Am 09.09.2014 um 11:46 schrieb Urs Liska:
Hi list,
I have a problem understanding how to efficiently deal with horn parts
that change their transposition with the clef.
That is: In the treble clef the part is notated as \transpose f, c
while in the bass clef it is notated in concert pitch.
This is extremely unusual, I should say. Normally the bass clef would be
notated as \transpose f c, that is, as if it were octavating.
And isn’t it rather confusing if the transposition changes with the
clef? I assume that your master copy of the „Trunkene Lied” uses this
convention, but in your place I’d consider changing it, to be honest.
Yours, Simon
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