Vaughan McAlley <vaug...@mcalley.net.au> writes: > On 3 July 2013 08:52, Nick Payne <nick.pa...@internode.on.net> wrote: > >> I built your example with 2.17.21. No warnings at all in the log, >> and the only problem I can see anywhere in the output is in the >> piano reduction mm 3 & 4, where the tie between the two whole notes >> in the upper voice goes through the head of the half note in the >> lower voice, and that can be fixed by using ^~ rather than _~. >> > > Guy was suggesting uncommenting the first \score section down the > bottom. In that case there is all sorts of strange stuff going on. It > looks like the \oneVoice / \stemNeutral commands (which are directed > at the full score) are being picked up by the reduction.
I have no idea what you mean with "are being picked up by the reduction" and "are directed at the full score". His "reduction" places _everything_ (with the exception of the side voices) into a single voice. Of course, this voice will share stem directions, slur directions, and every other property. He might want to look at \partcombine. -- David Kastrup _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user