You are correct; the original is missing a treble clef.  I am using an
early edition that has passed into public domain to transcribe, but so far
I've found three errors in the score.  I'm using a later edition to double
check from but I'm still transcribing from the earlier one so my
transcription is free of any copyright.  I should have using the later
edition for the example.


Knute Snortum
(via Gmail)

On Sun, Nov 30, 2014 at 2:56 AM, Rutger Hofman <rut...@cs.vu.nl> wrote:

> Is the original correct? I would guess that a treble clef has been
> forgotten in the upper staff, at the moment the staff is crossed in the
> "grace note" run. How else can the run, and especially the cross-staff
> chords in the last four 1/32 notes make sense?
>
> Rutger
>
> On 11/29/2014 07:49 PM, Knute Snortum wrote:
>
>> Ah, I see.  Use two voices so one is the eighth note and the other is
>> the grace notes with their duration divided over the eighth.  This also
>> gets me the slur.  Thank you.
>>
>>
>> Knute Snortum
>> (via Gmail)
>>
>> On Sat, Nov 29, 2014 at 10:31 AM, Keith OHara <k-ohara5...@oco.net
>> <mailto:k-ohara5...@oco.net>> wrote:
>>
>>     On Sat, 29 Nov 2014 07:44:39 -0800, Knute Snortum
>>     <ksnor...@gmail.com <mailto:ksnor...@gmail.com>> wrote:
>>
>>         Thank you both for your relies.  Keith, your second suggestion
>>         is what I
>>         need, if I could designate a zero length note.
>>
>>         Requirements:
>>
>>         * An actual eighth note
>>         * Grace notes need to "attached" with a beam to the eighth note
>>         * Grace notes add no duration to the measure
>>
>>         I've attached a picture of the measure.  It has a lot of
>>         challenges in it
>>         for me.
>>
>>
>>     These small notes are not what LilyPond's \grace was designed for,
>>     but more like the small-note tuplet that Harm pointed out.  We want
>>     these note to be spaced across the beat, but more quickly than their
>>     visible duration.
>>
>>     LilyPond will do most of the beaming you want if you tell her how
>>     the music splits into two voices at the E-flat.  Ignoring the fact
>>     that there are two staves for the moment, try something like this:
>>
>>     \version "2.18.2"
>>     {
>>        \key des\major \clef bass \time 2/4
>>        aes32 bes aes ges
>>        <<
>>          {\voiceTwo ees8 ~ ees4 |}
>>          \new Voice {
>>            \voiceOne
>>            \scaleDurations 4/14 {
>>              ees32[
>>              \teeny
>>              \override Stem  #'no-stem-extend = ##t
>>              \override Stem  #'length-fraction = #0.7
>>              ges aes bes des' ges, bes, c  des f] ges[ bes c' des']
>>              \normalsize
>>              \revert Stem  #'no-stem-extend
>>              \revert Stem  #'length-fraction
>>            }
>>            f'16-> des'
>>            c32 des c bes,| } >> }
>>
>>     We should probably put a Debussy example in the user manual (if he's
>>     in public domain in europe by now) and also make a shorthand for
>>     \graceStyleOn \graceStyleOff because often we want the style but do
>>     not want LilyPond's \grace timing.
>>
>>
>>
>
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