Use chromogentic B&W film. 15 stops is pretty normal. What I want to see is a print that can show it. AFAIK, B&W is still limited to about 7 stops, and color to about 5. Of course if you are talking about compressing those 10 stops down to 5 you are saying something different than you seem to think you are saying, as that is easy to do with traditional photo techniques.

--

Herb Chong wrote:

i have some examples (not taken with my *istD) where i have pulled about 6
stops more range out of a single image than the unmodified image was
showing. blending together a sequence of 6 exposures, each 1 stop apart,
shows about the same contrast as the manipulated single image. the color
isn't as good in the shadows as blending 6 exposures, but not bad. i'd like
to see the film guys try getting 10 or so stops of dynamic range onto any
single exposure with good contrast. a digital sensor with 12 bits/pixel is
by definition able to record 12 stops of dynamic range. the deepest shadows
are not going to be great, but not great is better than not at all.

Herb....
----- Original Message ----- From: "Rob Studdert" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, February 04, 2004 8:45 PM
Subject: Re: Digital Photography




Seriously the advent of digital capture has spurned on the imaging

software


developers to produce a whole array of tools that weren't available in the
past. One type of which are the extended contrast tools which create HDR
images. Using this technology often an image can be shot which would have

been


impossible using film due to extremes of contrast. There are some

occasions


where the light will never be "right", this technology (which obviously

can now


be used to extend and compress the contrast range of digitized film

images)


provides a whole new set of opportunities to the thinking photographer.





-- graywolf http://graywolfphoto.com

"You might as well accept people as they are,
you are not going to be able to change them anyway."




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