Trevor Daniels wrote:
As there have been no further comments on drum-rolls on -user, perhaps
you could help a little further.
The notation you mention with a colon (in the example it g1:32) to
indicate a drum-roll is described in the Notation Reference for 2.11
section 1.4.2.2 (or the User Manual for 2.10 sections 6.7.5 and 6.7.6)
as the way to indicate a tremolo on a single note. Could you please
have a look at these, and let me know if this notation and appearance is
exactly right for indicating a drum-roll to a percussionist? If it is,
could you please send me a short realistic example of using this
notation for a drum-roll for inclusion in the percussion section of the
manual?
Greetings,
As a percussionist and music publisher, I can offer some suggestions.
The g1:32 notation is exactly the modern way of spelling out rolls
(anything quarter/quaver or higher is with 3 slashes, eighths are with 2
[the beam becoming the third] and anything smaller than eighths are one
slash). This is accepted notation for all percussion instruments as well
including timpani, marimba, snare drum, multiple percussion setups,
triangles, you name it.
Short example:
\time 2/4
sn16 sn8 sn16 sn8 sn8:32~ |
sn8 sn8 sn4:32~ |
sn4 sn8 sn16 sn16 |
sn4 r4 |
(Rolls for snare drum are often tied into the releasing note.)
For sticking issues, I just use ^"R" or ^"L" after notes and then
override the staff-padding on TextScripts to achieve a pleasing baseline.
Hope this helps.
Cheers,
Bryan...
--
Bryan Stanbridge
President, Composer, Percussionist
Purple Frog Press
5533 Cresthaven Lane #3B
Toledo, Ohio 43614-1236
(419) 340-1027
[EMAIL PROTECTED]
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