Orm Finnendahl <orm.finnend...@hfmdk-frankfurt.de> writes: > Hi all, > > as I understand the situation, the most convenient situation for all > would be the possibility of a context switch in mid-score affecting > the way lilypond is interpreting (seeing) the pitches, which could get > changed globally by including different files with redefinitions of > the context-switch statement. This is in analogy of the transposition > statement except that it doesn't affect midi but notation and > therefore probably is much trickier to handle properly.
A lot of things look at pitches. With Midi, it's just an offset to the final output. You could do stuff like \transposition #(ly:make-pitch 0 0 3/100) and that has a reasonable interpretation (no idea whether the way pitches are implemented will result in reasonable Midi, though). With visuals, not so much. And it's not just an "offset": a whole arrangement of notename and accidentals and custom engravers might depend on them. -- David Kastrup _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
