Optional \set command in changing \Score context, v.2.11.63

2008-11-04 Thread Thies Albrecht
Hi list,

in section 5.1.4 Changing context default settings of the manual it reads

"The \set keyword is optional within the \layout block, so
\context {
  …
  fontSize = #-2
}
will also work."

At least in case of setting skipBars to ##t within \Score context using 
optional \set I get an error message (something about "unexpected SCM 
identifier.."). Leaving out \set works.

Either this is a bug or the manual should be changed.

Kind regards,
Thies
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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Valentin Villenave
2008/11/4 Mats Bengtsson <[EMAIL PROTECTED]>:

> For us who follow the bug mailing list, it's not a problem to answer these
> questions, but it's a bit annoying for the poor
> newcomer that she/he has to receive a "next time you have a usage question,
> please use the lilypond-user mailing list instead".

You have a point... but I still don't think we want to bring more
trafic to -user.

I agree to say our website is currently not newbie-friendly enough. It
needs to be rethought with that in mind (and I will have many concrete
proposals to make about that --  in a few weeks, when I get a life).

Certainly, the FAQ needs to be rewritten; granted, a page like
Francisco's wouldn't hurt. Still, what makes our users hang on, what
makes our community strong and pleasant, is that we *do* welcome and
help newcomers; not a single "where are teh buttonz" mail ever remains
unanswered, and this is (IMNSHO) good.

If I had a suggestion to make about the bug-list, that would be to
have a dedicated space for newbies (a mailing-list, a forum, or both
integrated together thanks to the use of Nabble2). For instance, I
know that info-lilypond was originally meant to post announcements,
but we could turn it into a general "want informations about lilypond?
Post here." list. (And nabble could allow us to embed this list as a
forum on our website, it merely requires one line of JavaScript.)

Cheers,
Valentin


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Re: Text markup stacking

2008-11-04 Thread Bailey James E.
Priority. See Controlling the vertical ordering of scripts  in 1.3.1  
Articulations and ornamentations

Am 04.11.2008 um 14:09 schrieb Michael Käppler:


Hi guys,
following example:

\version "2.11.63"

<<
\relative c'' {
a4^"blablablablablabla" g f e
d1^"blablabla"
}
>>

How can I decide whether in case of a collision markup two is  
stacked on top of markup one or the other way round?


Cheers,
Michael


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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Graham Percival
On Tue, Nov 04, 2008 at 02:17:08PM +0100, Valentin Villenave wrote:
> 2008/11/4 Graham Percival <[EMAIL PROTECTED]>:
> 
> > To save us all from that, it would be great if there was some
> > enthusiastic person who liked to read half a dozen mailists, who
> > could write weekly or biweekly summaries of anything interesting
> > that happened on those mailists.  That way we'd all know if we
> > missed anything good.  These messages -- we could even go so far
> > as to call them "reports" -- could also keep the less-active
> > members of the community informed.  Of course, if these stop
> > coming after a few months, we won't have gained anything.
> 
> I'm not sure I get the point -- besides your usual meanness, that is :-)

The report was good while it lasted.  If we don't have a report,
then many people will subscribe to both the -beginner list and the
-user list (and maybe even the -devel list).  That reduces the
effectiveness of multiple mailing lists.

If somebody (not necessarily you) were willing to monitor multiple
mailing lists and write a newsletter about them every two weeks or
so, then I think that inventing a -beginner list is a great idea.
If not, then I don't think that -beginner would work so well.

Cheers,
- Graham



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help

2008-11-04 Thread stefano cucuzzella

Hi,

sorry, I'm trying to do something with Lilypond but I'm afraid there is no 
option for that. I want to write music with automatic accidentals EVERY note 
(even if the notes shouldn't need any accidental), like in Second Viennese 
School music. Is there something to make the program do it automatically? Could 
somebody help me?

Thanks a lot!
stefano

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Re: help

2008-11-04 Thread Graham Percival
You want the "dodecaphonic" accidental style.  It's in 2.11.  See
the docs on Automatic Accidentals.

Cheers,
- Graham

On Mon, Nov 03, 2008 at 09:23:18PM +, stefano cucuzzella wrote:
>Hi,
> 
>sorry, I'm trying to do something with Lilypond but I'm afraid there is no
>option for that. I want to write music with automatic accidentals EVERY
>note (even if the notes shouldn't need any accidental), like in Second
>Viennese School music. Is there something to make the program do it
>automatically? Could somebody help me?
> 
>Thanks a lot!
>stefano
> 
>  --
> 
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>visita di Messenger!

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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Valentin Villenave
2008/11/4 Graham Percival <[EMAIL PROTECTED]>:

> If somebody (not necessarily you) were willing to monitor multiple
> mailing lists and write a newsletter about them every two weeks or
> so, then I think that inventing a -beginner list is a great idea.
> If not, then I don't think that -beginner would work so well.

(I know you know it, but for the record) I am still willing, but can
hardly handle it now. Once my work is over (either as a miserable
failure or a success) I'll be back in LilyPond business and officially
present what I've been up to for the past few months.

If we were to create such a list, maybe there we could accept mails in
French, German, Spanish, Portuguese and Dutch as well (not for long
discussions, but just enough to point users to resources in their
languages).

Cheers,
Valentin


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The behavior of a \score block

2008-11-04 Thread Dany
Hello,

I've read Lilypond's documentation, and something has been bothering me: what is
a \score block? I mean what does it actually do? For instance, what is the
difference between entering a \score block and writing \new Score? I haven't
found anything about it in the documentation except concerning its use within a
markup expression.

Besides, it seems that this \score block is delimited with braces, but when you
want to enter music inside, you have to put a music expression inside the block,
with braces once again. Is this correct?

And one more question: are commands such as \new Staff { c d e f } considered as
single music expressions, just like \relative c' {c d e f}?

Thanks for your help.



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Re: Beat grouping and reverting

2008-11-04 Thread Carl D. Sorensen



On 11/4/08 3:44 AM, "Trevor Daniels" <[EMAIL PROTECTED]> wrote:

>
>
> Carl, you wrote Monday, October 27, 2008 12:03 AM
>> On 10/26/08 4:44 PM, "Trevor Daniels" <[EMAIL PROTECTED]> wrote:
>>> Carl D. Sorensen Sunday, October 26, 2008 9:30 PM

 In fact, it may be
 possible to greatly reduce (or even eliminate) explicit settings in
 scm/auto-beam.scm and replace them with rules from beatGrouping.
>>>
>>> No, I don't think so.  The rules are beam-duration-dependent;
>>> beatGrouping and friends are not.  This is used to good effect
>>> in the rules for pretty well all the time-signatures.  So I think
>>> we have to retain the rules but without the switch-off-at-any-beat
>>> rule.
>>
>> We could at least eliminate all the rules that are covered by the default
>> beatGrouping, and it would make that many fewer rules to revert.
>>
>> I agree with you about the beam-duration dependent rules -- they need to
>> stay to keep the current behavior.
>
> I removed the turn-off end-at-any-beat-feature from
> the beam ending rules a few days ago, and have now just
> pushed the rules in 6/8, 9/8 and 12/8 which are covered
> by the default beatGrouping, leaving just the rules for
> 1/32nd beams.  If this causes no problems we could, as
> you suggest, add further default beatGroupings to
> scm/music-functions.scm and remove those rules which
> were made redundant by this.  This would leave beam
> ending rules just for 1/32 beams and little else, greatly
> simplifying the autobeaming (and the docs).
>
> Should I push on with this change?

This sounds reasonable to me.  If the regression tests pass, and you've
experimented to make sure that the beatGrouping rules match the current
rules, then I'd say go ahead.

However, you need to understand that I'm not an expert on autobeaming; my
main (only?) contribution was to implement beatGrouping.  So there could be
other consequences of this change that I'm not aware of.

With the work you've been doing on rhythms.itely, I'd expect you are now the
world expert on LilyPond autobeaming.

Thanks,

Carl




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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Valentin Villenave
2008/11/4 Graham Percival <[EMAIL PROTECTED]>:

> To save us all from that, it would be great if there was some
> enthusiastic person who liked to read half a dozen mailists, who
> could write weekly or biweekly summaries of anything interesting
> that happened on those mailists.  That way we'd all know if we
> missed anything good.  These messages -- we could even go so far
> as to call them "reports" -- could also keep the less-active
> members of the community informed.  Of course, if these stop
> coming after a few months, we won't have gained anything.

I'm not sure I get the point -- besides your usual meanness, that is :-)

Cheers,
Valentin


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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Graham Percival
On Tue, Nov 04, 2008 at 01:21:44PM +0100, Valentin Villenave wrote:
> You have a point... but I still don't think we want to bring more
> trafic to -user.

I disagree.  I'd rather have normal users answering clueless
newbie posts rather than you or other people reading bug-lilypond.

> I agree to say our website is currently not newbie-friendly enough.

Mao, the current website isn't *me*-friendly enough.

> If I had a suggestion to make about the bug-list, that would be to
> have a dedicated space for newbies (a mailing-list, a forum, or both
> integrated together thanks to the use of Nabble2). For instance, I
> know that info-lilypond was originally meant to post announcements,
> but we could turn it into a general "want informations about lilypond?
> Post here." list.

I don't support hijacking info-lilypond, but I halfway support a
lilypond-beginner list.  I promise to never read it, thereby
saving numerous beginners from the horror of my accurate RTFM
posts.  However, I'd be tempted to check it from time to time, in
case anything interesting was happening.

To save us all from that, it would be great if there was some
enthusiastic person who liked to read half a dozen mailists, who
could write weekly or biweekly summaries of anything interesting
that happened on those mailists.  That way we'd all know if we
missed anything good.  These messages -- we could even go so far
as to call them "reports" -- could also keep the less-active
members of the community informed.  Of course, if these stop
coming after a few months, we won't have gained anything.

Cheers,
- Graham



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Re: Beat grouping and reverting

2008-11-04 Thread Trevor Daniels


Carl, you wrote Monday, October 27, 2008 12:03 AM

On 10/26/08 4:44 PM, "Trevor Daniels" <[EMAIL PROTECTED]> wrote:

Carl D. Sorensen Sunday, October 26, 2008 9:30 PM


In fact, it may be
possible to greatly reduce (or even eliminate) explicit settings in
scm/auto-beam.scm and replace them with rules from beatGrouping.


No, I don't think so.  The rules are beam-duration-dependent;
beatGrouping and friends are not.  This is used to good effect
in the rules for pretty well all the time-signatures.  So I think
we have to retain the rules but without the switch-off-at-any-beat
rule.


We could at least eliminate all the rules that are covered by the default
beatGrouping, and it would make that many fewer rules to revert.

I agree with you about the beam-duration dependent rules -- they need to
stay to keep the current behavior.


I removed the turn-off end-at-any-beat-feature from
the beam ending rules a few days ago, and have now just
pushed the rules in 6/8, 9/8 and 12/8 which are covered
by the default beatGrouping, leaving just the rules for
1/32nd beams.  If this causes no problems we could, as
you suggest, add further default beatGroupings to
scm/music-functions.scm and remove those rules which
were made redundant by this.  This would leave beam
ending rules just for 1/32 beams and little else, greatly
simplifying the autobeaming (and the docs).

Should I push on with this change?

Trevor






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Re: Optional \set command in changing \Score context, v.2.11.63

2008-11-04 Thread Trevor Daniels


Thies Albrecht wrote Tuesday, November 04, 2008 8:36 AM



in section 5.1.4 Changing context default settings of the manual it reads

"The \set keyword is optional within the \layout block, so
   \context {
 …
 fontSize = #-2
   }
will also work."

At least in case of setting skipBars to ##t within \Score context using 
optional \set I get an error message (something about "unexpected SCM 
identifier.."). Leaving out \set works.


Either this is a bug or the manual should be changed.


You're right.  Looks like \set is not accepted in a \layout block.
This shows why we are gradually replacing all the @example code in
the manuals with @lilypond, which invokes a compilation.  Errors like
this then show up immediately.  I'll look at changing the manual (unless
someone indicates this is actually a bug).  Thanks.

Trevor



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Text markup stacking

2008-11-04 Thread Michael Käppler

Hi guys,
following example:

\version "2.11.63"

<<
\relative c'' {
 a4^"blablablablablabla" g f e
 d1^"blablabla"
}
>>

How can I decide whether in case of a collision markup two is stacked on 
top of markup one or the other way round?


Cheers,
Michael


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Re: The behavior of a \score block

2008-11-04 Thread Mats Bengtsson

I hope you have read the documentation for version 2.11, since
it has been heavily revised and improved compared to the
documentation for version 2.10 (and it applies almost completely
also to version 2.10 if you happen to use that).

In particular, you should find answers to most of your questions
in section 3.1 "How LilyPond input files work" of the Learning
manual.

   /Mats

Dany wrote:

Hello,

I've read Lilypond's documentation, and something has been bothering me: what is
a \score block? I mean what does it actually do? For instance, what is the
difference between entering a \score block and writing \new Score? I haven't
found anything about it in the documentation except concerning its use within a
markup expression.

Besides, it seems that this \score block is delimited with braces, but when you
want to enter music inside, you have to put a music expression inside the block,
with braces once again. Is this correct?

And one more question: are commands such as \new Staff { c d e f } considered as
single music expressions, just like \relative c' {c d e f}?

Thanks for your help.



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   Fax:   (+46) 8 790 7260
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Re: Output Media

2008-11-04 Thread fiëé visuëlle

Am 2008-10-31 um 13:10 schrieb Thermo:

Does anyone have a reference or guide to paper quality and paper  
weights for

printing the scores?

Has anyone printed to T-Shirts or other media?



I mostly typeset songbooklets, and those get printed on "default" 80g  
offset/xerox paper; our church magazine (containing some LilyPond  
scores) uses something like LWC (but suitable for sheet offset).


If your shirt printer can handle PDF at all, there shouldn't be any  
problems.
But e.g. Cafepress only takes bitmapped graphics. Original vector data  
makes better quality.
On the other hand, a score is too finegrained for flex or flock  
"print" film.



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---
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lilypond-book: "Output would overwrite input file" error

2008-11-04 Thread Jonathan Kulp

Hi All,

I'm getting to know lilypond-book, both with html and LaTeX source 
files, running running Ubuntu 8.04 with 2.11.63.


As suggested in the manual, I've specifed an output directory (
--output=out).  So let's say my source file is
~/Book/filename.lytex

and my output directory is

~/Book/out/

I also have a couple of other \input{foobar.tex} files and am trying to 
include lily source files with \lilypondfile{foobar.ly}, stuff like that.


What I've found is that the first invocation of lilypond-book on the
source file works fine, but the next time I run it after making
changes to the sourcefile, it won't compile.  It took me a while to find 
the problem in the massive amounts of terminal output, but the culprit 
is apparently this one:


"lilypond-book: error: Output would overwrite input file; use --output."

What I've deduced from this is that lilypond-book must first make a copy
of my source file and put it in the output directory, then use that as
the input file.  Is this correct?  Because when I remove the .tex files
from the output directory and run lilypond-book on the original 
filename.lytex (in the main directory), it compiles correctly and 
creates the desired output.  My question is this: shouldn't the "input 
file" really be the one that's NOT in the output directory?  In other 
words, why doesn't lilypond-book take the command-line argument as the 
input file instead of the file that it has put in the output directory?
Is there a command-line option (such as the -e flag for convert-ly) that 
would allow overwriting the files?


I've made a workaround by adding cleanup lines to my lilybook
script to remove .tex files from the output directory, but it seems to 
me that the program should use the argument of the lilypond-book command 
as the input file and then overwrite the files inside the output 
directory instead of returning errors saying that output would overwrite 
the input file.


I don't remember this happening when using lilypond-book on the .itely 
files for the GDP.  Is it designed this way to avoid deleting files 
inadvertently?


Best,

Jon
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http://www.jonathankulp.com



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Re: The behavior of a \score block

2008-11-04 Thread Valentin Villenave
2008/11/4 Dany <[EMAIL PROTECTED]>:

> I've read Lilypond's documentation, and something has been bothering me: what 
> is
> a \score block? I mean what does it actually do? For instance, what is the
> difference between entering a \score block and writing \new Score? I haven't
> found anything about it in the documentation except concerning its use within 
> a
> markup expression.

A \score block is a top-level expression, like \book or \paper.

A \score block may include its own \header or a \layout block, whereas
\new Score won't allow you to do so.

> Besides, it seems that this \score block is delimited with braces, but when 
> you
> want to enter music inside, you have to put a music expression inside the 
> block,
> with braces once again. Is this correct?

\score does not automatically create contexts (whereas \new Score
does) ; therefore you have to create one inside it.

{ c } is equivalent to \new Score {  \new Staff {  \new Voice { c } } }

> And one more question: are commands such as \new Staff { c d e f } considered 
> as
> single music expressions, just like \relative c' {c d e f}?

Yes. Anything can be regarded as a "single" music expression (even if
it contains nested sub-expressions), see the Wagner example in the
docs.

Cheers,
Valentin


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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread fiëé visuëlle

Regarding those newbies who are looking for a GUI:

Why don't we publish a screenshot or two?

Users are looking for screenshots if they evaluate a new application  
(at least I do), and if we show a shot of a terminal window of a  
LilyPond session and another of some text editor with a piece of  
score, and add a comment like "yes, that's how LilyPond looks",  
perhaps we could reduce those noob questions a bit.



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---
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https://www.cacert.org (I'm an assurer)




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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Mats Bengtsson

The only problem is that the screenshot will look very
different depending on what your favorite text editor
looks like. For Windows, we could certainly show a
screenshot using the Lilypad editor, but it's far from the
best editor. If you want selling screenshots, see
http://lilypondtool.organum.hu/demo.html

  /Mats

fiëé visuëlle wrote:

Regarding those newbies who are looking for a GUI:

Why don't we publish a screenshot or two?

Users are looking for screenshots if they evaluate a new application 
(at least I do), and if we show a shot of a terminal window of a 
LilyPond session and another of some text editor with a piece of 
score, and add a comment like "yes, that's how LilyPond looks", 
perhaps we could reduce those noob questions a bit.



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---
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Henning Hraban Ramm
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https://www.cacert.org (I'm an assurer)




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Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread fiëé visuëlle


Am 2008-11-04 um 21:10 schrieb Mats Bengtsson:


fiëé visuëlle wrote:

Regarding those newbies who are looking for a GUI:

Why don't we publish a screenshot or two?

Users are looking for screenshots if they evaluate a new  
application (at least I do), and if we show a shot of a terminal  
window of a LilyPond session and another of some text editor with a  
piece of score, and add a comment like "yes, that's how LilyPond  
looks", perhaps we could reduce those noob questions a bit.

The only problem is that the screenshot will look very
different depending on what your favorite text editor
looks like. For Windows, we could certainly show a
screenshot using the Lilypad editor, but it's far from the
best editor. If you want selling screenshots, see
http://lilypondtool.organum.hu/demo.html


The editor doesn't matter. It's important to show a command line.
One of Windows would be enough, I guess.
Linux users are seldom surprised if they must use the shell.
And OSX users have other problems ;)


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---
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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Dominic Neumann
2008/11/4 fiëé visuëlle <[EMAIL PROTECTED]>:
>
> Am 2008-11-04 um 21:10 schrieb Mats Bengtsson:
>
>> fiëé visuëlle wrote:
>>>
>>> Regarding those newbies who are looking for a GUI:
>>>
>>> Why don't we publish a screenshot or two?
>>>
>>> Users are looking for screenshots if they evaluate a new application (at
>>> least I do), and if we show a shot of a terminal window of a LilyPond
>>> session and another of some text editor with a piece of score, and add a
>>> comment like "yes, that's how LilyPond looks", perhaps we could reduce those
>>> noob questions a bit.
>>
>> The only problem is that the screenshot will look very
>> different depending on what your favorite text editor
>> looks like. For Windows, we could certainly show a
>> screenshot using the Lilypad editor, but it's far from the
>> best editor. If you want selling screenshots, see
>> http://lilypondtool.organum.hu/demo.html
>
> The editor doesn't matter. It's important to show a command line.

I don´t agree. If I have jEdit and LilyPondTool I DON´T NEED the command line.
So why should we shock newcomers with a command line?
I know two people using LilyPond to typeset beautiful music who are
not familiar with the command line, maybe they even don´t know what
exactly the command line is used for.


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opening on my web site

2008-11-04 Thread Ben Podgor
Printed my song.  It looks wonderful. Put it on my web site.  Was unable to 
open it. Scanned it into computer. Then uploaded scanned copy to my web site.
But have a problem with my web site or scanner because the copy is enlarged 
when viewing.  Is there a way that I can get program to open on my web site?



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Re: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Mats Bengtsson

Thanks for all suggestions and ideas. However, I think that the main
answer to my initial question was given by Valentin in
http://lists.gnu.org/archive/html/lilypond-user/2008-11/msg00048.html

For us who follow the bug mailing list, it's not a problem to answer
these questions, but it's a bit annoying for the poor
newcomer that she/he has to receive a "next time you have a usage
question, please use the lilypond-user mailing list instead".
I don't really see the point of linking to the bug mailing list
on the installation web page. Also, I'm not sure that title "Packager"
of the right-most column is the most relevant.

For people who have found the information about all the different
mailing lists, I think it's not any major problem to figure out which
one to use.

  /Mats

Quoting Laura Conrad <[EMAIL PROTECTED]>:


"David" == David Rogers <[EMAIL PROTECTED]> writes:


   David> Perhaps every time the bugs list is mentioned anywhere, it
should come
   David> with a notice "The bugs list is for the Lilypond
programmers only. For
   David> any kind of help with the software, please write to [link to user
   David> list]".

   David> I know, that part about programmers is perhaps not strictly
100% true,
   David> but it's what newbies should hear.

I disagree.  Reporting bugs has nothing to do with programming.

How about:

   The bugs list is for experienced lilypond users to report
   malfunctions in the software.  If you're having trouble learning
   to use the software, you can get help on the lilypond-user list.

--
Laura   (mailto:[EMAIL PROTECTED] http://www.laymusic.org/ )
(617) 661-8097  233 Broadway, Cambridge, MA 02139

G.P. 7: Never despise a drink because it is easy to make and/or uses
commercial mixes.  Unquestioning devotion to authenticity is, in any
department of life, a mark of the naïve -- or worse.

Kingsley Amis, _On Drink_



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Re: opening on my web site

2008-11-04 Thread Jonathan Kulp
are you talking about uploading a .pdf file to your site?  I had 
problems with this once and solved it by specifying "binary" mode when 
using ftp to transfer the files to the server.  HTH,


Jon

Ben Podgor wrote:
Printed my song.  It looks wonderful. Put it on my web site.  Was unable to 
open it. Scanned it into computer. Then uploaded scanned copy to my web site.
But have a problem with my web site or scanner because the copy is enlarged 
when viewing.  Is there a way that I can get program to open on my web site?




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--
Jonathan Kulp
http://www.jonathankulp.com


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Re: opening on my web site

2008-11-04 Thread David Stocker
Are you trying to open the .pdf from the website from within a browser? 
You'll need a browser plug-in (like Adobe Reader) that can open .pdf 
from within the browser. Otherwise, you'll have to download the file and 
open it with whatever standalone program you use to read .pdf files.


-Dave

Ben Podgor wrote:
Printed my song.  It looks wonderful. Put it on my web site.  Was unable to 
open it. Scanned it into computer. Then uploaded scanned copy to my web site.
But have a problem with my web site or scanner because the copy is enlarged 
when viewing.  Is there a way that I can get program to open on my web site?




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RE: Why do so many newcomers post to bug-lilypond?

2008-11-04 Thread Ed Ardzinski
>  Regarding those newbies who are looking for a GUI:>  Why don't we publish a 
> screenshot or two?
 
With regards to the many very-valid-varied comments, maybe should be a 
"gallery" of how people do work with LP?  I personally use my own editor, and 
surely see different screen shots than probably everybody!  I'm sure I could 
provide a cool shot of TWO Windows DOS screens!
 
Seriously - I saw a link to a jEdit/Lilypond Tool page in this thread, and it 
showed me a lot I'd never thought about or seen before.  From my Microsoft/PC 
perspective, shots showing how the files look in several editors seems like a 
good idea to me.  Certainly I was drawn to Lilypond by finding out how it 
worked, but it seems that many times you have to beat people "upside the head" 
with technical instructions any more.  So a lot of pictures might be a good 
idea, and/or a resource to see/read descriptions of how to work with different 
tools.
 
THAT might be a way to get the point across that LP is not only 
different/better/free but allows you to find the way that works best for your 
tastes.  Some people might actually LIKE Notepad!!



> Date: Tue, 4 Nov 2008 21:41:17 +0100> From: [EMAIL PROTECTED]> To: 
> lilypond-user@gnu.org> Subject: Re: Why do so many newcomers post to 
> bug-lilypond?> > 2008/11/4 fiëé visuëlle <[EMAIL PROTECTED]>:> >> > Am 
> 2008-11-04 um 21:10 schrieb Mats Bengtsson:> >> >> fiëé visuëlle wrote:>  
>  >>> Users are looking for screenshots if they evaluate a new application 
> (at> >>> least I do), and if we show a shot of a terminal window of a 
> LilyPond> >>> session and another of some text editor with a piece of score, 
> and add a> >>> comment like "yes, that's how LilyPond looks", perhaps we 
> could reduce those> >>> noob questions a bit.> >>> >> The only problem is 
> that the screenshot will look very> >> different depending on what your 
> favorite text editor> >> looks like. For Windows, we could certainly show a> 
> >> screenshot using the Lilypad editor, but it's far from the> >> best 
> editor. If you want selling screenshots, see> >> 
> http://lilypondtool.organum.hu/demo.html> >> > The editor doesn't matter. 
> It's important to show a command line.> > I don´t agree. If I have jEdit and 
> LilyPondTool I DON´T NEED the command line.> So why should we shock newcomers 
> with a command line?> I know two people using LilyPond to typeset beautiful 
> music who are> not familiar with the command line, maybe they even don´t know 
> what> exactly the command line is used for.> > > 
> ___> lilypond-user mailing list> 
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contribute some context defs

2008-11-04 Thread 胡Hu Haipeng
Hello,
  During some months' work, and getting your kind help, I have made up many 
defs in a large file which  I always include. It contains many defs grm 
mailinglist and LSR. Now, I'd like to share some context defs with you. I don't 
know whether they are correct, but I hope these will be of use, and ease your 
further work. It is better to even make them as patches and come with the next 
version (of course, the duplicated code must be reduced):

%% Layout to produce piano dynamics context
\layout {
  \context {
\type "Engraver_group"
\name Dynamics
\alias Voice
\consists "Output_property_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
\override DynamicLineSpanner #'Y-offset = #0
pedalSustainStrings = #'("Ped." "*Ped." "*")
pedalUnaCordaStrings = #'("una corda" "" "tre corde")
\consists "Piano_pedal_engraver"
\consists "Script_engraver"
\consists "New_dynamic_engraver"
\consists "Dynamic_align_engraver"
\consists "Text_engraver"
\override TextScript #'font-size = #2
\override TextScript #'font-shape = #'italic
\consists "Skip_event_swallow_translator"
\consists "Axis_group_engraver"
  }
  \context {
\PianoStaff
\accepts "Dynamics"
\override Glissando #'breakable = ##t
\override TextSpanner #'breakable = ##t
\override DynamicSpanner #'breakable = ##t
  }
}

%% layout to create orchestra staff group
%% with non-spanned barlines amoung sub instrument groups (InnerStaffGroup)
\layout {
  \context {
\StaffGroup
\name Orchestra
\remove "Span_bar_engraver"
}
\context {
  \Score
  \accepts Orchestra
}
  }

%% Layout to produce ChordMarks context
%% for doing harmony exercises using different harmony indications
%% Chord marks are entered as text markups,
%% and you must turn text length on
\layout {
  \context {
\type "Engraver_group"
\name ChordMarks
\alias Voice
\consists "Output_property_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
\consists "Script_engraver"
\consists "Text_engraver"
\override TextScript #'font-size = #2
\consists "Skip_event_swallow_translator"
\consists "Axis_group_engraver"
  }
  \context {
\Orchestra
\accepts ChordMarks
  }
  \context {
\StaffGroup
\accepts ChordMarks
  }
  \context {
\PianoStaff
\accepts "ChordMarks"
  }
}

%% Layout to produce MarkLine context
%% to place rehearsal marks and texts above full score
\layout {
  \context {
\type "Engraver_group"
\name "MarkLine"
\consists "Output_property_engraver"
\consists "Axis_group_engraver"
\consists "Mark_engraver"
\consists "Metronome_mark_engraver"
\consists "Script_engraver"
\consists "Text_engraver"
\consists "Text_spanner_engraver"
\consists "Font_size_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2 )
  }
  \context {
\Orchestra
\accepts "MarkLine"
  }
  \context {
\StaffGroup
\accepts "MarkLine"
  }
  \context {
\InnerStaffGroup
\accepts "MarkLine"
  }
}

%% layout to produce a markline occupying fewer vertical space.
%% usage: put before 1st violin part
\layout {
  \context {
\MarkLine
\name "SmallMarkLine"
\override MetronomeMark #'outside-staff-priority = #800
\override RehearsalMark #'outside-staff-priority = #1200
  }
  \context {
\Orchestra
\accepts SmallMarkLine
  }
  \context {
\StaffGroup
\accepts SmallMarkLine
  }
  \context {
\InnerStaffGroup
\accepts SmallMarkLine
  }
}

%% Layout to produce SquareStaff context
%% to group similar instruments in a staff group with thin square bracket
\layout {
  \context {
\InnerStaffGroup
\name SquareStaff
systemStartDelimiter = #'SystemStartSquare
  }
  \context {
\Orchestra
\accepts SquareStaff
  }
  \context {
\StaffGroup
\accepts SquareStaff
  }
  \context {
\InnerStaffGroup
\accepts SquareStaff
  }
}
Sincerely
Haipeng
 
 
 
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Re: contribute some context defs

2008-11-04 Thread Mats Bengtsson

Thanks for sharing your definitions. However, don't forget to tell
what LilyPond version you are using, since these definitions are
likely to be version dependent.

/Mats

??Hu Haipeng wrote:

Hello,
During some months' work, and getting your kind help, I have made up 
many defs in a large file which I always include. It contains many 
defs grm mailinglist and LSR. Now, I'd like to share some context defs 
with you. I don't know whether they are correct, but I hope these will 
be of use, and ease your further work. It is better to even make them 
as patches and come with the next version (of course, the duplicated 
code must be reduced):


%% Layout to produce piano dynamics context
\layout {
\context {
\type "Engraver_group"
\name Dynamics
\alias Voice
\consists "Output_property_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
\override DynamicLineSpanner #'Y-offset = #0
pedalSustainStrings = #'("Ped." "*Ped." "*")
pedalUnaCordaStrings = #'("una corda" "" "tre corde")
\consists "Piano_pedal_engraver"
\consists "Script_engraver"
\consists "New_dynamic_engraver"
\consists "Dynamic_align_engraver"
\consists "Text_engraver"
\override TextScript #'font-size = #2
\override TextScript #'font-shape = #'italic
\consists "Skip_event_swallow_translator"
\consists "Axis_group_engraver"
}
\context {
\PianoStaff
\accepts "Dynamics"
\override Glissando #'breakable = ##t
\override TextSpanner #'breakable = ##t
\override DynamicSpanner #'breakable = ##t
}
}

%% layout to create orchestra staff group
%% with non-spanned barlines amoung sub instrument groups 
(InnerStaffGroup)

\layout {
\context {
\StaffGroup
\name Orchestra
\remove "Span_bar_engraver"
}
\context {
\Score
\accepts Orchestra
}
}

%% Layout to produce ChordMarks context
%% for doing harmony exercises using different harmony indications
%% Chord marks are entered as text markups,
%% and you must turn text length on
\layout {
\context {
\type "Engraver_group"
\name ChordMarks
\alias Voice
\consists "Output_property_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
\consists "Script_engraver"
\consists "Text_engraver"
\override TextScript #'font-size = #2
\consists "Skip_event_swallow_translator"
\consists "Axis_group_engraver"
}
\context {
\Orchestra
\accepts ChordMarks
}
\context {
\StaffGroup
\accepts ChordMarks
}
\context {
\PianoStaff
\accepts "ChordMarks"
}
}

%% Layout to produce MarkLine context
%% to place rehearsal marks and texts above full score
\layout {
\context {
\type "Engraver_group"
\name "MarkLine"
\consists "Output_property_engraver"
\consists "Axis_group_engraver"
\consists "Mark_engraver"
\consists "Metronome_mark_engraver"
\consists "Script_engraver"
\consists "Text_engraver"
\consists "Text_spanner_engraver"
\consists "Font_size_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2 )
}
\context {
\Orchestra
\accepts "MarkLine"
}
\context {
\StaffGroup
\accepts "MarkLine"
}
\context {
\InnerStaffGroup
\accepts "MarkLine"
}
}

%% layout to produce a markline occupying fewer vertical space.
%% usage: put before 1st violin part
\layout {
\context {
\MarkLine
\name "SmallMarkLine"
\override MetronomeMark #'outside-staff-priority = #800
\override RehearsalMark #'outside-staff-priority = #1200
}
\context {
\Orchestra
\accepts SmallMarkLine
}
\context {
\StaffGroup
\accepts SmallMarkLine
}
\context {
\InnerStaffGroup
\accepts SmallMarkLine
}
}

%% Layout to produce SquareStaff context
%% to group similar instruments in a staff group with thin square bracket
\layout {
\context {
\InnerStaffGroup
\name SquareStaff
systemStartDelimiter = #'SystemStartSquare
}
\context {
\Orchestra
\accepts SquareStaff
}
\context {
\StaffGroup
\accepts SquareStaff
}
\context {
\InnerStaffGroup
\accepts SquareStaff
}
}
Sincerely
Haipeng



[] ??- 




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--
=
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/

Re: contribute some context defs

2008-11-04 Thread Valentin Villenave
2008/11/4 胡Hu Haipeng <[EMAIL PROTECTED]>:
>   During some months' work, and getting your kind help, I have made up many
> defs in a large file which  I always include. It contains many defs grm
> mailinglist and LSR. Now, I'd like to share some context defs with you.

Greetings Haipeng,
Nice work!

If you can write a (very very short) example that uses some of these
contexts, I will happily add it to the LSR for you, in the
"stylesheet" category.

Cheers,
Valentin
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Re: Lilypond versus … everything else

2008-11-04 Thread Michael Watts

Cordilow wrote:

This isn't a technical question about how to use Lilypond, but rather I'm
wondering if other programs are capable of doing all that Lilypond can. It
seems like there are quite a lot of things in LilyPond I that I suspect
other programs don't even offer. Is this true?

For instance, can you make analysis brackets in any other program? I.e.
Finale, Sibelius, MuseScore, NoteEdit, ABC, etc.


It's certainly true that Lily's text file approach allows a great deal 
of control that isn't easy or even possible in other software.  E.g. 
it's reasonably straightforward to make Schenker diagrams with Lily.


http://m.linuxjournal.com/article/8364

Also of interest is frequent list contributor Andrew Hawryluk's 
comparison of Lily with Finale; there you'll see that Lily's default 
spacings etc. are a lot better that most "industry standard" programs.


http://www.musicbyandrew.ca/finale-lilypond-1.html




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