Gentlemen, Thanks for your replies.
Vaughan, Your attachment was filtered out as a binary file by my email server. The GNU.org archives also shows it as a .bin file so I cannot 'see' what you've done. If you would, please attach it as a reply to this email. David, I think I understand what you mean here: <quote> I have no idea what you mean with "are being picked up by the reduction" and "are directed at the full score". His "reduction" places _everything_ (with the exception of the side voices) into a single voice. Of course, this voice will share stem directions, slur directions, and every other property. He might want to look at \partcombine. </quote> Several questions and clarifications. The piano reduction code is what Frescobaldi creates when one uses its score wizard to create a score. I confess I do know understand exactly how it does what it does in getting stems/rests to not collide up to the point where the temporary polyphonic passage (TPP) is first used, but you can see from the example that the Frescobaldi code does set things rightly (this snippet is an extraction from a significantly larger work and the piano reduction for everything up to the TPP looks as one would expect it to look). By your comment, to see if I understand, you say that using \oneVoice following the TPP in each voice causes LP to set both parts on the piano reduction staff as one which it previously set as two before the TPP. That makes sense though it is unfortunate as \oneVoice following the TPP is required for proper steming/rest placement in the vocal staves and correct setting of lyrics. I had already taken a look at \partcombine following the examples here: http://www.lilypond.org/doc/v2.16/Documentation/snippets/vocal-music#vocal-music-vocal-ensemble-template-with-automatic-piano-reduction and here: http://lilypond.org/doc/v2.16/Documentation/notation/multiple-voices Unfortunately using the piano reduction from the first and the \partcombine expample from the second do the same thing as the piano reduction that Frescobaldi generates. I think this is so because the /oneVoice directives are still in the parts for the reasons I stated above. As using \partcombine seemed no better than the original I did not include them in my test ly file when I posted to the list. Guy Stalnaker jimmyg...@gmail.com _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user