Ok, I've verified that *this* issue is no issue. But I have another issue warranting the same thread:
What are the most straightforward approacges to dealing with instruments that actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn part? Thanks for any ideas Urs On 9. September 2014 13:52:06 MESZ, Urs Liska <u...@openlilylib.org> wrote: > >Am 09.09.2014 13:46, schrieb Simon Albrecht: >> >> Am 09.09.2014 um 11:46 schrieb Urs Liska: >>> Hi list, >>> >>> I have a problem understanding how to efficiently deal with horn >>> parts that change their transposition with the clef. >>> >>> That is: In the treble clef the part is notated as \transpose f, c >>> while in the bass clef it is notated in concert pitch. >> This is extremely unusual, I should say. Normally the bass clef would > >> be notated as \transpose f c, that is, as if it were octavating. >> And isn’t it rather confusing if the transposition changes with the >> clef? I assume that your master copy of the „Trunkene Lied” uses this > >> convention, but in your place I’d consider changing it, to be honest. > >Well, yes, that's the convention of the score. But I also recalled >having learned it that way. Once. Decades ago. I'll look into >documentation for current orchestration conventions. > >Thanks >Urs > >> >> Yours, Simon >> >> _______________________________________________ >> lilypond-user mailing list >> lilypond-user@gnu.org >> https://lists.gnu.org/mailman/listinfo/lilypond-user > > >_______________________________________________ >lilypond-user mailing list >lilypond-user@gnu.org >https://lists.gnu.org/mailman/listinfo/lilypond-user
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