2011/3/3 Keith OHara <k-ohara5...@oco.net>:
> Francisco Vila <paconet.org <at> gmail.com> writes:
>> In this example, partB should include m.2 of partA in measure
>> two.
> [...]
>> instrA = {
>> \tag #'partA \cueDuring #"instrB" #UP { s1^"(from B)" }
>> \tag #'sheetA { R1 }
>> c'1^"Voice A m. 2"
>> }
>> \addQuote "instrA" { \instrA }
>
> Lilypond sees *three* measures in addQuote, with the c' in measure three. She
> does not yet know that you will keep only one tag.
That's it! it makes sense.
>
> Two approaches that have worked for me :
> % (1) For scores that use \tags,
> % put alternative music in a parallel construction
> % (2) \killCues removes the cue notes
> % but not the "from B" labels
% (2) \killCues removes the cue notes
% but not the "from B" labels
\killCues is what I was looking for, thank you for the tip! It was in
the manual but not visible enough for my eyes, it seems.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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