Knute,
Yes! Thank you. Mark From: Knute Snortum <ksnor...@gmail.com> Sent: Sunday, January 19, 2025 3:52 PM To: carsonm...@ca.rr.com Cc: lilypond-user@gnu.org Subject: Re: cross voice On Sun, Jan 19, 2025 at 2:54 PM <carsonm...@ca.rr.com <mailto:carsonm...@ca.rr.com> > wrote: Hello all, Using explicit voices I am engraving a four-voice fugue, BWV 911. The e-flat quaver in the alto starts the theme (inverted) that continues in the next measure in the tenor. How can I keep the beaming intact throughout the theme? Thank you for your kind attention. Mark It's kind of difficult to advise you without a tiny example or knowing what you've tried to do, but I would attack the problem with two temporary voices in the alto, one that descends into the bass clef and a new voice that holds the rest and f-sharp. -- Knute Snortum
