Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
ees8->[ c8]-> r4 r2 |
}
And then patiently adjust padding and minimum-length ...
Cheers,
Robin
Been experimenting with the code found in the snippets library and seems
that where ever I put the \cadenzaOff I get different, incorrect
results. Sometimes the first eight note turns into a quarter note,
sometimes it's an eight note, but always the measure and the one that
follows are all one measure. I've pasted the code to the work in
progress below.
Is there a particular reason for having the cadenza, as opposed to using
code like that provided by Robin?
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