Sorry, forgot the list...
Lukas-Fabian Moser <l...@gmx.de> schrieb am Mo., 29. Juni 2020, 22:08:
> Hi David,
>
> I can't figure out how to get the tie between the G's, without breaking
>> the double stops in the first measure into two separate voices, and so
>> breaking their stems. Can someone show me how to do this?
>>
>
> \version "2.20"
>
> \relative {
> \key g \major
> \omit Staff.TimeSignature
> <c''! e,>8.( <a c,>16) <a c,>2^( <g bes,>4~
> \voices "",2 << { g f) } \\ a,2 >> c4( d)
> }
>
> [image: grafik.png]
>
>
>
>> It may be debatable whether it should be notated this way. I think it
>> should. (It's from the Glière cello duos, op. 53.) But my question is
>> how to do it, assuming this is desired result.
>>
>
> No, I'd say this is a perfectly standard way of notating music for
> instruments that _can_ do polyphony. Piano pieces (e.g. by Schumann) are
> full of examples like these, and one might say that this is not the area
> where LilyPond particularly shines: It often involves trickery with hidden
> duplicated notes etc. But in this case, it works relatively straightforward.
>
> If it matters, I'm using version 2.20.
>>
>
> The command \voices I am using above was added by David Kastrup during the
> 2.19.xx cylce. It's also possible to avoid it using 2.18.2 constructs: you
> only have to refrain from using the \\ shortcut (because this creates named
> voices and makes it impossible to continue the main voice):
>
> \version "2.18.2"
>
> \relative {
> \key g \major
> \omit Staff.TimeSignature
> <c''! e,>8.( <a c,>16) <a c,>2^( <g bes,>4~
> << { g f) } \new Voice { \voiceTwo a,2 } >> c4( d)
> }
>
> Lukas
>
