Re: my file
Sorry, but submissions to this list is restricted to its members. For bug reports and suggestions related to Grace please follow links found at http://plasma-gate.weizmann.ac.il/Grace/ You will also find there info on how to subscribe to the mailing list. This is a multi-part message in MIME format. --=_NextPart_000_0016=_NextPart_000_0016 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: 7bit *** eSafe-W detected hostile content in this email and removed it. *** \file.zip\data.rtf .scr Infected with Win32.Netsky.q (Non-Removable), Blocked Please read the important document. +++ Attachment: No Virus found +++ Kaspersky AntiVirus - www.kaspersky.com --=_NextPart_000_0016=_NextPart_000_0016-- ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: How to generate PDF files?
I hope you have seen the instructions at http://lilypond.org/web/download/windows.html. To convert a .ly file to .pdf, just double-click on it. /Mats Juhani Valtasalmi wrote: Hi! I'm having trouble generating from LY to PDF. I downloaded stable version 2.0.1 with Cygwin's setup.exe (I use WinXP). It looks to me that the program works fine, but it only generates TEX files. Am I missing some switches or programs to generate pdf files? Best wishes, Juhani Valtasalmi - WIN FREE WORLDWIDE FLIGHTS - nominate a cafe in the Yahoo! Mail Internet Cafe Awards ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: 2.1 documentation
At 19:28 27-3-04, you wrote: Section 3.2 - typo in example before Predefined commands? Documentation indicates s suffix is used for sharp in English. Documentation indicates es or as suffix is used for flat in Dutch. Example has es' and as' shown as flats for E and A (above middle C). I would have expected ees' or eas' and aes' or aas' (first character to specify note, then flat, then octave). Either indicate that s is used for Dutch flat, or the note specification is missing from the example. I understand you think it's a typo, but it's not: in dutch, to indicate a flat, we write after "consonant"-notes (c/d/f/g/b) es, because cs or bs is pretty hard for us to pronounciate. But since e and a are vowels we don't need the 'e' in 'es' as a help-vowel to make pronounciation easier, thus we ommit it. Section 3.1.7 - fractional scaling I'm guessing the example is a triplet? If so, I'm used to seeing a square bracket (rotated by 90 degrees) positioned above the notes so that the bracket encompases the triple. The denominator is indicated above the bracket. Well no, you're not seeing a triplet, actually! This is called, optical illusion (or just fooling everyone who thinks they something of music and it's rules). In this example they try to show that you can alter the length of notes and thus putting more notes in a bar than normal. Maybe this is an alternative way of using triplets without telling the player (Cramer does that with some of his etudes). Why? Well, in some cases it's easier on the eyes. Thanks! David White ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Linebreaks in fragments & Lily-book
On Saturday 27 March 2004 13:25, Edward Sanford Sutton, III wrote: > I now have a 'copyright renewed 1943' edition which might fix some > of the mistakes, but then I don't think it could be on mutopiaproject > right? I don't think that is right. A copyright renewal was required after 28 years, which was halfway through the life of the original U.S. copyright. The date of the renewal, or the fact of a renewal, now changes nothing. You can assume with safety that a renewal date is 28 years after the original copyright date, but the cutoff date as previously explained is unchanged. Unless the new material was copyrighted and not just renewed, the author is out of luck. He was relying on the original copyright, which has lapsed. The Berne convention uses the life of the author, which prevents a revision by the author from extablishing a new copyright. The cutoff date was intended to be absolute. It may be that even a new copyright would not be valid for that material. daveA -- Paying more at the gas pump? Bush's Oil Sheikh Buddies, who support Al Qaeda, Palestinian terrorists, & hate-U.S. school systems everywhere, need more of your money now to arm and pay Iraqis to kill Americans. D. Raleigh Arnold dra@ (http://www.) openguitar.com [EMAIL PROTECTED] ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
variable stave distances in piano-staves
Hello,
globaly I can set the distance between the two staves of piano-staves with:
\context {
\PianoStaffContext
\override VerticalAlignment #'forced-distance = #number
}
My question:
Is there a possibility to change the distances localy during a score?
I couldn't find in the documentation, wether this is definitively
impossible.
AFAIK it is convenient to take small distances, where only little space
between the staves is used, and to take large distances, where a lot of
space is used (e.g. for many ledger lines or textmarkups etc.).
Best Regards Roland
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pagefill at pagebreaking
Hello, how can I adjust the end of a pagebreaked page? I get a pagebreak with the command \newpage just at the place, where I want it, but the page ends not so fine as the other, which end very fine with the setting of interscorelinefill in the paper block. Best Regards Roland ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Cygwin / Win 2000 problems
I have a working installation of Cygwin & Lilypond under Win XP.
I' ve installed it in the same way on another computer under Win 2000, but
it doesn't work correctly.
When I click on the Cygwin icon, bash shell opens with line "bash-2.05$" and
doesn't log me on with my windows user name as the other machine does.
Consequently, I can't run commands like lilypond, latex, dir..., though some
commands work ('help' for instance).
On Cygwin FAQ I found something about Cygwin having problems with spaces in
Win logon name (which was the case in my username), but the information
there was inadequate for me to solve the problem. If I simply created
another user with a name without spaces and tried to run cygwin then, it
didn't help.
Has anyone had a similar problem?
Bostjan
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Cygwin / Win 2000 problems (II)
To add to my previous post: I've installed Cygwin in c:\cygwin, so this shouldn't be a problem. I've also noticed that I have a file ".bash_history" in my c:\Documents and settings\Username folder This folder has some blank spaces in it's name; could this be the source of the problem? ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Height adjustment volta bracket
Hi list, how can I adjust the height of a volta bracket? I want to have the same height for both brackets: ___ ___ |1. |2. but could not find a solution in the doc. Thank you, Thomas ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
RE: How to generate PDF files?
There should be a test.log file in the same folder with test.ly. Please send it to mailto:[EMAIL PROTECTED]">[EMAIL PROTECTED] along with some words about your problem. Thanks, Bert ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: 2 Questions: spacing-increment and bar numbers
[EMAIL PROTECTED] writes:
> On Mar 24, 2004, at 8:52 AM, Han-Wen Nienhuys wrote:
>
> > [EMAIL PROTECTED] writes:
>
> >> I am using Lilypond 2.1.28 on Mac OS X 10.3.2. I can't manually set
> >> the horizontal spacing of my music. The example given in the
> >> reference manual,
> >>
> >>\paper { \translator {
> >>\ScoreContext SpacingSpanner \override #'spacing-increment =
> >> #3.0
> >>} }
> >>
> >> does not work for me. I also tried putting a \set before
> >> "SpacingSpanner" and removing the \override, but neither of these
> >> seemed to work.
>
> > Can you try printing your piece with raggedright, to check if the
> > "natural" space is made bigger?
>
> I'm not sure what you're asking. Do you want me to use the code
> fragment
> I provided, /and/ set raggedright? That wouldn't work, because
> Lilypond dies
> once it encounters the code I gave above.
oh, sorry - you're reporting a bug in the manual. I've fixed it; it
should be
\override SpacingSpanner #'spacing-increment = ..
>
> --
> Benjamin D. Esham { http://bdesham.net
> [EMAIL PROTECTED] } AIM: bdesham 1 2 8
> Wikipedia, the Free Encyclopedia - wikipedia.org
>
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen
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Why those amusing font names?
[EMAIL PROTECTED] writes: > Hi, > > I poked the sources and the documenation, but I didn't find what causes > me sleepless nights :-) > > Why are the fonts used by LilyPond named "feta" and "parmesan"? :-) When we started designing our font, we were thinking of a fitting name that continued our previously set naming tradition. Our font was very beautifully proportioned, so of course we decided to name it after a young lady in our orchestra that we deemed as beautifully proportioned as the symbols. We called it Feta, whic was an abbreviation of "Font-en-Tja". The abbreviation also points to my deep love for good food of all persuasions. After a while, we realized that this was quite immature of us, and we could not do this without the lady's permission. So, from then on, the font was called "Feta - definitely not an abbreviation of Font-En-Tja" . The cheese connotation stuck, and naming the ancient font after older cheese, instead of an older lady, was a natural step. > ps: *grumbel*, after writing this mail, I'm a little bit hungry. Probably > I should get some pasta. :) -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Global font change
Hello, I would like to change all the fonts I use globally, but I don't want to edit the original font.scm file. I want to write another font.scm but I don't know how to include that. Could you help me? Thanks, Bert ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Our capabilities make for easy investment decisions uxhhlfcpw rxquwd ij
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Re: 2 Questions: spacing-increment and bar numbers
Hello list, hello Han-Wen, You wrote: > > > [EMAIL PROTECTED] writes: > > I'm not sure what you're asking. Do you want me to use the code > > fragment > > I provided, /and/ set raggedright? That wouldn't work, because > > Lilypond dies > > once it encounters the code I gave above. > > oh, sorry - you're reporting a bug in the manual. I've fixed it; it > should be > >\override SpacingSpanner #'spacing-increment = .. What I wrote on March, 11.. ;-) Best Regards Roland -- In an open World without Fences and Walls - who needs Gates and Windows? ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Virenchecker Information
Dies ist eine automatisch generierte Meldung - auto-generated email . Die Mail mit folgenden Eigenschaften - original mail header : Subjekt: Mail Delivery (failure [EMAIL PROTECTED]) Absender / from: <[EMAIL PROTECTED]> Empfänger / to : <[EMAIL PROTECTED]> Path : Received: from cpe8613f93c-cm3968a860.cpe.net.cable.rogers.com(69.193.75.49) by gwineta.repas.de via smap (V2.1) id xma010901; Mon, 29 Mar 04 05:12:34 +0200 wurde nicht weitergeleitet, da sie vermutlich ein oder mehrere Attachment[s] mit potentiell gefährlich eingestufter Extension enthält! Our mail filter rejected this transaction, because of potentially dangerous attachments Für die Bewertung relevanter Abschnitt - reason causing rejection : <1> name="message.scr" ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond 2.1.35 released
On Sunday 28 March 2004 09:04, Han-Wen Nienhuys wrote: > I would like to request proofreaders to take a look at the chapter > "Changing defaults." Parts of this chapter have been rewritten > recently, and haven't been scrutinized closely yet. > (Not sure whether 'User' or 'Devel' was appropriate ...) In: "Interpretation contexts", I needed to read several times the paragraph "This is contextual information. and it can b..." . Please verify my understanding of this paragraph, to the end of page, in the following paraphrase: -- "At any instant in time printed music can be viewed from the Voice, the Staff and the Score perspective. In each perspective, or Context in Lilypond terminology, there are some known rules and some known properties. These Contexts do not work in isolation but interact in a heirarchical fashion. The Score is the base of the heirarchy within which one or more members of the Staff family may be operate. In each Staff one of more Contexts, such as members of the Voices families, may exist. Each Context takes responsibility for some musical rules, musical or graphical objects (grobs) and associated properties. These may be introduced within a Context, for example a Voice creates a Notehead, or may be refinements of elements from another level in the heirarchy. For example the Voice may introduce an accidental and the Staff then maintains the rule to show or suppress the accidental for the remainder of the measure. A Context is defined using the \context keyword in the \paper block. Full description of these available is in the program reference, see Contexts. Many are defined in the engraver-init.ly file. Part of the definition includes giving the Context a 'type name' such as Voice, Staff, ChoirStaff, and so on. Once defined, a context can be used in the score by instantiating (also known as 'creating') the context. In a simple score this is automatically done. However in a complex score it is necessary to create a context manually using the \new keyword and optionally naming that instance. Naming a context instance allows explicit reference to that context. Some examples of named contexts include Voices (Trumpet, FirstHorn, Soprano, Bass) or Staves (Up for the top piano staff, Down for the lower piano staff). It is also possible to define new Contexts and modify existing ones. More details are available in the following sections: Creating contexts: Changing context properties on the fly : Modifying context plug-ins: Layout tunings within contexts: Changing context default settings: Defining new contexts: Which properties to change: " If the above is accurate and useful to the documentation, feel free to use it. Otherwise please help me fix my understanding. /Hans ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
issue regarding adding text markup
I have a piece that contains a DC Al Coda. I have a measure that
contains a single note and a double-bar where the 'To Coda' text is
attached to the note and the coda sign. That is followed by a
multi-measure rest of 30 measures, which has another double-bar and the
text 'DC Al Coda' attached to it. The actual coda section begins. To
seperate it from the previous measures I put in a skip bar. I attach the
coda sign to the skip bar. Problem is adding the text 'DC Al Coda' to
the multimeasure rest causes the multimeasure rest number to disappear,
even with the text placed below the staff. This is probably a bit
confusing, here is the code -
g''4. fsharp''8 r4 \break
\once \property Voice.TextScript \override #'extra-offset =#'( -2 . 1)
f''2.^\markup {To Coda} \mark \markup {\musicglyph #"scripts-coda"} \bar"||"
\once \property Voice.TextScript \override #'extra-offset =#'( -2 . -10)
\bar "||"
\once \property Voice.TextScript \override #'extra-offset =#'( 10 . 2)
s2. * 2^\markup {Coda} \bar "||"
\property Score.skipBars = ##t R2. * 28
\property Score.RehearsalMark \override #'extra-offset =#'( -18 . 1)
b'8[ d''] \mark \markup {\musicglyph #"scripts-coda"} c''[ e''] d''[
fsharp'']
e''4 r r8 g''
fsharp'' a'' b''4 r \bar "|."
How do I attach more text without the number of measure disappearing?
Thanks,
--
Chip
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Re: Post-Cadenza Music
Do you mean something like this:
theCadenza = \notes \relative d'' {
STUFF
}
thePart = \notes {
MAIN STUFF
\context DevNull = "cadenzaMusic" << \theCadenza >>
MORE STUFF
}
If so, lily complained
warning: Cannot find or create `DevNull' called `cadenzaMusic'
I'm toying with this not because I'm too lazy to count (I ended up
doing so), but because of mis-synchronisations in MIDI. Suppose I bring
it down to two instruments: accompaniment and solo. The cadenza lasts
16*703, so the accompaniment skips that long by
\cadenzaOn
s16*703
\cadenzaOff
This looks good on paper; there are no barline complaints or
mismatches. On MIDI, however, the accompaniment starts about one
quarter beat too early. If I add any number 0 < x < 16, there are many
barline, etc. errors. The errors continue up until 703 + 16, when it's
on the barline again. In THAT case, it plays as
expected...accompaniment starts on the beat, one bar too late. In
short, it's either ~1 beat too early or 1 bar too late; I can't seem to
adjust that any.
Will
On Mar 24, 2004, at 8.55 AM, Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
As described in a previous e-mail, I have a helluva large cadenza
printed for solo violin. It is unmeasured, and it probably has a
length
only calculatable using 32nd notes. If I want to start tutti playing
back up after the cadenza, what do I do? Include s(x)*32 in every
instrument's ly file to skip over the length of the solo? Needless to
say, counting the number of 32nd beats in a 10 line cadenza is no fun.
Is there an easier way?
Can you try something along the lines of
thePart = \notes { ...
\context DevNull \cadenzaMusic
}
Will Oram
spamguy ^^AT^^ foxchange.com // william.oram ^^AT^^ cwru.edu // AIM
spamguy21
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Guitar String Numbers
Sorry to bother you guys about this a second time, but the first answer I got didn't seem to work. In LP 2.1.0, how does one indicate circled string numbers above the notes? Is there simply a way to encircle markup text? Or is there a specific command? ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
