I've only seen one other speced like that, up at Harrah's a few years ago. It was a tan one. However, I'm not sure if it was a Dodge or a Plymouth, but in any case, it was the 2-door sedan, not the hard top.
I'd agree that you're over thinking the situation. I bet we've read as many automotive rags as one another over the years, including some high end ones, and the thing that always struck me (especially in publications like Automobile Quarterly) was that the cars were sometimes shown in different light to enhance a feature or to provide some variety in the presentation. I'd really not bee too concerned, and that's, in part, why I didn't mention the lighting and just concentrated my comments on the emotional impact the photos had for me. Shel > [Original Message] > From: Paul Stenquist <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]> > Date: 10/24/2004 4:30:07 PM > Subject: Re: PESO: Fighting Bad Light and Needing Some Help > > Thanks Shel. I agree that the long lens shot defines the car's > personality much better.. I've been worrying about the obviously > different light. I couldn't get the really long lens shots to look like > the others in terms of color and contrast. That was due in part to the > changing light, but also, I think, to the unique personalities of these > two lenses. Perhaps I'm over thinking it.
