David Zelinsky <dzp...@dedekind.net> writes:
> I've done some reasonably complicated things in Lilypond, but still have
> lots to learn. My current conundrum is to typeset the attached snippet.
> I can't figure out how to get the tie between the G's, without breaking
> the double stops in the first measure into two separate voices, and so
> breaking their stems. Can someone show me how to do this?
>
> It may be debatable whether it should be notated this way. I think it
> should. (It's from the Glière cello duos, op. 53.) But my question is
> how to do it, assuming this is desired result.
>
> If it matters, I'm using version 2.20.
Just keep most stuff in the main voice, like
\fixed c' \new Voice = "main"
{
\key g \major
<e c'!>8.( <c a>16)
\voiceOne
<c a>2\( <bes, g>4~ |
\voices "main", 2 << { g4 f\) } \\ a,2 >>
\oneVoice
c4( d)
}
--
David Kastrup
