On 01/31/2011 07:27 PM, Francisco Vila wrote:
I vaguely recall this case known as 'false relation'. The listener could be fooled into hearing e' a' but the a' is sung by another voice. This would be the 'soft' case, the hard case is for 'f b' tritone sung by different voices. Don't rely too much in this...
Nein, false relation is where you have two successive chords, where a note of the first is inflected with an accidental to become a note of the second chord, and this happens in different parts.
So if D minor is followed by D major, the F to F# should happen in the same voice, to avoid 'false relation'.
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