Hugh Myers wrote:
On a related note (:;) this piece is a mixture of polyphony and
monophony. Is there an example of the two with tablature?
--hsm
If you use mainly polyphony, the following template should help you.
Actually, you can use it also for a mixture of polyphony and
monophony, just add a spacer note if you want a voice to be silent.
The advantage of esplicitly instantiate the voices for both staves is
that you can easily change some default behaviour of LilyPond that you
may dislike.
%% Begin template
\version "2.13.7"
\header {
}
\paper {
}
upper= \relative c' {
}
lower= \relative c {
}
\score {
\new StaffGroup <<
\new Staff = "guitar" <<
\context Voice = "upper guitar" { \clef "G_8" \voiceOne \upper }
\context Voice = "lower guitar" { \clef "G_8" \voiceTwo \lower }
>>
\new TabStaff = "tab" <<
\context TabVoice = "upper tab" { \clef "moderntab" \voiceOne
\upper }
\context TabVoice = "lower tab" { \clef "moderntab" \voiceTwo
\lower }
>>
>>
}
%% End template
--
http://gnurag.net/blog/
http://fsfe.org/
http://groups.fsf.org/wiki/LibrePlanetItalia
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