On Thu, 25 Feb 2021 at 14:11, David Wright <lily...@lionunicorn.co.uk>
wrote:
> Apart from your commandline, we also need to know what and how you
> installed the version you're using. If it helps, I installed the
> downloaded file lilypond-2.22.0-1.linux-64.sh with the commands:
>
> $ cd ~
> $ bash .../lilypond-2.22.0-1.linux-64.sh --prefix
> lilypond-2.22.0-1.linux-64
>
> ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
I had followed the instructions here:
https://lilypond.org/download/binaries/linux-64/lilypond-2.22.0-1.linux-64.sh
But omitted your --prefix
newmend.ly now compiles without error and the resulting pdf appears perfect
to me. Thanks a lot for that.
But there is still something wrong with my understanding. When I compile
the attached with 2.22, Lily complains of a barcheck fail at 15,30 :-(
I cannot see the difference between the approach taken in newmend.ly and
mill.mill.o.ly. Can it have something to do with 6/8 in the first tune
and 4/4 in the second?
Surely \partial 8*2 d8. [ e16 ] | is correct?
Sorry I am making such heavy weather of this. I have tried following the
examples here:
https://music.stackexchange.com/questions/106875/how-to-write-a-pickup-measure-with-5-16-duration-in-lilypond
--
Thanks.
____________________________
Joe McCool CEng, MIMarEST, SMIEEE
www.tangentengineering.co. <http://www.tangentengineering.co.uk>uk
(44)7802572441
\version "2.18.2"
% automatically converted by musicxml2ly from test.xml
\header {
encoder = "abc2xml version 226"
encodingdate = "2021-02-15"
title = "Mill Mill O, The"
}
mill_mill_o = \relative d'' {
\tempo 4 = 120
\key d \major
\time 4/4
\repeat volta 2 {
\partial 8*2 d8. [ e16 ] | %!. %%| % 2
fis4 a,8. [ b16 ] a4. d8 | %%| % 3
b8. [ a16 ] b16 [ d8. ] e4 d8. [ e16 ] | %%| % 4
fis4 a,4 g'8. [ fis16 e8 d8 ] | %%| % 5
b4. cis8 d2 |
}
\break
\partial 8*1 a8 | %!*7 %%| % 7
d8. [ e16 fis8 g8 ] a4. a8 | %%| % 8
g8. [ fis16 ] e16 [ d8. ] e4 a,4 | %%| % 9
d8. [ e16 fis8 g8 ] a4. g8 | %\barNumberCheck #10
fis4. g8 a4. a,8 |
d8. [ e16 fis8 g8 ] a4. a8 | %%| % 12
b8. [ a16 g8 fis8 ] e4 d8. [ e16 ] | %%| % 13
fis4. a8 g8 [ fis8 e8 d8 ] | %%| % 14
b4. cis8 d2 | %\bar "%%|%%|"
}
mill_mill_o_chords = \chordmode {
\set noChordSymbol = ""
\repeat volta 2 {
\partial 8*1 r8 r8 %%| % 2
d4:5 r4 r r %%| % 3
g8:5 r r r a4:5 r4 %%| % 4
d4:5 r4 g8:5 r r r %%| % 5
a4:5 r4 d4:5 r4
}
\partial 8*1 r8 %%| % 7
d8:5 r r r r r r r %%| % 8
g8:5 r r r a4:5 r8 r %%| % 9
d8:5 r r r a4:5 r8 r %%| \barNumberCheck #10
d4:5 r4 a4:5 r8 r %%| % 11
d8:5 r r r r r r r %%| % 12
g8:5 r r r a4:5 r8 r %%| % 13
d4:5 r8 r g8:5 r r r %%| % 14
a4:5 r8 r d4:5 r \bar "%%|%%|"
}
mill_mill_o_final = {
<<
\new ChordNames {
\set chordChanges = ##t
\mill_mill_o_chords
}
\new Voice = "one" { \mill_mill_o}
>>
}
\score {
\mill_mill_o_final
\header {
piece = "mill_mill_o"
}
\layout {
indent = #0
line-width = #180
ragged-last = ##t
}
}
\score {
\unfoldRepeats
{
\mill_mill_o_final
\mill_mill_o_final
\mill_mill_o_final
}
\midi{}
}
\markup{filename: mill.mill.o.ly}
