Can someone help me with some strange effects in this score (a composition
of Yiruma, in which I tried to combine the solo and right hand to make it
easier to play).

The piece starts with a partial, which is displayed on its own; why isn't it
combined with a few more measures?

 

And second: on page 2, third system, the last measure has some strange
behavior.

When I take off the \paper section, that measure moves up to the top of page
2, but the same thing happens.

 

Kind regards,

Maarten

 

 

\version "2.12.3"

\header {
	title = "The Things I Really... (piano Ver.)"
	composer = "Yiruma"
}

\paper {
  #(set-paper-size "a4")
  paper-width = 20\cm
  paper-height = 23\cm
  top-margin = 1.5\cm
  bottom-margin = 1.5\cm
  ragged-last-bottom = ##t
}

global = {
	\key bes \major
	\time 4/4


     }

upper = \relative c' {
     \global
     << \new Voice = "upper1"  {
     \partial 4 
     r4  
%1
	r1*7 
%9
	r2 r8 d8 es f~ |
	f2~ f8 d f c'( |
%11
	bes8) bes4 a8~ a bes4 f8~ |
	f2 r2 |
%13
	r2 r8 d es f~ |
	f2~ f8 d f c'~ |
%15
	c8 bes4 c8~ c8 d4 es,8 |
	es2 r2 |
%17
	r2 r8 bes'8 a bes~ |
	bes2 r8 bes c d~ |
%19
	d4 es8 d~ d c bes d~ |
	d4 es8 c~ c bes4 bes8~
%21
	bes16 g f8 r4 r8 bes a bes~
	bes2 r8 bes8 c d~ |
%23
	d8 es4 d8~ d c bes d~ |
	d8 c4 c8~ c bes4 c8 |
%25
	c4 r r8 d es f~ |
	f2~ f8 es d c~ |
%27
	c8 f,4 f8 r bes c d~ |
	d4 es8 c r bes c d~ |
%29
	d2 r4 bes8 f'~ |
	f2~ f8 es d c~ |
%31	
	c8 f,4 f8~ f bes c d~ |
	d4 es8 c~ c bes bes bes |
%33
	r1*8
	r2 r8 bes a bes |
%42
	r2 r8 d es f~ |
	f2~ f8 es d c |
	c8 f,4 f8 r bes c d~ |
%45
	d4 es8 c~ c bes c d~ |
	d8 es d16 c bes8 r4 bes8 f'~ |
%47
	f2~ f8 es d c~ |
	c8 f,4 f8 r8 bes c d~ |
%49
	d4 es8 c~ c bes bes bes |
	r2 r8 bes a bes~ |
%51
	bes2 r8 bes c d~ |
	d4 es8 d~ d c bes d~ |
%53
	d4 es8 c~ c bes4 bes8~ |
	bes16 g f8 r4 r8 bes a bes~ |
%55	
	bes2 r8 bes c d~ |
	d8 es4 d8~ d c bes d~ |
%57
	d8 es4 c8~ c bes4 bes8~ |
	bes2 r4 \fermata
	
	


     } \\
     \new Voice = "upper2"  {
     	\override NoteHead #'color = #(x11-color "LimeGreen")
	\stemDown \partial 4 
%1
	bes8 a'~ |
	a4 g8 d~ d4 bes8 a'~ |
%3
	a4 g8 d~ d bes c d~ |
	d8 g, es' c~ c bes c d~ |
%5
	d2 r4 bes8 a' |
	a8 d, g d~ d4 bes8 a'~ |
%7
	a8 d, g d~ d bes d c~ |
	c g4 bes8( b) c4 c8~ |
%9
	c8 bes, es bes'~ <bes g es>2 |
	<f d c>4 c8 d~ d a bes c~ |
%11
	c8 bes4 a'8~ a4. f8 |
	r4 <f d>8 <g e>~ <g e> <f d>4 <f d a'>8~ |
%13
	<f d a'>8 <g e>4 <f d>8 r2 |
	<f d bes>4 c8 d~ d a bes c |
%15
	<f d bes>4. <a d,>8~ <a d,> <f d>4 <es c>8~ |
	<es c>8 d4 bes'8~ bes f4 es8 |
%17
	r4 g,8 bes~ bes bes a bes |
	<bes d a'>4 a8 bes~ bes bes a bes |
%19
	<c a'>4. <bes d a'>8~ <bes d a'> 4 bes8 d |
	<d bes g>4. <g d bes>8 ~ <g d bes> d4 c8~ |
%21
	c4. <f d bes>8 a, bes d f |
	<es bes g>4 g,8 <bes es g>~ <bes es g>4 <bes es g> |
%23
	<bes d f>4. <bes d f>8~ <bes d f>4 c8 d |
	<c e g>4. <bes c g'>8~ <bes c g'>4 bes8 g' |
%25
	<c, es g>4. <es g bes>8~ <es g bes>4 <es g>8 bes |
	<bes d f>4. <es g bes>8~ <es g bes> f <es bes>4 |
%27
	<f d bes>4. bes,8~ bes4 <d bes f> |
	<bes d a'>4. <a c f>8~ <a c f> <f' a c> r4 |
%29
	c8 d c f~ f c f4 |
	<es g d'>4. <es g c>8~ <es g c> bes'4 f8 |
%31
	<f d bes>4. <f bes, g>8~ <f bes, g> bes, c d |
	<es bes g>4. <g c, a>8~ <g c, a>4 <f c a> |
%33
	<f d c>4 c8 d~ d4 bes'8 a'~ |
	a4 g8 d~ d4 bes8 a'~ |
%35
	a4 g8 d r bes c d~ |
	d g, es' c~ c bes c d~ |
%37
	d2 r4 bes8 a'~ |
	a8 d, g d~ d a bes a'~ |
%39
	a4 g8 d~ d bes d c~ |
	c4 g8 bes~ bes c4 c8~ |
%41
	c8 bes, es bes'~ bes4 g,8 bes |
	r8 c f d c4 <d bes'>8 <d c'> |
%43
	<es g d'>4 <g g'>8 <d d'>~ <d d'>4 <es g bes>~ |
	<es g bes>8 <d f>4 <d f bes>8 r bes c d |
%45
	<d bes g>4. <f c a>8~ <f c a> <f a,> <f c'> <f d'> |
	c8 d c d~ d4 c8 bes |
%47
	<bes d>4 <d f>8 <f d'>~ <f d'> <es g c>4 <f a c>8~ |
	<f a c>8 c f <d bes'> r4 d8 f |
%49
	<es bes>4 g8 <f c>~ <f c> a4 bes8 |
	bes,8 c d f~ f4 bes8 a'~ |
%51
	a4 g8 d~ d4 bes8 a'~ |
	a4 g8 d~ d bes c d~ |
%53
	d8 g, es' c~ c bes c d~ |
	d2 r4 bes8 a' |
%55
	a8 d, g d~ d4 bes8 a'~ |
	a8 d, g d~ d bes c d~ |
%57
	d g es c~ c bes4 bes8 |
	\acciaccatura c, <d bes>4 c8 f <f d'>4 \fermata
     }
     >>
}

lower = \relative c {
     \global
     \partial 4 
%1
	r4|
	\clef treble
	g'8 d' a' d, a' d,4. |
%3
	f,8 d' f d f2 |
	\clef bass
	es,8 bes' es bes f' bes, es f |
%5
	d,8 bes' c f~ f2 |
	\clef treble
	g,8 d' a' d, a' d,4. |
%7
	f,8 d' f d f2 |
	\clef bass
	e,8 c' e2. |
%9
	f,,8 c' g' f~ f2 |
	bes,8 f'4.~ f2 |
%11
	g,8 d' a' g~ g d f4 |
	d,8 a' d4~ d8 f, a d |
%13
	d,8 a' f' a~ a d,4. |
	bes8 f'4.~ f2 |
%15
	g,8 d' a' bes~ bes d, f4 |
	c8 g' bes4~ bes8 c, g'4 |
%17
	f,8 c'4. c8 f f,4 |
	g8 d' f g g g, d' g |
%19
	g,8 d' a' g~ g bes, f'4 |
	es,8 bes' f' es g4 bes, |
%21
	d,8 f bes d~ d d, f bes |
	es,8 bes' f' es g4 c, |
%23
	d8 f bes d, f bes4. |
	e,,8 g c e~ e c g'4 |
%25
	f,8 c' f f,~ f c' f4 |
	es,8 bes' g' es~ es g4 bes,8 |
%27
	d,8 bes' d bes~ bes d f,4 |
	g8 d' f <f a,>~ <f a,> c f4 |
%29
	<f bes,>8 d f bes f d f bes, |
	es,8 bes' f' g es g bes4 |
%31
	d,8 f bes bes,~ bes d g4 |
	c,,8 g' c f,~ f c' f4 |
%33
	bes,8 f'4.~ f2 |
	\clef treble g8 d' a' d, a' d, a' d, |
%35
	f,8 d' a' d, a' d, a'4 |
	\clef bass es,8 bes' es bes f' bes, es f |
%37
	d,8 bes' c f~ f2 |
	g,,8 d' a' bes d4 a |
%39
	f,8 d' a' bes d d, f4 |
	e,8 c' g' e'~ e c g e |
%41
	f,8 c' g'4~ g8 c, f c |
	bes8 f' bes f bes, f' bes bes, |
%43
	es,8 bes' g' es~ es g4 bes,8 |
	d,8 bes' d bes~ bes d f,4 |
%45
	g8 d' f <f a,>~ <f a,> c f4 |
	<f bes,>8 d f bes f d <f bes,>4 |
%47
	es,8 bes' f' g es g bes es, |
	d8 f bes bes, d bes'4. |
%49
	c,8 g' c f, a c f,4 |
	bes,8 f' bes4 bes,2 |
%51
	\clef treble g'8 d' a' d, a'2 |
	f,8 d' f d f2 |
%53
	\clef bass es,8 bes' es bes f' bes, es f |
	d,8 bes' c bes f'2 |
%55
	\clef treble g,8 d' a' d, a' d, a'4 |
	f,8 d' f d f d f4 |
%57
	\clef bass es,8 bes' es4 f,8 c' f4 |
	bes,,8 f' bes4 bes, \fermata


	\bar "|."    

}

dynamics = {
}

pedal = {

}

\score {
     \new PianoStaff <<
     \new Staff = "upper" \upper
     \new Dynamics = "dynamics" \dynamics
     \new Staff = "lower" <<
     \clef bass
     \lower
     >>
     \new Dynamics = "pedal" \pedal
     >>
     \layout {
	     \context {
		     \type "Engraver_group"
		     \name Dynamics
		     \alias Voice % So that \cresc works, for example.
		     \consists "Output_property_engraver"
		     
		     \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
		     pedalSustainStrings = #'("Ped." "*Ped." "*")
		     pedalUnaCordaStrings = #'("una corda" "" "tre corde")
		     
		     \consists "Piano_pedal_engraver"
		     \consists "Script_engraver"
		     \consists "Dynamic_engraver"
		     \consists "Text_engraver"
		     
		     \override TextScript #'font-size = #2
		     \override TextScript #'font-shape = #'italic
		     \override DynamicText #'extra-offset = #'(0 . 2.5)
		     \override Hairpin #'extra-offset = #'(0 . 2.5)
		     
		     \consists "Skip_event_swallow_translator"
		     
		     \consists "Axis_group_engraver"
	     }
	     \context {
		     \PianoStaff
		     \accepts Dynamics
		     \override VerticalAlignment #'forced-distance = #7
	     }
     }
}

\score {
     \new PianoStaff <<
     \new Staff = "upper" << \upper \dynamics >>
     \new Staff = "lower" << \lower \dynamics >>
     \new Dynamics = "pedal" \pedal
     >>
     \midi {
	     \context {
		     \type "Performer_group"
		     \name Dynamics
		     \consists "Piano_pedal_performer"
	     }
	     \context {
		     \PianoStaff
		     \accepts Dynamics
	     }
     }
}


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