Hi all,

I’m by no means a seasoned Lilypond pro but I’ve been exploring how the
program handles beams. In the essay, the 1950 Barenreiter Bach cello suite
edition is held up as a benchmark of high quality engraving. Seeing this
really helps the user understand why Lilypond’s default slurs are shaped
the way they are (not overly curvaceous). However, when I entered the first
few systems, the beaming was much steeper than in the Barenreiter. It only
started looking closer to it when I put a blank measure on the end (three
measures to system = tighter spacing). I then tried the various tweaking
parameters for beams which worked fine on a beam-to-beam basis. What I’m
curious about is whether or not Lilypond can be set to produce beaming
closer to the Barenreiter without quite as much intervention. For example,
the damping factor didn’t respond very sensitively when I tried using
decimal points.

Does anyone have any ideas? Thanks!

C
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