On Sun, Jan 19, 2025 at 2:54 PM <carsonm...@ca.rr.com> wrote: > Hello all, > > > > Using explicit voices I am engraving a four-voice fugue, BWV 911. > > The e-flat quaver in the alto starts the theme (inverted) that continues > in the next measure in the tenor. > > How can I keep the beaming intact throughout the theme? > > > > Thank you for your kind attention. > > > > Mark > > > > It's kind of difficult to advise you without a tiny example or knowing what you've tried to do, but I would attack the problem with two temporary voices in the alto, one that descends into the bass clef and a new voice that holds the rest and f-sharp.
-- Knute Snortum
