-Eluze wrote:
> i think \parallelMusic is just thought for a quick and easy input - without
> sophisticated structuring of a piece!
>
oh, I see
that's what I wanted to know..
well, it's a pity because it's very handy, you can see all the voices
in a measure without having to scroll from one variable to another.
I mean, this is an example of the template I'm using to enable double
glissando in a three voice piece:
\version "2.13.8"
upper= \relative c' {
<a c>4 \glissando <b\3 d>2.
}
lower= \relative c {
r4 e,2.
}
thirdvoice= \relative c' {
\hideNotes a4 \glissando b2.\3
}
\score {
\new StaffGroup <<
\new Staff = "guitar" <<
\context Voice = "upper guitar" { \clef "G_8" \voiceOne \upper }
\context Voice = "lower guitar" { \clef "G_8" \voiceTwo \lower }
\context Voice = "thirdguitar" { \clef "G_8" \voiceThree
\thirdvoice }
>>
\new TabStaff = "tab" <<
\context TabVoice = "upper tab" { \clef "moderntab" \voiceOne
\upper }
\context TabVoice = "lower tab" { \clef "moderntab" \voiceTwo
\lower }
\context TabVoice = "thirdguitar" { \clef "moderntab"
\voiceThree \thirdvoice }
>>
>>
}
In a normal piece, I have to scroll a lot when I enter music, because
each voice is separated.
That's why I hoped I could use \parallelMusic instead..
I know Alexander Kobel and Nicolas Sceaux are working on
\parallelMusic, so I hope they are going to enlight me about the use
of \parallelMusic and what can we expect from it in the future.
Regards,
Federico
--
http://gnurag.net/blog/
http://fsfe.org/
http://groups.fsf.org/wiki/LibrePlanetItalia
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