Phil: the "\teeny \flat" works. I also check 2.12.3 lilypond_notation there
is no "accidentals.M2" (v2.6.6 has) but there is "accidentals.medicaeaM1" .
Anyway I like the \teeny \flat better.
Kaz: I think there is a problem for "c2\> d\!" construct for midi output.
Please refer tored and blue text below. I experiment the coding.
1. I comment out LINE AA and use LINE BB I run lilypond, the generated midi
clearly produce both piano RH and LH sound til the end.
2. I comment out LINE BB and use LINE AA I run lilypond, the generated midi
only produce midi sound for piano RH & LH until bar 14. Starting on bar 15
onward, I can only hear piano RH, but piano LH sound disappear.
\version "2.12.0"
\header {
% #(before-title-space 10\mm)
title = "主阿我要更愛你：More Love To Thee"
subtitle = " "
poet = "Zunda Chen"
composer = "陳傳這 曲"
meter = \markup { "B" \teeny \flat \musicglyph #"accidentals.medicaeaM1"
"４／４"
}
enteredby="ymingT"
maintainer="ymingT"
texidoc = ""
}
ignoreMelisma = \set ignoreMelismata = ##t
ignoreMelismaOff = \unset ignoreMelismata
#(set-global-staff-size 23)
\paper {
%#(set-global-staff-size (* 5.8 mm))
indent = #(* mm 0)
line-width = #(* mm 180)
interscoreline = 2.\mm
between-system-space = 36\mm
ragged-bottom = ##t
}
#(set-global-staff-size 23)
\include "english.ly"
TimeKey = { \time 4/4 \key g \minor } % \partial 4
SopMusic = \relative c' {
R1^\markup{Andante Graccoso} | R1 | R1 | a'1\rest \fermata |
%bar 01-04
}
AltoMusic = \relative c' {
\override NoteHead #'color = #blue
s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 | %bar 01-10
}
TenorMusic = \relative c {
s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 | %bar 01-10
}
BassMusic = \relative c {
\override NoteHead #'color = #red
s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 | %bar 01-10
}
PianoRHand = \relative c' {
<< {d'8 bf8 ef8 d8 a'8 g8 bf8 a8} \\ {f,2\mf df'2} >> | %bar 01
<< {c'8 bf8 a8 b8 c8 bf8 c8 cs8} \\ {d,2 ef2} >> | %bar 02
<< {d'8 bf8 g8 f8 d8 bf8 g8 f8} \\ {f'2 f,2} >> | %bar 03
<ef f c'>2 <d f bf> | %bar 04
r8 d8 f d bf' f d' bf | %bar 05
d8 ef,8 f8 a8 c8 a8 f8 ef8 | %bar 06
f8 ef a f c' a ef c | %bar 07
ef8 g a bf d bf f ef | %bar 08
f'8 b, d f g f ef d | %bar 09
c8 g a bf d c bf g | %bar 10
ef'8 g, a bf a g f e | %bar 11
g8 f e f d f df f | %bar 12
d8 f bf f c' f, d' b | %bar 13
ef8 bf c cs d bf f f' | %bar 14
d8 f, e f c' f, ef f | %bar 15
bf8 f d f bf d f a | %bar 16
<f, bf d>4.^( <f bf d>8 <g bf ef>8 <f bf d>8 <ef c'>8 <d bf'>8 |
%bar 17
<bf f' bf>2 <ef f a>2) | %bar 18
<g c ef>4.( <g c ef>8 <a c f>8 <g c ef>8 <f bf d>8 <f cs'>8 |
%bar 19
<f bf d>2.) r4 | %bar 20
<g b d g>4.( <g bf d>8 <g bf ef>8 <g bf f'>8 <g bf ef>8 <g d'>8 |
%bar 21
<e c' d>2 <ef g>2) | %bar 22
<e g c>4.^( <ef g c>8 <ef g bf>8 <ef g bf>8 <ef a>8 <ef g>8 |
%bar 23
<a, c f>2.) r4 | %bar 24
}
PianoLHand = \relative c {
bf'2 a2 | g2 gf2 | f2^\markup{poco rit.} f,2 | %bar 01-03
<a a'>2 <bf bf'>2 | %bar 04
<bf' bf,>2.^\markup{a tempo} r4^\markup{sempre} | %bar 05
<f f,>2.^\markup{legato} r4 | %bar 06
<a, a'>4 <c c'>4 <f, f'>2 | %bar 07
<bf bf'>2. r4 | %bar 08
<g g'>2. r4 | <ef' ef'>2 <e e'>2 | %bar 09-10
<c c'>2 <df df'>2 | <a a'>2 <f f'>2 | %bar 11-12
<bf bf'>2^\markup{ cresc. } <a a'>4 <g g'>4 | %bar 13
<gf gf'>2 <f f'>2 | %bar 14
<f f'>2^\markup{ rit. }^\> <a a'>2\! | %bar 15
LINE AA
% <f f'>2 <a a'>2
| LINE
BB
<bf bf'>2. r4 | %bar 16
<bf, bf'>8 d'8_\markup{con Ped} f bf f bf f bf | %bar 17
<bf,, d'>8 f'' bf f <ef, f'> a' c a | %bar 18
<f,, f'>8 f''8 a8 f8 a8 c8 f,8 a8 | %bar 19
<bf,, b'>8 d'8 f8 bf8 d8 bf8 f8 d8 | %bar 20
<g,, g'>8 g'' b g bf g a bf | %bar 21
<c,, c'>8 g''8 c8 g <c,, c'>8 g''8 c8 g8 | %bar 22
<c,, c'>8 g'' bf g bf g a bf | %bar 23
<f,, f'>8 c'' f c f ef d c | %bar 24
}
VerseOne = \lyricmode {
主 啊！ 我 要 | 更 愛 你， | 主 啊！ 我 要 | 親 近 你 | 凡 事 照 主 |
指 示， | 合 主 你 的 | 旨 意， | 有 時 遭 | 遇 試 煉， 求 | 主 扶 持； |
懇 求 聖 靈 充 滿 | 心 內 | 忠 心 將 福 音 傳 | 開， | 雖 然 魔 鬼 設 計 |
陷 害， | 靠 我 主 永 不 失 | 敗， |
}
%VerseTwo = \lyricmode { voice two }
%VerseThree = \lyricmode { }
%VerseFour = \lyricmode { |
\score {
\new GrandStaff = "GrandStaff_score" <<
\new ChoirStaff <<
\tempo 4 = 90
\set Score.markFormatter = #format-mark-box-numbers
\new Staff <<
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\clef "treble"
% \new Voice = "Sop" { \voiceOne \TimeKey \SopMusic }
% \new Voice = "Alto" { \voiceTwo \TimeKey \AltoMusic }
% \new Lyrics \lyricsto "Sop" { \VerseOne }
% \new Lyrics \lyricsto "Sop" { \VerseTwo }
% \new Lyrics \lyricsto "Sop" { \VerseThree }
% \new Lyrics \lyricsto "Sop" { \VerseFour }
>>
\new Staff <<
\clef "bass"
% \new Voice = "Tenor" { \voiceOne \TimeKey \TenorMusic }
% \new Voice = "Bass" { \voiceTwo \BassMusic }
>>
>>
\new PianoStaff <<
\new Staff = "RH" { \TimeKey \PianoRHand }
\new Staff = "LH" { \TimeKey \clef bass \PianoLHand }
>>
>>
\layout {
\context {
\RemoveEmptyStaffContext
\override VerticalAxisGroup #'remove-first = ##t
}
}
\midi { }
}
________________________________
From: Kaz Kylheku <k...@kylheku.com>
To: MING TSANG <tsan...@rogers.com>
Cc: lilypond-user@gnu.org
Sent: Fri, September 3, 2010 12:40:56 AM
Subject: Re: no sound produce for bass staff
On Thu, 2 Sep 2010 20:48:20 -0700 (PDT), MING TSANG wrote:
>Additional info pertain to #1 below.
Also, is there anything in the .log file?
If LilyPond is doing something unexpected, always check
for any diagnostics._______________________________________________
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