Ok, I've verified that *this* issue is no issue.

But I have another issue warranting the same thread:

What are the most straightforward approacges to dealing with instruments that 
actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn 
part?

Thanks for any ideas
Urs


On 9. September 2014 13:52:06 MESZ, Urs Liska <u...@openlilylib.org> wrote:
>
>Am 09.09.2014 13:46, schrieb Simon Albrecht:
>>
>> Am 09.09.2014 um 11:46 schrieb Urs Liska:
>>> Hi list,
>>>
>>> I have a problem understanding how to efficiently deal with horn 
>>> parts that change their transposition with the clef.
>>>
>>> That is: In the treble clef the part is notated as \transpose f, c
>>> while in the bass clef it is notated in concert pitch.
>> This is extremely unusual, I should say. Normally the bass clef would
>
>> be notated as \transpose f c, that is, as if it were octavating.
>> And isn’t it rather confusing if the transposition changes with the 
>> clef? I assume that your master copy of the „Trunkene Lied” uses this
>
>> convention, but in your place I’d consider changing it, to be honest.
>
>Well, yes, that's the convention of the score. But I also recalled 
>having learned it that way. Once. Decades ago. I'll look into 
>documentation for current orchestration conventions.
>
>Thanks
>Urs
>
>>
>> Yours, Simon
>>
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