems to work:
>
> \version "2.15.16"
>
> \relative c'' {
> \override Stem #'transparent = ##t
> \override Stem #'Y-extent = ##f
> c( a g)
> }
>
> -David
>
>
>
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Re: ANN: Frescobaldi 1.9.5, last beta before 2.0.0
Le 22/12/2011 00:44, Wilbert Berendsen a écrit : Op Tue, 20 Dec 2011 23:40:15 +0100 Phil Hézaine schreef: I have to install an overlay + this "java thing" I don't like very much. PortMidi itself is a small c library which should not require java. There is some frontend tool in java but it's absolutely not needed :) You're right. I finally installed the sunrise overlay and compiled portmidi-217 without java!!!. It required one dependency. cython-0.14.1 that's all. Thanks Gentoo. Nevertheless there is a drawback. Above all I have to launch timidity in a terminal: timidity -iA Then there are 2 ways for using the midi, 1. with Alsa in standalone. ==> Requested buffer size 32768, fragment size 8192 ALSA pcm 'default' set buffer size 32768, period size 16384 bytes TiMidity starting in ALSA server mode Opening sequencer port: 128:0 128:1 128:2 128:3 I go to the Preferences => Reglages MIDI and refresh the midi ports. Then I select TiMidity port 0 and all is OK. Hmm... Nearly. Sometimes two or three notes are jerky, not all the time but more than 7 out of 10 tries with different midifiles it happens. By default I never have an issue with Alsa and I run a realtime kernel. For me portmidi is the culprit. 2. with Jack (qjackctl) I launch qjackctl ==> jack_client_new: deprecated jack_client_new: deprecated TiMidity starting in ALSA server mode Opening sequencer port: 130:0 130:1 130:2 130:3 as you see the midi port has changed. Again I refresh the midi ports in Frescobaldi and I must select again TiMidity port 0 in the rolling list because "for old times' sake" I guess portmidi keep in memory the old port (128) not the new (130). This time the streaming is correct. If for one reason the midi port has changed in 1. or 2. you have to reset the Preferences. I don't want you spend an awful Christmas, surely not, I'm not the only one who appreciates your work very much. Rather consider it like a kind of bug report about the choice of portmidi, at least on Linux. i'm annoyed with myself for doing such a report when Christmas is not too distant future. :) Regards. Phil. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Can a dynamics mark ignore a slur?
That workaround is a nice trick, thank you Xavier! On Wed, Dec 21, 2011 at 1:46 AM, Xavier Scheuer wrote: > On 21 December 2011 05:42, Andrew Hawryluk wrote: >> Based on the properties in the Internals Reference, it appears that >> dynamics can be set to ignore slurs. I've seen it done successfully >> with articulation marks, but my attempt with dynamics is failing. In >> my test case, I want both p's to be close to the staff, but the second >> one is displaced by the slur: >> >> […] >> >> Motivation: LilyPond draws very nice slurs, but it places them in >> rectangular boxes that push other elements far away. I don't want to >> resort to an extra y-offset because the offset distance will be >> different in the full score than in the parts (the slur goes over a >> line break in the full score). > > This is tracked as issue #695 : slurs may take too much vertical extent > http://code.google.com/p/lilypond/issues/detail?id=695 > > \once \override Slur #'Y-extent = #'(0 . 0) > > is a workaround that was suggested and works quite well in this case. > http://lists.gnu.org/archive/html/bug-lilypond/2011-03/msg00501.html > > Cheers, > Xavier > > -- > Xavier Scheuer ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
