Let's try this again and sorry for breaking the threading but SF.Net's
        bogus verification (probing the <> user) bounced yet another mail item
        on me :(

On Tue, 28 Jun 2005, Steven Ellis wrote:

> Really interesting thread on the strengths and weaknesses of different 
> ways to encode material.

        A bit heated (my fault) but interesting ;)

> Have any of you looked at the two pass MPEG2 code used in avidemux2. Its 

        No thanks.  Most of my encoding runs already are in the 14 to 16 hour 
        range.  I've no real desire to double that :)  

> For example I take an off air D1 PAL video capture, edit out adverts to 
> 45 minutes approx

        As one of my brothers keeps reminding me D1 is a digital tape recorder
        format (as is D-5, D-9 and so on).  In the "biz" (broadcast TV) they
        call it "601" (as in Rec.601) video :)

> 1. Clean up the black borders, ie remove non-visible junk.

        Good idea - but I wouldn't have thought digital TV would have much
        junk.

> Yes I know I should leave it interlaced, but a lot of my material was a 
> film -> TV transfer and de-interlaces really well.

        Ummm, I make a distinction between reverting a pulldown and 
        deinterlacing.  It sounds like what you're doing is reverting the 2:2
        pulldown used by PAL much as I, in NTSC-land, would revert the 3:2 
        pulldown.  

        To me that's not deinterlacing.  I think of Deinterlacing as taking
        a ~30fps interlaced (non-pulldown) video and creating a ~24fps new
        video stream.  That's a lot harder to do than matching pairs of
        fields from a pulldown processed stream :)

> 3. Use the Mplayer HQ Denoise filter.

        Hmmm, on the MPlayer mailinglists I've seen that filter disparaged
        and  mention made of not using it.  When I was using 'mencoder' to
        do encoding I did use it and thought it was ok (seemed to be mild,
        almost not noticeable in effect).

> 4. Encode to MPEG 2, target filesize of 1300 (3 episodes per DVD with 
> Audio), Max Bitrate 8000

        Just as easy would be to take the number of minutes of video and
        divide into 560 :)  I'll skip all the boring arithmetic but the
        rule of thumb given in DVD Studio Pro's documentation is to take
        (560 / minutes) to get the average bit rate in megabits/sec.  So for
        3x45 minutes you get 4.148 or ~4148Kbit/sec

> With the deinterlaced video I get an average Q of 3-4 and pretty damn 
> good video quality.

        Undoing the pulldown and encoding the progressive frames for some
        of the VHS tapes I've done recently I've gotten down around 2-3 :)
        Pretty amazing what doing a 10bit uncompressed capture and 
        pre-processing the data with FinalCutPro can do :-)

> Have a play and see what you think. It also has useful filters for 
> telecine etc.

        yuvkineco works quite well too once the field order is switched to
        top field first.

        One possible problem that hasn't been encountered yet (but no doubt
        will eventually) is a video that has mixed telecined film and NTSC
        video.  The tools I've seen don't know how to deal with mixed frame 
        rates - switching between 24 and 30.

        For now I think I'll take a break and go on vacation for a couple
        weeks :-)

        Cheers,
        Steven Schultz


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