I believe this approach could also work properly:
<< <c d g>1\arpeggio~ \\ s1 >> | << <c d g>1\fermata \\ {r2 r4 b'32 (c d
e f g a b)} >>
i.e., a second "space" voice is added to the first compass. However,
don't take it as example of good style, since I've just started to learn
Lily.
Best,
Maurício
Rainer Hahnekamp wrote:
Hi Kieren,
thank you very much vor answer. (...)
Greetings,
Rainer
Kieren MacMillan wrote: (...)
I've following code:
<c d g>1\arpeggio ~ | << <c d g>1\fermata \\ {r2 r4 b'32 (c d e f g
a b)} >>
According to the documentation the two "<c d g>" should be tied.
Unfortunately this is not the case.
(...)
using \new Voice -- this ensures that anything before
the \new Voice command is considered part of the Voice that existed
before the <<>> block began, and so the tie knows where to terminate.
Does that make sense?
Or, at the very least, does it explain why you're seeing what you're
seeing? =)
Best regards,
Kieren.
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