You are correct; the original is missing a treble clef. I am using an early edition that has passed into public domain to transcribe, but so far I've found three errors in the score. I'm using a later edition to double check from but I'm still transcribing from the earlier one so my transcription is free of any copyright. I should have using the later edition for the example.
Knute Snortum (via Gmail) On Sun, Nov 30, 2014 at 2:56 AM, Rutger Hofman <rut...@cs.vu.nl> wrote: > Is the original correct? I would guess that a treble clef has been > forgotten in the upper staff, at the moment the staff is crossed in the > "grace note" run. How else can the run, and especially the cross-staff > chords in the last four 1/32 notes make sense? > > Rutger > > On 11/29/2014 07:49 PM, Knute Snortum wrote: > >> Ah, I see. Use two voices so one is the eighth note and the other is >> the grace notes with their duration divided over the eighth. This also >> gets me the slur. Thank you. >> >> >> Knute Snortum >> (via Gmail) >> >> On Sat, Nov 29, 2014 at 10:31 AM, Keith OHara <k-ohara5...@oco.net >> <mailto:k-ohara5...@oco.net>> wrote: >> >> On Sat, 29 Nov 2014 07:44:39 -0800, Knute Snortum >> <ksnor...@gmail.com <mailto:ksnor...@gmail.com>> wrote: >> >> Thank you both for your relies. Keith, your second suggestion >> is what I >> need, if I could designate a zero length note. >> >> Requirements: >> >> * An actual eighth note >> * Grace notes need to "attached" with a beam to the eighth note >> * Grace notes add no duration to the measure >> >> I've attached a picture of the measure. It has a lot of >> challenges in it >> for me. >> >> >> These small notes are not what LilyPond's \grace was designed for, >> but more like the small-note tuplet that Harm pointed out. We want >> these note to be spaced across the beat, but more quickly than their >> visible duration. >> >> LilyPond will do most of the beaming you want if you tell her how >> the music splits into two voices at the E-flat. Ignoring the fact >> that there are two staves for the moment, try something like this: >> >> \version "2.18.2" >> { >> \key des\major \clef bass \time 2/4 >> aes32 bes aes ges >> << >> {\voiceTwo ees8 ~ ees4 |} >> \new Voice { >> \voiceOne >> \scaleDurations 4/14 { >> ees32[ >> \teeny >> \override Stem #'no-stem-extend = ##t >> \override Stem #'length-fraction = #0.7 >> ges aes bes des' ges, bes, c des f] ges[ bes c' des'] >> \normalsize >> \revert Stem #'no-stem-extend >> \revert Stem #'length-fraction >> } >> f'16-> des' >> c32 des c bes,| } >> } >> >> We should probably put a Debussy example in the user manual (if he's >> in public domain in europe by now) and also make a shorthand for >> \graceStyleOn \graceStyleOff because often we want the style but do >> not want LilyPond's \grace timing. >> >> >> > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user >
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