Steve D wrote:
Thank you Kieren for that explanation. What about the converse case,
where a tie begins inside a << { } \new Voice { } >> construct, at the
end (in the second voice, and one wishes the tie to continue to the next
note or chord outside that simultaneous music construct, like--
\relative c'' {
\time 4/4
<< { c2 r2 } \new Voice { e,4 f g <ees g bes>~ } >> |
<ees g bes>1 |
}
It's exactly the same idea, keep notes that belong to the
same musical voice in the same Voice context. In your case,
the simplest method is to move "\new Voice" in front of the
{c2 r2}. (However, you have to be extra careful if you start
your <<...>> at the top of the piece, since LilyPond automatically
tries to create Voice contexts. You probably have to explicitly
say
\new Voice \relative c'' {
\time 4/4
<< \new Voice { c2 r2 } { e,4 f g <ees g bes>~ } >> |
<ees g bes>1 |
}
/Mats
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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