Ivo Bouwmans wrote Saturday, January 03, 2009 11:54 PM
(It is strange, though, that in my original version (see below) the
stemUp did not force the stem upwards.)
Not really, since the code below also has a \stemDown at
the same musical moment in the same Voice. Only one of
these can be effective. Which of them takes precedence
is not clearly defined, although usually it is the last
one encountered. Here \stemDown wins.
Introducing a second voice allows both \stemUp and \stemDown
to work separately on the notes assigned to the two
respective Voices.
=== wrong version:
{
<< { \voiceOne e''2. } { \voiceTwo a'2~a'8[ b'] } >>
<< { \stemUp e''2.\fermata } { \stemDown b'2.\fermata } >>
}
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