Hola
> Now, I am not sure how to actually use this in a file. I tried just using
> \include in my file and putting the \inlineMMRN R2.*4 where I want it to
> appear. I ended up with 3/4 time, five empty bars with rehearsal marks at
> the top of the score, followed by a repeat and six bars with the desired
> indication of four bars to be repeated, followed by another repeat. And the
> bars where I want the effect to render didn't. Obviously that was not as you
> intended it to be used!
>
R2. is a full bar rest in 3/4 time (a dotted 2/4 rest that is). For
4/4 you just use R1, and multiply with the number of bars, like in
R1*8 for 8 bars.
There's still a problem though -- look at this example
#(define (whiteunder grob) (grob-interpret-markup grob
(markup #:vcenter #:whiteout #:pad-x 1 (ly:grob-property grob 'text))))
inlineMMRN = {
\once \override Score.MultiMeasureRest #'layer = #-2
\once \override Score.MultiMeasureRestNumber #'layer = #-1
\once \override Score.MultiMeasureRestNumber #'Y-offset = #0
\once \override Score.MultiMeasureRestNumber #'stencil = #whiteunder
}
solos = {
\override Score.MultiMeasureRest #'minimum-length = #20
\bar "|:"
\inlineMMRN R1*4
\inlineMMRN R1*4
\bar ":|"
}
{
<<
\new ChordNames \chordmode {
s1
a1*4:m7
b:m7-5
}
\new Staff {
\time 4/4
s1
\set Score.markFormatter = #format-mark-box-alphabet
\set Score.skipBars = ##t
\override MultiMeasureRest #'expand-limit = 1
\solos
}
>>
}
How can we center the chord symbols above the inlineMMR's?
Also: Does anybody know how to produce the `fat bracketed' repeat bars
often used in jazz (example in the Real Book exerpt attached to Tim's
first mail in this thread)?
Jakob.
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