Hello Federico,
Someone on this list contributed a multi-mark-engraver, does that help you?
JM
\version "2.18.2"
% From: http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00157.html
#(define (multi-mark-engraver ctx)
(let ((texts '())
(final-texts '())
(events
Am 10.11.2015 um 00:56 schrieb Kieren MacMillan:
> Hi Graham,
>
>> I've just realised that, under my system as I described it, a part could
>> have the same bar number twice.
> My proposed solution would be an “analytic continuation” (to borrow a
> mathematical term) of the non-polymetric measu
Am 09.11.2015 um 17:34 schrieb Graham King:
> (This note describes an issue arising from the separate thread,
> "Scholarly footnotes" [1])
>
> I would like to use Urs' annotate.ily[2] to add some footnotes to an
> edition of sixteenth-century polyphony. But, before investing too
> much time, I n
Oops, completely missed the target…
The complex example by Arnold Theresius on LSR boils down in your case to the
following.
HTH!
JM
\version "2.19.30"
% http://lsr.di.unimi.it/LSR/Snippet?id=892
%by: ArnoldTheresius
%%
% S
Federico Bruni writes:
> Hi folks
>
> There's any way to let lilypond print the second mark in this minimal
> example?
>
> \version "2.19.31"
>
> \relative {
> \repeat unfold 8 c'1
> \once \override Score.RehearsalMark.break-visibility =
> #end-of-line-visible
> \once \override Score.Rehearsal
Stephan Neuhaus writes:
> Dear list,
>
> I have a piece that contains phrases that are repeated often. For
> example, let us assume that the phrase consists of two sixteenth notes.
> In the piece in question, the unit of repetition is in fact much longer;
> this is just an example. So I have done
Hi Graham,
now I'll try to go into that somewhat more detailed.
Am 09.11.2015 um 17:33 schrieb Graham King:
> I'm preparing an edition of sixteenth-century polyphony, using the
> book-titling template[1]. The edition would benefit from some
> footnotes/endnotes (the sort that say things like: "c
Am 10.11.2015 um 03:52 schrieb Craig Dabelstein:
> Hi Urs,
>
> What can I do to help you advance ScholarLY (or any of your other
> projects)?
Well, the next thing is to constantly nag (but in a friendly manner of
course) ;-)
But if you would want to do some active contribution you're of course
m
Hi Graham,
> On the positive side:
> +1This scheme guarantees a unique id for each bar. The id increases in a
> sensible manner.
> +2The scheme is robust with respect to re-formatting, if systems are
> split or joined.
> +3Since Lilypond's default behaviour is to break lines only wh
Hi Urs,
> I have no idea if it is also appropriate for ancient music.
Well, the absence of [any] barlines makes barline numbering more complex… ;)
> Aren't there any useful references, how have others dealt with that challenge?
I can’t find any!
Cheers,
Kieren.
___
Am 10.11.2015 um 14:28 schrieb Kieren MacMillan:
> Hi Urs,
>
>> I have no idea if it is also appropriate for ancient music.
>
> Well, the absence of [any] barlines makes barline numbering more complex… ;)
Of course it depends on the way an edition deals with that.
>
>> Aren't there any usefu
On Mon, 2015-11-09 at 21:53 -0600, David Wright wrote:
> On Mon 09 Nov 2015 at 23:22:14 (+), Graham King wrote:
> > On Mon, 2015-11-09 at 14:55 -0600, Christopher R. Maden wrote:
> >
> > On 11/09/2015 02:47 PM, Kieren MacMillan wrote:
> > > The very first thing they said to me was, “A
Hello,
I like to have a Sheet with 34 bars
divided in 4 bars per system ( line )
2 bars rest
and a coda 8 bars
I know it is just 'cosmetic', but I really like
this, especially as musician, it is a good reminder
that the form is "something special" and avoids
mistakes if improvising over song..
Hi Craig,
somehow I missed answering this one, and I only realized that after
writing several other posts about the topic earlier today ...
Am 05.11.2015 um 02:27 schrieb Craig Dabelstein:
> Hi Urs,
>
> Thanks for your detailed email. I agree wholeheartedly with your
> examples 1-4 above -- these
On 10 November 2015 at 09:28, David Kastrup wrote:
>
> It's still the same musical moment and LilyPond has no general way of
> distinguishing them. Try putting the first mark an infinitesimal amount
> earlier, like
>
> \grace { \mark ... \skip 32 }
>
> to move it backward a 32th grace note.
Hi,
Hello all,
In 2.19.30, the snippet
SNIPPET BEGINS
\version "2.19.30"
\score {
{ \tempo "Tempo Test" c''1 }
\layout {
\context {
\Score
\override MetronomeMark.font-name = #"Century Schoolbook"
}
}
}
SNIPPET ENDS
leads [on my computer] to the error
warn
Hi Urs,
first, I'm deeply grateful for your time and thoughtful insights.
Further comments interjected, below...
all the best
-- Graham
On Tue, 2015-11-10 at 10:43 +0100, Urs Liska wrote:
> Hi Graham,
>
> now I'll try to go into that somewhat more detailed.
>
>
> Am 09.11.2015 um 17:33 schri
On 2015-11-09 19:40, David Kastrup (and Simon Albrecht) wrote:
> Stephan Neuhaus writes: [...]
Thanks, both solutions work like a charm!
Now another thing, in the same context. Let's say I have
pattern = { 8 8 }
\relative c' { \repeat unfold 4 \pattern }
And let's say I want to add fingering
I am no longer able to open the development version documentation web address
through Frescobaldi. The program seeks to append /Documentation/index to
the address, but I am no longer able to find the prefix to achieve the
desired website. Has the development documentation address changed?
--
V
Am 10.11.2015 um 17:08 schrieb Graham King:
> ... long snip ...
>
> I confess I'm a bit daunted by the LaTeX learning curve, and it is
> possible that I'm not uniquely inadequate in that respect. So a
> Lilypond-only solution would be ideal for me, and would save others
> the prospect of learni
Hello Kieren,
Removing Century makes that to work on my Mac. Is this font actually installed
on your system?
JM
> Le 10 nov. 2015 à 16:56, Kieren MacMillan a
> écrit :
>
> Hello all,
>
> In 2.19.30, the snippet
>
> SNIPPET BEGINS
> \version "2.19.30"
>
> \score {
> { \tempo "Tempo
Hi Jacques,
> Removing Century makes that to work on my Mac. Is this font actually
> installed on your system?
Yes. And it shows up in the list returned by calling
lilypond -dshow-available-fonts x
Thanks, though.
Kieren.
Kieren MacMillan, composer
‣ websi
> Le 10 nov. 2015 à 17:53, Kieren MacMillan a
> écrit :
>
> Hi Jacques,
>
>> Removing Century makes that to work on my Mac. Is this font actually
>> installed on your system?
>
> Yes. And it shows up in the list returned by calling
>
>lilypond -dshow-available-fonts x
Same for me…
>
On Tue, 2015-11-10 at 10:09 +0100, Urs Liska wrote:
>
>
>
> Am 09.11.2015 um 17:34 schrieb Graham King:
>
> >
> > (This note describes an issue arising from the separate thread,
> > "Scholarly footnotes" [1])
> >
> > I would like to use Urs' annotate.ily[2] to add some footnotes to an
> > ed
Il giorno mar 10 nov 2015 alle 17:33, RomanticStrings
ha scritto:
I am no longer able to open the development version documentation web
address
through Frescobaldi. The program seeks to append
/Documentation/index to
the address, but I am no longer able to find the prefix to achieve the
desir
Thank you, Federico. I suppose it is not LilyPond's responsibility to match
its address to Fresco's preference. Did the address just change, however?
A week or two ago the link worked.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Documentation-web-address-change-tp1
Il giorno mar 10 nov 2015 alle 18:21, RomanticStrings
ha scritto:
Thank you, Federico. I suppose it is not LilyPond's responsibility
to match
its address to Fresco's preference. Did the address just change,
however?
A week or two ago the link worked.
I don't know what kind of link you used
Hi Matteo,
thank you for your renewed activity for openLilyLib.
Am 04.11.2015 um 14:59 schrieb Matteo Ceccarello:
> Hello everybody,
>
> I just implemented a small command line tool that I hope will simplify
> the use of OpenLilyLib [1] in multiple projects. You can find a
> motivating example in
Am 05.11.2015 um 18:27 schrieb Matteo Ceccarello:
> On 04/11/2015 15:23, Mark Knoop wrote:
>>
>> You might consider using the pygit2 python module [1] rather than
>> calling calling git with subprocess. This could perhaps replace a
>> substantial part of your OpenLilyLibRepo class.
>>
>> [1] http
Does it just happen with 2.19.30? It worked for me with 2.19.29 on Windows.
Wasn't able to check 2.19.30 yet. Will try in a few minutes.
- Abraham
On Tuesday, November 10, 2015, Jacques Menu-3 [via Lilypond] <
ml-node+s1069038n183356...@n5.nabble.com> wrote:
>
> > Le 10 nov. 2015 à 17:53, Kieren
Il giorno mar 10 nov 2015 alle 18:30, Federico Bruni
ha scritto:
Il giorno mar 10 nov 2015 alle 18:21, RomanticStrings
ha scritto:
Thank you, Federico. I suppose it is not LilyPond's responsibility
to match
its address to Fresco's preference. Did the address just change,
however?
A week or
tisimst wrote
> Does it just happen with 2.19.30? It worked for me with 2.19.29 on
> Windows.
> Wasn't able to check 2.19.30 yet. Will try in a few minutes.
Yeah, it works for me with .30 and .31 as well. Sorry. If there aren't too
many instances you need to un-bolden, then you can always use a \m
Hmm... That certainly does work. I though that is what I was using
originally, and since it stopped working, I was looking to find the correct
address. Now it works and I'm not sure what happened. Problem solved, in
any case! Thank you again for your help.
--
View this message in context:
Hi Abraham,
> Normally, this should work, but it doesn't seem to for me:
> \override Score.MetronomeMark.font-series = #'medium
This is what I wanted to do, of course…
But I think that “feature” is part of the [long-standing, and somewhat
irritiating] issue around MetronomeMark formatting.
Chee
Hello
There are musics where chords have a smaller note, that is optional.
I found some logs from this mailing list in 2007, suggesting things like:
\tweak #'font-size #-4 g
Is there any easier way? (as in, less verbose).
In fact, I have a bunch of octave chords, where the upper no
Am 10.11.2015 um 20:31 schrieb Alberto Simões:
Hello
There are musics where chords have a smaller note, that is optional.
I found some logs from this mailing list in 2007, suggesting things like:
\tweak #'font-size #-4 g
Is there any easier way? (as in, less verbose).
In fact, I
On 10/11/15 19:36, Marc Hohl wrote:
Hello
There are musics where chords have a smaller note, that is optional.
I found some logs from this mailing list in 2007, suggesting things like:
\tweak #'font-size #-4 g
Is there any easier way? (as in, less verbose).
In fact, I have a bu
On 10/11/15 19:36, Marc Hohl wrote:
Am 10.11.2015 um 20:31 schrieb Alberto Simões:
Hello
There are musics where chords have a smaller note, that is optional.
I found some logs from this mailing list in 2007, suggesting things like:
\tweak #'font-size #-4 g
Is there any easier w
On 11/11/2015 03:33, RomanticStrings wrote:
I am no longer able to open the development version documentation web address
through Frescobaldi. The program seeks to append /Documentation/index to
the address, but I am no longer able to find the prefix to achieve the
desired website. Has the deve
On 10.11.2015 20:31, Alberto Simões wrote:
Hello
There are musics where chords have a smaller note, that is optional.
I found some logs from this mailing list in 2007, suggesting things like:
\tweak #'font-size #-4 g
Is there any easier way? (as in, less verbose).
The cheapest wa
Il giorno mar 10 nov 2015 alle 9:28, David Kastrup ha
scritto:
It's still the same musical moment and LilyPond has no general way of
distinguishing them. Try putting the first mark an infinitesimal
amount
earlier, like
\grace { \mark ... \skip 32 }
to move it backward a 32th grace note.
I
On 10/11/15 20:57, Simon Albrecht wrote:
The cheapest way would be (using a syntax introduced very recently)
%%
sm = \tweak #'font-size #-4 \etc
{ }
%%
This sounds awesome. Love that \etc there :)
___
lilypond-user mailing list
lilypond-us
On 10.11.2015 21:59, Alberto Simões wrote:
On 10/11/15 20:57, Simon Albrecht wrote:
The cheapest way would be (using a syntax introduced very recently)
%%
sm = \tweak #'font-size #-4 \etc
{ }
%%
This sounds awesome. Love that \etc there :)
David K.’s work :-)
___
Am 10.11.2015 um 18:06 schrieb Graham King:
> On Tue, 2015-11-10 at 10:09 +0100, Urs Liska wrote:
>>
>>
>> Am 09.11.2015 um 17:34 schrieb Graham King:
>>
>>> (This note describes an issue arising from the separate thread,
>>> "Scholarly footnotes" [1])
>>>
>>> I would like to use Urs' annotate.ily[
Hello, I am trying to transcribe some music which has notation like the
attached example image. There is a cross-staff arpeggio, with a nested
bracket indicating a cross-staff voicing. As per the examples I have found,
we can have only one or another, since the bracket should be printed using
the A
On Tue, 2015-11-10 at 22:50 +0100, Urs Liska wrote:
> Am 10.11.2015 um 18:06 schrieb Graham King:
> > On Tue, 2015-11-10 at 10:09 +0100, Urs Liska wrote:
> >>
> >>
> >> Am 09.11.2015 um 17:34 schrieb Graham King:
> >>
> >>> (This note describes an issue arising from the separate thread,
> >>> "Sch
Hello all,
Rather than having to \revert an \override (or set of \override-s), might it be
possible to set an optional duration for which the override would be in effect?
e.g.
\temporary #’(10 1/8) \override LyricText.extra-offset = #’(0 . -1)
would lower the LyricText(s) for exactly 10 meas
A fully indexed portfolio of the 2.19.31 PDF docs is available at
https://www.dropbox.com/s/sb4bon4xgwx11vn/lilydoc-2.19.31.pdf?dl=0 (39Mb).
Needs Adobe Reader for the indexing to work - I haven't found a 3rd
party PDF viewer that can use the index in PDF portfolios.
Nick
___
Hi all, I can't seem to get the poly-rhytm to display properly...
flute = \relative c'' {
\global
\repeat volta 2 {
g'4.^"Inzet bij couplet 4" e | fis d | e c | d b |
}
\time 2/4 a8 d fis e | d4. d8 | e8 d e fis |
\time 3/4 \tuplet 3/2 { g fis e } d [c] b [g] | \time 2/4 a b c e |
g2\f
On Tue, 10 Nov 2015 21:58:10 -0500
Kieren MacMillan wrote:
> Rather than having to \revert an \override (or set of \override-s), might
> it be possible to set an optional duration for which the override would
> be in effect? e.g.
>
> \temporary #’(10 1/8) \override
>
> would lower the Lyric
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