Hi Brian,

Since you are [ostensibly] sitting on the fence…  ;)
This is my “+1” for the cut-and-pastability (and, by extension, 
variable-referencibility, etc.) of Lily-code as noted by David K.
Having engraved hundreds of Lilypond scores in the past 11 years — many with 
dozens of movements, 50+ staves, etc., and perhaps half of which include 
transposing instruments — I can’t imagine the nightmare that would ensue if the 
code was entered without explicit alteration(s).

All the best,
Kieren.

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