Yeah, the word circulating around back then was that it might've been a 
2-coat job using House of Kolor Shimrin base coat metallic BC08 "Nova 
Orange" followed by a clear coat KK14 (formerly UK14) kandy koat "Spanish 
Gold."  Riv will neither confirm or deny any of this; I'm kinda thinking 
that whoever they used to paint the first batch of Ram's was given the 
directive to come up with a real eye-catcher to serve as a kind of "loss 
leader" for the new frame.  It worked.  Although their paint jobs are good, 
none have ever been the same as those early Ram frames.

The price on this stuff is mighty precious - $50-$60 for a quart of the 
base coat and around $40 for just 8oz of the Spanish Gold (which is now 
only sold as an intensifier implying, I assume, that a final third clear 
coat would be necessary).  'Course, they reduce this stuff considerably 
before spraying so small quantities go a long way, but no painter is going 
to spend that kind of money just for one bike frame - unless maybe you'd by 
the paint for them.  I 'spose another way to approach it would be to find 
someone who is in the process of putting together a show car hot rod and 
sweet talk him into these color combo's.  Then find a way to get the 
painter to do the frame at the same time.


On Thursday, June 20, 2013 3:50:38 PM UTC-5, Steve Palincsar wrote:
>
> On Thu, 2013-06-20 at 13:19 -0700, George Schick wrote: 
> > All replies to this post are good - the temporary field fix, the 
> > general issues surrounding steel dropouts and the various factors that 
> > can lead to failure, the way Riv lives up to its reputation for 
> > supporting their products, etc.  But I own a Rambouillet of the same 
> > vintage as the OP and if something like this ever happened to it I'd 
> > have to find a way to get it repainted the same brilliant orange color 
> > as the original, even if I had to pay for the paint job myself.   
>
> Not much of a chance of that.  It's not a "brilliant orange color," it's 
> a multi-stage paint job with transparent paint over a pearl layer.  I'm 
> not sure if anyone knows how to do it, but I do know it's impossible to 
> touch up. 
>
> > I know this kind of flies in the face of the beausage philosophy, but 
> > I love that goldish orange they used so much that I'd just have to 
> > keep it somehow. 
>
> It was nice, I'll give you that. 
>
>
>
>

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