>>>>> "Marc" == Marc Hohl <m...@hohlart.de> writes:
Marc> I am not at all familiar with these old tablatures, but they
Marc> look just amazing, so simply for typographic and aesthetical
Marc> reasons, these should be made possible with lilypond.
Actually, there are good musical reasons, too. In the 16th and maybe
most of the 17th, and in some places longer than that, the
dominant instrument which could play many notes at a time was the
lute, or various other plucked string instruments which could read the
same tablature.
So this means that lots of the kinds of music which would later be
published with keyboard accompaniment, which lilypond transcribes very
well, was published with lute tablature.
So my edition of all the part songs of John Dowland
<http://serpentpublications.org/wordpress/?page_id=22&id=4> (which
many people think of as lute songs, but most of them are really
accompanied madrigals) is really incomplete, because I've
only transcribed the vocal lines, and in general not the lute
tablature.
For a lot of them, the lute tablature is very little different from
just a transcription of the vocal lines, but in others there's a lot
of decoration.
I've made some efforts to transcribe the tablature, but what I want
ideally is to transcribe what's there, in an input form that doesnt'
require me to translate the tablature into notes, and then use that
transcription plus the tuning of the strings to produce both a
tablature that looks like the one in the facsimile and standard
notation that a modern keyboard player could deal with.
Lute players should note that I'm aware that tablature has different
information from notation: specifically that the beginning time of the
note is specified, but not the length of the note. However, I believe
that good keyboard players are just as capable as lute players of
making the decision about where to end the note; they just aren't as
capable as players of 6-course fretted instruments of playing
tablature for 6-course fretted instruments.
--
Laura (mailto:lcon...@laymusic.org)
(617) 661-8097 233 Broadway, Cambridge, MA 02139
http://www.laymusic.org/ http://www.serpentpublications.org
Copyright law has abandoned its reason for being: to encourage
learning and the creation of new works. Instead, its principal
functions now are to preserve existing failed business models, to
suppress new business models and technologies, and to obtain, if
possible, enormous windfall profits from activity that not only causes
no harm, but which is beneficial to copyright owners.
William Patry, in his farewell post on "The Patry Copyright Blog".
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