Jonas Olson <jol...@kth.se> wrote on 04/27/2012 02:06:07 PM:
> From: Jonas Olson <jol...@kth.se>
> To: Tim Reeves <tim.ree...@tokamerica.com>
> Cc: lilypond-user@gnu.org
> Date: 04/27/2012 02:06 PM
> Subject: Re: Notation of french horn
>
> Interesting to see the variations that occur.
>
> fre 2012-04-27 klockan 11:50 -0700 skrev Tim Reeves:
> > Mozart horn concerto in D major (1791) - originally played on a
> > natural horn with a D crook, so written with no key signature - the
> > modern player playing on an F horn simply (!) transposes the part down
> > a minor third as he plays it. Exception is to transpose the part for
> > him, so write it out for horn in F. Then the key signature is two
> > sharps (for the horn - one sharp for everyone else!)
>
> This is beside the main point, but just so I don't misunderstand
> something. Music in D major would have tree sharps for an instrument in
> F and two sharps for non-transposing instruments, wouldn't it?
>
> Jonas
>
Yes. I changed that example and didn't correctly change the key signature
description.
Thanks for catching it.
Tim
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