I just tested the example "Defining predefined fretboards for other
instruments" with 2.13 and it produces a bizarre output. http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Fretted-strings |
\paper {
#(define dump-extents #t)
indent = 0\mm
line-width = 160\mm
force-assignment = #""
line-width = #(- line-width (* mm 3.000000))
}
\layout {
}
#(set-global-staff-size 16)
cuatroTuning = #'(11 18 14 9)
dSix = { <a\4 b\1 d\3 fis\2> }
dMajor = { <a\4 d\1 d\3 fis \2> }
aMajSeven = { <a\4 cis\1 e\3 g\2> }
dMajSeven = { <a\4 c\1 d\3 fis\2> }
gMajor = { <b\4 b\1 d\3 g\2> }
\storePredefinedDiagram \dSix
#cuatroTuning
#"o;o;o;o;"
\storePredefinedDiagram \dMajor
#cuatroTuning
#"o;o;o;3-3;"
\storePredefinedDiagram \aMajSeven
#cuatroTuning
#"o;2-2;1-1;2-3;"
\storePredefinedDiagram \dMajSeven
#cuatroTuning
#"o;o;o;1-1;"
\storePredefinedDiagram \gMajor
#cuatroTuning
#"2-2;o;1-1;o;"
% end of potential include file /predefined-cuatro-fretboards.ly
primerosNames = \chordmode {
d:6 d a:maj7 d:maj7
g
}
primeros = {
\dSix \dMajor \aMajSeven \dMajSeven
\gMajor
}
\score {
<<
\new ChordNames {
\set chordChanges = ##t
\primerosNames
}
\new Staff {
\new Voice \with {
\remove "New_fingering_engraver"
}
\relative c'' {
\primeros
}
}
\new FretBoards {
\set stringTunings = #cuatroTuning
\override FretBoard
#'(fret-diagram-details string-count) = #'4
\override FretBoard
#'(fret-diagram-details finger-code) = #'in-dot
\primeros
}
\new TabStaff \relative c'' {
\set TabStaff.stringTunings = #cuatroTuning
\primeros
}
>>
\layout {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
}
}
\midi { }
}
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